Dmitry Kabalevsky
The music of Russian composer and teacher Dmitri Kabalevsky was hailed by Communist authorities as the finest incarnation of their artistic vision. Born in St. Petersburg in 1904, he lived during a notoriously difficult time for composers in that country. In 1918, Kabalevsky moved with his family to Moscow, where he studied at the Scriabin Music School. At the age of 18, Kabalevsky began to compose, primarily for the piano. His early pieces were studies for his young students, a practical facet of his compositional output which would remain with him throughout his career. He entered the Moscow Conservatory in 1925, studying piano with Goldenweiser and composition with Miaskovsky, the latter being particularly influential on Kabalevsky's developing musical outlook. By the end of the 1920s Kabalevsky was gaining notoriety as a composer; in 1928 the premiere of his First Piano Concerto launched him into the forefront of Soviet composers, while at the same time, the charming C major Sonatina for piano brought him international acclaim.
From his appointment to the composition faculty of the Moscow Conservatory in 1932 to his death in 1987, Kabalevsky produced a steady stream of works which sought to embody Soviet musical ideals through the use of diatonic tonality and accessible structural contours. He is perhaps best known for the overture to his opera Colas Breugnon (1936) which Arturo Toscanini conducted worldwide in the 1940s and 1950s. His suite The Comedians (1940), is another well-known work, while the Piano Concerto No. 2 (1935) is likely his finest purely musical achievement. A series of concertos for young players (Violin 1948, Cello 1949, and the Third Piano Concerto of 1952) has greatly enriched the literature for student soloists. Kabalevsky's Requiem, Op. 72, completed in 1962, is a memorial to those who lost their lives during World War II. The text is based on a poem written by Robert Rozhdestvensky.
In addition to his compositional activities, Kabalevsky was a frequent contributor to pedagogical magazines and he held positions on various State educational bodies. Kabalevsky joined the Communist Party in 1940; by 1941 he received the Medal of Honour from the Soviet government for his musical prowess. During World War II, Kabalevsky wrote several inspirational songs and battle hymns. In 1942, his Great Homeland, and Avengers of the People were written to inspire heroism and patriotism. Kabalevsky's popular The Taras Family (1947) used music from the opera In the Fire. It became a success in spite of the 1948 party decree on music, probably because Kabalevsky's music had become more lyrical in nature. Kabalevsky was one of the few well-known Soviet composers who escaped the infamous 1948 condemnation of composers by the Central Committee of the Communist Party. (The scapegoats, including Prokofiev, Shostakovich, Khachaturian, and Miaskovsky were censured for indulging in "decadent formalism.")
Later in life, Kabalevsky became more involved in choral music. Kabalevsky continued to be a force in musical education. He was elected the head of the Commission of Musical Esthetic Education of Children in 1962, as well as being elected president of the Scientific Council of Educational Esthetics in the Academy of Pedagogical Sciences of the U.S.S.R. in 1969. Kabalevsky also received the honorary degree of president of the International Society of Musical Education.
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Discographie
14 album(s) • Trié par Meilleures ventes
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Russian Soul
Daniil Shafran, USSR State Symphony Orchestra, Leningrad Philharmonic Orchestra, Nina Musinyan, Gennady Rozhdestvensky, Dmitry Kabalevsky
Classique - Paru chez Cello Classics le 8 mai 2002
16-Bit CD Quality 44.1 kHz - Stereo -
Kabalevsky: Cello Concerto No. 2, Op. 77 - Prokofiev: Sinfonia Concertante, Op. 125
Daniil Shafran, Leningrad Philharmonic Orchestra, USSR State Symphony Orchestra, Dmitry Kabalevsky, Gennady Rozhdestvensky
Classique - Paru chez Russian Compact Disc le 2 juil. 2021
16-Bit CD Quality 44.1 kHz - Stereo -
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The Comedians
Philharmonic Wind Orchestra, Marc Reift
Classique - Paru chez Marcophon le 20 août 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Dmitry Kabalevsky: Chamber & piano music
Marina Tarasova, Alexander Polezhaev, Murray McLachlan
Musique de chambre - Paru chez Mezhdunarodnaya Kniga Musica le 1 janv. 1994
16-Bit CD Quality 44.1 kHz - Stereo -
Philippe Quint Plays Glazunov & Khachaturian Violin Concertos
Musique concertante - Paru chez Avanticlassic le 17 juin 2016
16-Bit CD Quality 44.1 kHz - Stereo -
Tchaikovsky: Concerto pour piano No. 1, Op. 23 - Kabalevsky: Concerto pour piano No. 3, Op. 50 (Mono Version)
Emil Gilels, Dmitry Kabalevsky, Samuil Samosud
Divers - Paru chez BNF Collection le 1 janv. 1958
24-Bit 96.0 kHz - Stereo -
Piano Masterpieces: Emil Gilels Plays Saint-Saëns, Kabalevski & Mozart (Recorded 1954)
Emil Gilels, Orchestre de la Société des Concerts du Conservatoire, USSR State Radio Symphony Orchestra, André Cluytens, Dmitry Kabalevsky
Musique concertante - Paru chez Jube Classic le 4 févr. 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Khachaturian & Kabalevsky: Concertos pour violon (Mono Version)
David Oïstrakh, Aram Ilyitch Khatchaturian, Dmitry Kabalevsky
Divers - Paru chez BNF Collection le 1 janv. 1961
24-Bit 96.0 kHz - Stereo -
Dmitry Kabalevsky: Symphonies Nos. 1 & 2
Szeged Philharmonic Orchestra, Erwin Acél
Classique - Paru chez Mezhdunarodnaya Kniga Musica le 1 janv. 1992
16-Bit CD Quality 44.1 kHz - Stereo -
Kabalevsky: Les comédiens, Op. 26 (Mono Version)
Moscow Philharmonic Orchestra, Dmitry Kabalevsky
Divers - Paru chez BNF Collection le 1 janv. 1958
24-Bit 96.0 kHz - Stereo -
Kabalevsky: Symphony No. 4 - Prokofiev: The Meeting of the Volga and the Don
Leningrad Philharmonic Orchestra, Moscow Philharmonic Orchestra, Dmitry Kabalevsky, Samuel Samosud
Classique - Paru chez Naxos Classical Archives le 1 août 2011
16-Bit CD Quality 44.1 kHz - Stereo -
Dmitry Kabalevsky: 24 Preludes / Sonata No. 3
Classique - Paru chez Classical Records le 1 janv. 2005
16-Bit CD Quality 44.1 kHz - Stereo -
Dmitry Kabalevsky: Piano Music, Vol. 1
Classique - Paru chez Mezhdunarodnaya Kniga Musica le 10 janv. 1991
16-Bit CD Quality 44.1 kHz - Stereo