Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
Cinema Serenade came to be as a result of the 1992 collaboration of the world's premier film composer, John Williams, with one of the world's finest violinists, Itzhak Perlman, on the score for Steven Spielberg's Holocaust epic Schindler's List. The duo reunited to create a collection of excerpts from a variety of different film scores presented in new arrangements that are centered around Perlman's violin. Williams arranged most of the numbers and conducted the Pittsburgh Symphony Orchestra. The selections are a strange hodgepodge culled haphazardly from some 50 years of film history. As you might expect, the theme from Schindler's List is included. And it's not surprising to find Oscar honored scores like Out of Africa (John Barry) or Il Postino (Luis Bacalov), The Age of Innocence (Elmer Bernstein) and The Color Purple (Quincy Jones, Jeremy Lubbock, Rodney Templeton, Jeff Rosenbaum). But some of the other selections are less predictable. There are songs from musical comedies ("Papa Can You Hear From Me?" from Yentl, "I Will Wait for You" from The Umbrellas of Cherbourg). There is a Carlos Gardel tango that was used briefly in Scent of a Woman, but was not composed for a film. Most rewardingly, there are some memorable musical selections from the oft-neglected realm of foreign film. In addition to Bacalov's theme from Il Postino, a beautifully sentimental melody with tango-like flourishes, there are excerpts from Luis Bonfa's Black Orpheus, Andrea Morricone's Cinema Paradiso, and Andre Previn's Four Horsemen of the Apocalypse. Perlman's gorgeous solos add breadth and scope to nearly all of the compositions, demonstrating that they work as well in the concert hall as they did in the movie theater. The only real lightweight pieces included were both composed by Williams himself. Far and Away and Sabrina are hardly the brightest points in Williams' career; the scores were nearly as forgettable as the films themselves. (The latter did receive an Oscar nomination for best musical or comedy score, but it never would have been selected if anyone else had written it.) But fans of film music will generally be pleased by this collection, and in some cases may prefer the Perlman versions to the originals.
© Evan Cater /TiVo
Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen
Downloaden Sie die Qobuz App
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Laraine Perri, Executive Producer - Jeremy Lubbock, Composer - Joel Rosenbaum, Composer - Itzhak Perlman, Performer - Itzhak Perlman, Violin - QUINCY JONES (b.1933), Composer - Thomas Frost, Producer - John Williams, Conductor - John Williams, Performer - John Williams, Arranger - Rodney Temperton, Composer - Pittsburgh Symphony Orchestra, Performer
(P) 1997 Sony Music Entertainment
Laraine Perri, Executive Producer - John Williams, Conductor - John Williams, Arranger - John Williams, Performer - Pittsburgh Symphony Orchestra, Performer - Itzhak Perlman, Performer - Itzhak Perlman, Violin - Thomas Frost, Producer - Carlos Gardel, Composer
(P) 1997 Sony Music Entertainment
Laraine Perri, Executive Producer - John Williams, Conductor - John Williams, Arranger - John Williams, Performer - Pittsburgh Symphony Orchestra, Performer - Itzhak Perlman, Performer - Itzhak Perlman, Violin - MICHEL LEGRAND (b. 1932), Composer - Thomas Frost, Producer
(P) 1997 Sony Music Entertainment
Laraine Perri, Executive Producer - LUIS BACALOV (c. 20th Century), Composer - John Williams, Conductor - John Williams, Arranger - John Williams, Performer - Pittsburgh Symphony Orchestra, Performer - Itzhak Perlman, Performer - Itzhak Perlman, Violin - Thomas Frost, Producer
(P) 1997 Sony Music Entertainment
Laraine Perri, Executive Producer - John Williams, Conductor - John Williams, Performer - Elmer Bernstein, Arranger - Elmer Bernstein, Composer - Pittsburgh Symphony Orchestra, Performer - Itzhak Perlman, Performer - Itzhak Perlman, Violin - Thomas Frost, Producer
(P) 1997 Sony Music Entertainment
John Williams, Composer - John Williams, Conductor - John Williams, Arranger - John Williams, Performer - Pittsburgh Symphony Orchestra, Performer - Itzhak Perlman, Performer - Itzhak Perlman, Violin - Thomas Frost, Producer
(P) 1997 Sony Music Entertainment
Laraine Perri, Executive Producer - John Williams, Conductor - John Williams, Performer - Angela Morley, Arranger - MICHEL LEGRAND (b.1932), Composer - Pittsburgh Symphony Orchestra, Performer - Itzhak Perlman, Performer - Itzhak Perlman, Violin - Thomas Frost, Producer
(P) 1997 Sony Music Entertainment
Laraine Perri, Executive Producer - John Williams, Conductor - Pittsburgh Symphony Orchestra, Performer - Itzhak Perlman, Violin - Thomas Frost, Producer - André Previn, Composer
(P) 1997 Sony Music Entertainment
Laraine Perri, Executive Producer - John Williams, Composer - John Williams, Conductor - John Williams, Performer - Pittsburgh Symphony Orchestra, Performer - Itzhak Perlman, Performer - Itzhak Perlman, Violin - Thomas Frost, Producer
(P) 1997 Sony Music Entertainment
Laraine Perri, Executive Producer - John Williams, Conductor - John Williams, Performer - John Barry, Composer - Angela Morley, Arranger - Pittsburgh Symphony Orchestra, Performer - Itzhak Perlman, Performer - Itzhak Perlman, Violin - Thomas Frost, Producer
(P) 1997 Sony Music Entertainment
Laraine Perri, Executive Producer - LUIS BONFA (c. 20th Century), Composer - John Williams, Conductor - John Williams, Arranger - John Williams, Performer - Pittsburgh Symphony Orchestra, Performer - Itzhak Perlman, Performer - Itzhak Perlman, Violin - Thomas Frost, Producer
(P) 1997 Sony Music Entertainment
John Williams, Composer - John Williams, Conductor - John Williams, Performer - Pittsburgh Symphony Orchestra, Performer - Itzhak Perlman, Performer - Itzhak Perlman, Violin - Thomas Frost, Producer
(P) 1997 Sony Music Entertainment
Laraine Perri, Executive Producer - John Williams, Conductor - John Williams, Performer - Angela Morley, Arranger - Ennio Morricone, Composer - Pittsburgh Symphony Orchestra, Performer - Itzhak Perlman, Performer - Itzhak Perlman, Violin - Thomas Frost, Producer
(P) 1997 Sony Music Entertainment
Albumbeschreibung
Cinema Serenade came to be as a result of the 1992 collaboration of the world's premier film composer, John Williams, with one of the world's finest violinists, Itzhak Perlman, on the score for Steven Spielberg's Holocaust epic Schindler's List. The duo reunited to create a collection of excerpts from a variety of different film scores presented in new arrangements that are centered around Perlman's violin. Williams arranged most of the numbers and conducted the Pittsburgh Symphony Orchestra. The selections are a strange hodgepodge culled haphazardly from some 50 years of film history. As you might expect, the theme from Schindler's List is included. And it's not surprising to find Oscar honored scores like Out of Africa (John Barry) or Il Postino (Luis Bacalov), The Age of Innocence (Elmer Bernstein) and The Color Purple (Quincy Jones, Jeremy Lubbock, Rodney Templeton, Jeff Rosenbaum). But some of the other selections are less predictable. There are songs from musical comedies ("Papa Can You Hear From Me?" from Yentl, "I Will Wait for You" from The Umbrellas of Cherbourg). There is a Carlos Gardel tango that was used briefly in Scent of a Woman, but was not composed for a film. Most rewardingly, there are some memorable musical selections from the oft-neglected realm of foreign film. In addition to Bacalov's theme from Il Postino, a beautifully sentimental melody with tango-like flourishes, there are excerpts from Luis Bonfa's Black Orpheus, Andrea Morricone's Cinema Paradiso, and Andre Previn's Four Horsemen of the Apocalypse. Perlman's gorgeous solos add breadth and scope to nearly all of the compositions, demonstrating that they work as well in the concert hall as they did in the movie theater. The only real lightweight pieces included were both composed by Williams himself. Far and Away and Sabrina are hardly the brightest points in Williams' career; the scores were nearly as forgettable as the films themselves. (The latter did receive an Oscar nomination for best musical or comedy score, but it never would have been selected if anyone else had written it.) But fans of film music will generally be pleased by this collection, and in some cases may prefer the Perlman versions to the originals.
© Evan Cater /TiVo
Informationen zu dem Album
- 1 Disc(s) - 13 Track(s)
- Gesamte Laufzeit: 00:53:26
- Künstler: Itzhak Perlman John Williams
- Komponist: Various Composers
- Label: Sony Classical
- Genre: Klassik
(P) 1997 SONY BMG MUSIC ENTERTAINMENT
Verbesserung der Albuminformationen
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.