Gary Lewis & The Playboys
It would be difficult to find a rock & roll star -- and that was what he was for two years in the mid-'60s -- less likely than Gary Lewis, or a less probable chart-topping act than Gary Lewis & the Playboys. Lewis himself was possessed of a limited singing range, but with a lot of help he managed to make some exceptionally good (and good-selling) records out of Los Angeles in the midst of the British Invasion, and teenagers loved him. He was the son of actor/comedian/director/producer Jerry Lewis, who was then one of the most popular entertainers in the country. Gary Lewis was born in 1946, before his father's ascent to the top of the entertainment world, but by the time he reached his teens -- and had begun playing drums and leading a combo of his own, which included Dave Walker on rhythm guitar and Dave Costell on lead, Al Ramsey on bass, and John West on the cordovox (a kind of electric accordion) -- Jerry Lewis was a major star and one of the hottest box office and television attractions in the world.
Gary and his band got a gig during the summer of 1964 playing at Disneyland, and that engagement, coupled with some urging by the elder Lewis, helped get the band a hearing from Snuff Garrett, a top producer at Liberty Records. Garrett saw some possibilities for the group and encouraged them to work in the studio to develop a sound. Lewis even got some pointers in his approach to his instrument by no less a figure than Buddy Rich. It finally happened for them late in 1964 with a song called "This Diamond Ring," co-authored (with the Drifters in mind) by a young Al Kooper. The resulting record found Lewis singing (with lots of doubling of his voice) and the Playboys playing on some of the basic tracks; far more prominent were Hal Blaine on timpani and arranger Leon Russell dubbing much of what was left. The album was nonetheless a career-making smash.
"This Diamond Ring" hit number one on the charts in early 1965, right in the middle of the British Invasion, and introduced Lewis to the public. It also gave him a singing persona that was especially appealing to preteens and younger teenagers as a kind of likable nerd, not unlike the pose adopted by Peter Noone of Herman's Hermits. Every boy under age 16 whose voice ever tightened up or even squeaked slightly while asking out a girl they liked -- or who simply feared being unlucky in love -- could identify with the persona that Lewis presented, while girls adored him as someone "safe." In a sense, Lewis was a successor to such teen pop idols as Fabian and Frankie Avalon, with a touch of Beaver Cleaver-ish nerdiness that fit well in the early to mid-'60s. It was all a long way from what the Rolling Stones or even the Beatles were doing at the time, but it found an audience that also included parents and other post-teen listeners who appreciated the smoothness and attractiveness of Garrett and Russell's work as producer and arranger, respectively.
The original Playboys, later augmented by Jim Keltner on drums, stayed together for the first seven singles, and Lewis' career remained on track throughout 1966 with an enviable string of hits, including the beautiful "She's Just My Style," which was sort of his graduation from the nerd persona, as well as the point when he gave up playing drums to front the group as a full-time singer. Garrett and Russell kept the records coming and the group even wrangled a movie appearance in A Swingin' Summer, a teen comedy notable for starring Raquel Welch in a key role. Lewis might have sustained his career well into the decade had not the draft intervened. Called into the armed forces in December of 1966, he was forced to record while on leave, and an attempt at extending his career with recordings completed before going overseas failed.
His efforts at updating his sound with the album I'm on the Right Road Now, following his discharge late in 1968, were similarly ignored. In the two years he'd been away, a more formulaic bubblegum pop/rock had emerged from outfits such as the Ohio Express, which more than filled the needs of a new wave of preteens and young teen listeners, and no one wanted to hear Lewis do anything else. After releasing a handful of singles in the early '70s, Lewis became a beloved denizen of the oldies circuit, fronting different groups called the Playboys.
© Bruce Eder /TiVo
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The Legendary Masters Series
Pop - Paru chez EMI - EMI Records (USA) le 1 janv. 1990
16-Bit CD Quality 44.1 kHz - Stereo -
The Best Of Gary Lewis And The Playboys
Pop - Paru chez Capitol Records le 1 janv. 2011
16-Bit CD Quality 44.1 kHz - Stereo -
This Diamond Ring
Rock - Paru chez CAPITOL CATALOG MKT (C92) le 30 nov. 1964
16-Bit CD Quality 44.1 kHz - Stereo -
She's Just My Style
Rock - Paru chez CAPITOL CATALOG MKT (C92) le 1 janv. 1966
16-Bit CD Quality 44.1 kHz - Stereo -
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(You Don't Have To) Paint Me A Picture
Rock - Paru chez CAPITOL CATALOG MKT (C92) le 1 janv. 1966
16-Bit CD Quality 44.1 kHz - Stereo -
A Session With Gary Lewis And The Playboys
Rock - Paru chez CAPITOL CATALOG MKT (C92) le 1 août 1965
16-Bit CD Quality 44.1 kHz - Stereo -
Everybody Loves A Clown
Rock - Paru chez CAPITOL CATALOG MKT (C92) le 1 janv. 1965
16-Bit CD Quality 44.1 kHz - Stereo -
The Liberty Singles Collection (Mono)
Pop - Paru chez Capitol Records le 1 janv. 2010
16-Bit CD Quality 44.1 kHz - Stereo -
Gary Lewis & The Playboys' Sure Gonna Miss Her
Pop - Paru chez Charly Records le 24 juin 2006
16-Bit CD Quality 44.1 kHz - Stereo -
This Diamond Ring
Pop - Paru chez Dance Plant Records Inc le 24 avr. 2012
16-Bit CD Quality 44.1 kHz - Stereo -
New Directions
Rock - Paru chez CAPITOL CATALOG MKT (C92) le 1 janv. 1967
16-Bit CD Quality 44.1 kHz - Stereo -
This Diamond Ring
Rock - Paru chez Classic Records le 24 avr. 2012
16-Bit CD Quality 44.1 kHz - Stereo -
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Three Of A Kind
Gary Lewis & The Playboys, Paul Revere & The Raiders, THE GRASS ROOTS
Rock - Paru chez Goldenlane Records le 1 oct. 2008
16-Bit CD Quality 44.1 kHz - Stereo -
Highlights of Gary Lewis & The Playboys
Pop - Paru chez Weishaupt Music & Entertainment le 20 mars 2017
16-Bit CD Quality 44.1 kHz - Stereo -
This Diamond Ring (2023 Mix) [Acapella] - Single
Rock - Paru chez Cleopatra Records le 22 déc. 2023
24-Bit 44.1 kHz - Stereo -
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She's Just My Style (Live On The Ed Sullivan Show, February 27, 1966)
Pop - Paru chez SOFA - AV Catalog DD le 1 janv. 1966
16-Bit CD Quality 44.1 kHz - Stereo -
This Diamond Ring
Rock - Paru chez Music Company OMP le 14 sept. 2014
16-Bit CD Quality 44.1 kHz - Stereo