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When Californian Teddy Abrams, perhaps the youngest conductor of a major American orchestra, came to Kentucky, Louisville Orchestra supporters wondered whether he would seek to capitalize on the orchestra's existing renown in the field of contemporary music, or begin to cultivate the kind of broadly accessible repertoire that has benefited Giancarlo Guerrero's Nashville Symphony, among others. With All In, strikingly, he does both, and it would seem that if he could not find concert music that exactly filled the bill for what he was looking for, he simply wrote some himself. All In is not a crossover album, but something more ambitious: an album that programs classical and popular selections together and attempts to make sense of them together. Gershwin isn't present on the program, but he seems to be one of the influences on Abrams' opening Unified Field, with its jazzy piano part. Jazz is present, too, in Copland's Concerto for clarinet and string orchestra with harp and piano, but before you get there the program switches into full pop mode in the hands of a television voice competition with the unlikely name of Storm Large. It's novel that one of her two songs, A Woman's Heart, is of her own composition; the other is by Cole Porter. The classical and popular selections seem to flow naturally from one to the other, not to clash, and one is eager to hear further experiments from Abrams in this vein.
© TiVo
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Unified Field (Teddy Abrams)
John Newton, Engineer, StudioPersonnel - Mark Donahue, Mixer, StudioPersonnel - Louisville Orchestra, Orchestra, MainArtist - Blanton Alspaugh, Producer, Engineer, StudioPersonnel - Teddy Abrams, Composer, Conductor, MainArtist, ComposerLyricist
℗ 2017 Louisville Orchestra
John Newton, Engineer, StudioPersonnel - Mark Donahue, Mixer, StudioPersonnel - Louisville Orchestra, Orchestra, MainArtist - Blanton Alspaugh, Producer, Engineer, StudioPersonnel - Teddy Abrams, Composer, Conductor, MainArtist, ComposerLyricist
℗ 2017 Louisville Orchestra
John Newton, Engineer, StudioPersonnel - Mark Donahue, Mixer, StudioPersonnel - Louisville Orchestra, Orchestra, MainArtist - Blanton Alspaugh, Producer, Engineer, StudioPersonnel - Teddy Abrams, Composer, Conductor, MainArtist, ComposerLyricist
℗ 2017 Louisville Orchestra
John Newton, Engineer, StudioPersonnel - Mark Donahue, Mixer, StudioPersonnel - Louisville Orchestra, Orchestra, MainArtist - Blanton Alspaugh, Producer, Engineer, StudioPersonnel - Teddy Abrams, Composer, Conductor, MainArtist, ComposerLyricist
℗ 2017 Louisville Orchestra
John Newton, Engineer, StudioPersonnel - Stephen Taylor, Arranger, Work Arranger - Mark Donahue, Mixer, StudioPersonnel - Louisville Orchestra, Orchestra, MainArtist - Blanton Alspaugh, Producer, Engineer, StudioPersonnel - Storm Large, Composer, Author, Vocals, MainArtist, AssociatedPerformer - Teddy Abrams, Conductor, MainArtist
℗ 2017 Louisville Orchestra
Cole Porter, ComposerLyricist - John Newton, Engineer, StudioPersonnel - Mark Donahue, Mixer, StudioPersonnel - Louisville Orchestra, Orchestra, MainArtist - Blanton Alspaugh, Producer, Engineer, StudioPersonnel - Storm Large, Vocals, MainArtist, AssociatedPerformer - Teddy Abrams, Conductor, MainArtist
℗ 2017 Louisville Orchestra
John Newton, Engineer, StudioPersonnel - Mark Donahue, Mixer, StudioPersonnel - Louisville Orchestra, Orchestra, MainArtist - Blanton Alspaugh, Producer, Engineer, StudioPersonnel - Storm Large, Vocals, MainArtist, AssociatedPerformer - Teddy Abrams, Conductor, MainArtist, ComposerLyricist
℗ 2017 Louisville Orchestra
John Newton, Engineer, StudioPersonnel - Aaron Copland, Composer - Mark Donahue, Mixer, StudioPersonnel - Louisville Orchestra, Orchestra, MainArtist - Blanton Alspaugh, Producer, Engineer, StudioPersonnel - Teddy Abrams, Clarinet, MainArtist, AssociatedPerformer - Jason Seber, Conductor, MainArtist
℗ 2017 Louisville Orchestra
Albumbeschreibung
When Californian Teddy Abrams, perhaps the youngest conductor of a major American orchestra, came to Kentucky, Louisville Orchestra supporters wondered whether he would seek to capitalize on the orchestra's existing renown in the field of contemporary music, or begin to cultivate the kind of broadly accessible repertoire that has benefited Giancarlo Guerrero's Nashville Symphony, among others. With All In, strikingly, he does both, and it would seem that if he could not find concert music that exactly filled the bill for what he was looking for, he simply wrote some himself. All In is not a crossover album, but something more ambitious: an album that programs classical and popular selections together and attempts to make sense of them together. Gershwin isn't present on the program, but he seems to be one of the influences on Abrams' opening Unified Field, with its jazzy piano part. Jazz is present, too, in Copland's Concerto for clarinet and string orchestra with harp and piano, but before you get there the program switches into full pop mode in the hands of a television voice competition with the unlikely name of Storm Large. It's novel that one of her two songs, A Woman's Heart, is of her own composition; the other is by Cole Porter. The classical and popular selections seem to flow naturally from one to the other, not to clash, and one is eager to hear further experiments from Abrams in this vein.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 8 Track(s)
- Gesamte Laufzeit: 00:45:39
- 1 digitales Booklet
- Künstler: Louisville Orchestra Teddy Abrams
- Komponist: Various Composers
- Label: UMC - Decca Gold
- Genre: Klassik
© 2017 UMG Recordings, Inc. ℗ 2017 Louisville Orchestra
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