Ignaz Friedman
Ignaz (or Ignacy) Friedman was one of the most important pianists from the early decades of the twentieth century, ranking in stature with such keyboard stalwarts as Josef Hofmann, Sergey Rachmaninov, Josef Lhevinne, and Leopold Godowsky. His contemporaries were among his greatest admirers: Horowitz, a friend but generally taciturn in offering praise to rivals, was said to have assessed Friedman's technique as stronger than his own. Friedman was also a composer with a fairly substantial output, mainly of piano works or of chamber music involving the piano. He also transcribed many compositions for his instrument and edited Chopin's complete piano works, as well as selected ones by Beethoven, Liszt, and others.
Friedman was from the same place of birth as Josef Hofmann. Young Ignaz was drawn to music early on, no doubt because of his musician father, who was a member of a local orchestra. Friedman's first significant instruction on piano came from Flora Grzywinska in Kraków. He enrolled at the Leipzig Conservatory in 1900, where he studied composition with Hugo Riemann. The following year, he left for Vienna to study with composer and piano pedagogue Theodore Leschetizky. After three years of instruction from him, Friedman decided to launch his career in Vienna in November 1904, with performances of the Brahms, Liszt, and Tchaikovsky first piano concertos. His playing was enthusiastically received, as were the several encores he performed in between the concertos and at the close. The following year, he went on tour, thereafter rarely dropping out of the public eye, appearing with orchestras and giving recitals mainly in Europe until the 1920s, when he expanded his schedule to include concert dates in the United States, Australia, New Zealand, Asia (including Japan), and parts of the Middle East. More than a few of his contemporaries would wonder at the energy he displayed to remain on tour almost constantly until 1943. He established residence in Berlin around 1905, but fled Germany in 1914 at the onset of World War I to settle in Copenhagen. While Friedman is hardly remembered as a composer, he did produce several interesting works, perhaps the most compelling of which came during the war years, a piano quintet, published in Leipzig in 1918. In 1920, Friedman gave his first concert tour of the United States, which paved the way for 11 return trips in the next two decades. On one of them, in 1923, he made his first recording (Schubert/Liszt -- Hark, Hark! The Lark!) for Columbia Records. In 1925-1926, he recorded more music for the same label, including Chopin's Etude No. 7 in C, Op. 10, and Etude No. 12 in C minor "Revolutionary," as well as works by Mozart and Scarlatti. He would go on to record such staples as the Grieg piano concerto, the Beethoven Sonata No. 14 "Moonlight," and Liszt's La campanella (arr. Busoni). By 2002, these works -- and the entire recorded legacy of Friedman -- were available on reissues on various labels. Friedman remained as active in the 1930s as in the previous decades, but as political tensions grew in Europe, he decided to resettle once more, this time in Australia. There, and in New Zealand, he gave many successful concerts, some of which were broadcast. In 1943, Friedman retired from concert activity, owing to a partially debilitating paralysis in his left hand.
© TiVo
Discographie
15 album(s) • Trié par Meilleures ventes
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Ignaz Friedman - Complete Recordings 1923-1941
Classique - Paru chez Danacord Records le 4 févr. 2020
16-Bit CD Quality 44.1 kHz - Stereo -
FRIEDMAN, Ignaz: Complete Recordings, Vol. 5: English Columbia Recordings (1933-1936)
Classique - Paru chez Naxos le 18 avr. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Liszt & Chopin: Works for Piano
Classique - Paru chez Nimbus Records le 1 janv. 1996
16-Bit CD Quality 44.1 kHz - Stereo -
Columbia & Brunswick Masters
Bronislaw Huberman, Ignaz Friedman, Siegfried Schultze
Musique de chambre - Paru chez Biddulph Recordings le 24 juil. 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Ignaz Friedman Performs Original Piano Works
Classique - Paru chez Torill Music le 23 juin 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Chopin : Mazurkas (1928-1930)
Classique - Paru chez Naxos le 23 janv. 2003
16-Bit CD Quality 44.1 kHz - Stereo -
MENDELSSOHN: Songs without Words (Friedman) (1930-1931)
Ignaz Friedman, Bronisław Huberman
Classique - Paru chez Naxos le 20 juil. 2004
16-Bit CD Quality 44.1 kHz - Stereo -
The Polish Virtuoso
Ignaz Friedman, Josef Hofmann, Ignacy Jan Paderewski
Classique - Paru chez Nimbus Records le 1 janv. 1995
16-Bit CD Quality 44.1 kHz - Stereo -
Bach, Schubert & Others: Violin Works
Bronisław Huberman, Siegfried Schultze, Ignaz Friedman
Musique de chambre - Paru chez Biddulph Recordings le 30 août 1993
16-Bit CD Quality 44.1 kHz - Stereo -
Frédéric Chopin: 12 Mazurkas, Berceuse, Preludes, Etudes, Valse, Polonaise and Ballade
Classique - Paru chez Mangora Classical le 1 janv. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
BEETHOVEN: 'Moonlight' Sonata / CHOPIN: Mazurkas (Friedman) (1923-1926)
Classique - Paru chez Naxos le 13 juil. 2002
16-Bit CD Quality 44.1 kHz - Stereo -
Beethoven, bach, schubert, chopin, bruch & elgar: violin sonata no. 9 'kreutzer' & encores
Ignaz Friedman, Bronislaw Huberman, Siegfried Schultze
Classique - Paru chez Infinity le 6 juin 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Notturni
Leopold Godowsky, Vladimir De Pachmann, Ignaz Friedman, Ignacy Jan Paderewski
Classique - Paru chez Scaccomatto le 15 mai 2016
16-Bit CD Quality 44.1 kHz - Stereo -
Beethoven & Encores by Bach, Brahms, Bruch, Chopin, Elgar, Schubert
Bronislaw Huberman, Ignaz Friedman, Siegfried Schultze
Classique - Paru chez Altair le 18 août 2023
16-Bit CD Quality 44.1 kHz - Stereo -
Piano Concerto / CHOPIN
Ignaz Friedman, Philippe Gaubert
Classique - Paru chez Naxos le 20 oct. 2002
16-Bit CD Quality 44.1 kHz - Stereo