Claudia Muzio
Opera, like any other art form, has its cult figures, typically singers who died young and enacted tragedies, on stage or (sometimes "and") in their own lives. While Maria Callas is probably the best known of these, Claudia Muzio has her own legion of devotees. Like Callas, her voice had a certain veiled tone, one making it near-perfect for tragic heroines; she was an excellent actress and a beautiful woman, and also had some major vocal troubles towards the end of her career, though was still able to thrill audiences by her vocal and physical communication. (There was something of a personal connection as well -- Aristotle Onassis had been Muzio's lover earlier in his life, Callas' much later.) Muzio's vocal acting was poignantly subtle, based on colors and shading of her tone, rather than the harsh-toned, uncontrolled shrieks or melodramatic gulping sobs that too often passed (and still do) for dramatic high notes or powerful involvement, and she was known as "the Duse of song," after Eleonora Duse, an actress famed for her intensity. During most of her life she was more or less a recluse, and avoided society.
She came from a background that combined music and drama; her father was an operatic stage director at both the Met and Covent Garden, and her mother an opera house chorister. She studied at an early age with Annetta Casaloni, the mezzo-soprano who created the role of Maddalena in Verdi's Rigoletto, in Turin, and made her own operatic debut as Massenet's Manon in Arezzo in 1910; in 1911, she made her first recordings, an aria from La bohème and part of La traviata. Her La Scala debut was as Desdemona in 1913. This was so successful that a member of the Paris Opera management immediately offered her the same part for the next season, and a representative of the Covent Garden management heard her in rehearsals, and immediately offered her the role of Manon for the next year. However, while she sang several roles during just ten weeks there, that was the only season she sang at Covent Garden; much of the remainder of her career was in Italy and North and South America, especially at the Teatro Colon, where she was known as "La unica."
Her Met debut was as Tosca, in 1916, singing with Enrico Caruso and Antonio Scotti, and she appeared in each season there for the next six years, singing a total of 15 roles and 152 performances, including, in 1918, the role of Georgetta in the world premiere of Puccini's Il tabarro. Her Chicago debut was in 1922 as Aida, and she remained there for nine seasons, singing a combination of contemporary (such as Fevrier's Monna Vanna and Ginevra in Giordano's La cena delle beffe), and nineteenth century works. She died in Rome, probably from either a rheumatic heart condition or Bright's Disease, though to this day, rumors of suicide persist, as her love life was never a happy one and the stock market crash had affected her finances deeply.
Among the relatively few recordings that she left, her "Del mio amato bene," by Donaudy (available on both EMI and Nimbus recital discs; the listener's choice can be dictated by preference of transferring methods), is an enduring classic, simple, without histrionics, and yet haunting.
© TiVo
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Discographie
14 album(s) • Trié par Meilleures ventes
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Lebendige Vergangenheit - Claudia Muzio
Classique - Paru chez Preiser Records le 27 mai 2010
16-Bit CD Quality 44.1 kHz - Stereo -
Claudia Muzio (Recorded 1911 - 1935)
Claudia Muzio, Francesco Merli
Musique vocale (profane et sacrée) - Paru chez Prima Voce le 6 sept. 2007
16-Bit CD Quality 44.1 kHz - Stereo -
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The Duse Of Song
Opéra - Paru chez Esoteric Records le 24 févr. 1950
16-Bit CD Quality 44.1 kHz - Stereo -
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Best Opera Singers, Vol. IV
Orchestra del Teatro della Scala di Milano, Claudia Muzio, Francesco Merli
Opéra - Paru chez SB Clasic le 22 nov. 2002
16-Bit CD Quality 44.1 kHz - Stereo -
Great Opera Singers / The Complete Collection, Volume 1 / Recordings 1920 - 1925
Musiques du monde - Paru chez Black Round Records le 10 janv. 2010
16-Bit CD Quality 44.1 kHz - Stereo -
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Operatic Favourites (Phonograph Cylinder Recordings, Mono Version)
Classique - Paru chez BNF Collection le 1 janv. 1953
24-Bit 96.0 kHz - Stereo -
Airs d'opéras italiens (Mono Version)
Opéra - Paru chez BNF Collection le 1 janv. 1958
24-Bit 96.0 kHz - Stereo -
La Boheme
Giacomo Puccini, Nellie Melba, Claudia Muzio, Antonio Scotti
Bandes originales - Paru chez freeriver community music le 1 janv. 2015
16-Bit CD Quality 44.1 kHz - Stereo -
Creator Records, Vol. 2 (Claudia Muzio)
Musique vocale (profane et sacrée) - Paru chez Symposium le 1 oct. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Belcanto n. 4
Claudia Muzio, Maria Barrientos
Classique - Paru chez Quadrifoglio le 8 avr. 2008
16-Bit CD Quality 44.1 kHz - Stereo -
Great Voices Of The Century, Vol. 2
Musique vocale (profane et sacrée) - Paru chez PnR le 30 sept. 2010
16-Bit CD Quality 44.1 kHz - Stereo