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Sara Mingardo|Fano: La mia sera

Fano: La mia sera

Sara Mingardo

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Guido Alberto Fano (1875-1961) is a barely remembered member of the cohort of Italian composers (including Respighi, Pizzetti, and Casella) that followed Puccini and the verismo composers who had flourished around the turn of the century. While he sought to distance himself from what he saw as the facile popular style of Italian song typified by composers like Francesco Tosti, his melodic and harmonic language remained tonal, and his musical language was hardly as forward-looking as Puccini's. Fano had a flair for drama and was clearly skilled in writing for the voice; his melodies are graceful and show off the singer. He had a gift for melody, as is evidenced in sections of the songs that soar. Among the most effective works is the seven-minute "Genere umano addio," a powerfully dramatic and memorable song that demonstrates what Fano could do at his best, and some of the discrete sections of the long songs are lovely. Contralto Sara Mingardo makes the strongest possible case for the composer in her impassioned, insightful performances. Her dark amber voice is warmly expressive, colorful, rich, and pure, with none of the chesty sound that characterizes some contraltos. It's a splendid, deeply invested performance. Pianist Aldo Orvieto provides supple and sympathetic accompaniments, some of which are reductions of orchestral parts. The sound is balanced, warm, and realistic.
© TiVo

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Fano: La mia sera

Sara Mingardo

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Il sogno della vergine (Guido Alberto Fano)

1
Il sogno della vergine
Sara Mingardo
00:10:59

Sara Mingardo, Artist, MainArtist - Aldo Orvieto, Artist - Guido Alberto Fano, Composer

(C) 2011 Stradivarius (P) 2011 Stradivarius

Nebbia (Guido Alberto Fano)

2
Nebbia
Sara Mingardo
00:04:56

Sara Mingardo, Artist, MainArtist - Aldo Orvieto, Artist - Guido Alberto Fano, Composer

(C) 2011 Stradivarius (P) 2011 Stradivarius

La mia sera (Guido Alberto Fano)

3
La mia sera
Sara Mingardo
00:13:16

Sara Mingardo, Artist, MainArtist - Aldo Orvieto, Artist - Guido Alberto Fano, Composer

(C) 2011 Stradivarius (P) 2011 Stradivarius

Lungi lungi (Guido Alberto Fano)

4
Lungi lungi
Aldo Orvieto
00:09:22

Sara Mingardo, Artist - Aldo Orvieto, Artist, MainArtist - Guido Alberto Fano, Composer

(C) 2011 Stradivarius (P) 2011 Stradivarius

Passa la nave mia (Guido Alberto Fano)

5
Passa la nave mia
Aldo Orvieto
00:03:01

Sara Mingardo, Artist - Aldo Orvieto, Artist, MainArtist - Guido Alberto Fano, Composer

(C) 2011 Stradivarius (P) 2011 Stradivarius

Vere novo (Guido Alberto Fano)

6
Vere novo
Aldo Orvieto
00:02:40

Sara Mingardo, Artist - Aldo Orvieto, Artist, MainArtist - Guido Alberto Fano, Composer

(C) 2011 Stradivarius (P) 2011 Stradivarius

Ad Annie (Guido Alberto Fano)

7
Ad Annie
Aldo Orvieto
00:02:50

Sara Mingardo, Artist - Aldo Orvieto, Artist, MainArtist - Guido Alberto Fano, Composer

(C) 2011 Stradivarius (P) 2011 Stradivarius

Genere umano addio (Guido Alberto Fano)

8
Genere umano addio
Aldo Orvieto
00:07:40

Sara Mingardo, Artist - Aldo Orvieto, Artist, MainArtist - Guido Alberto Fano, Composer

(C) 2011 Stradivarius (P) 2011 Stradivarius

Albumbeschreibung

Guido Alberto Fano (1875-1961) is a barely remembered member of the cohort of Italian composers (including Respighi, Pizzetti, and Casella) that followed Puccini and the verismo composers who had flourished around the turn of the century. While he sought to distance himself from what he saw as the facile popular style of Italian song typified by composers like Francesco Tosti, his melodic and harmonic language remained tonal, and his musical language was hardly as forward-looking as Puccini's. Fano had a flair for drama and was clearly skilled in writing for the voice; his melodies are graceful and show off the singer. He had a gift for melody, as is evidenced in sections of the songs that soar. Among the most effective works is the seven-minute "Genere umano addio," a powerfully dramatic and memorable song that demonstrates what Fano could do at his best, and some of the discrete sections of the long songs are lovely. Contralto Sara Mingardo makes the strongest possible case for the composer in her impassioned, insightful performances. Her dark amber voice is warmly expressive, colorful, rich, and pure, with none of the chesty sound that characterizes some contraltos. It's a splendid, deeply invested performance. Pianist Aldo Orvieto provides supple and sympathetic accompaniments, some of which are reductions of orchestral parts. The sound is balanced, warm, and realistic.
© TiVo

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