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The Rasumovsky Quartet|William Alwyn: String Quartets

William Alwyn: String Quartets

The Rasumovsky Quartet

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William Alwyn's works for string quartets range across his entire composing career from 1948's Three Winter Poems through 1984's Third Quartet, his last completed work. Alwyn's harmonic language changed over the years from colorful but deeply conservative to tougher but still deeply conservative, but his evocative content and emotional tone changed very little; even if Alwyn is perhaps not always entirely persuasive, he is always wholly passionate. In this 2005 recording by England's Rasumovsky Quartet, Alwyn's music gets its best possible shot at immortality. The Rasumovsky does its best to bring out the cogency and the drama of Alwyn's music, driving his fast movements, sweetening his slow movements, and bringing out the aggressive tendencies of his climaxes. How well they succeed will depend more on the music than on the performance. Even captured in Dutton's crisp, clean, close sound, the Alwyn's quartets might be insufficiently modern for some listener's tastes, and for them, there are always Ligeti's quartets. But for fans of twentieth century English music with more traditional tastes, Alwyn's quartets may be just the thing.

© TiVo

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William Alwyn: String Quartets

The Rasumovsky Quartet

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1
String Quartet No. 1 in D Minor: I. Moderato e grazioso
00:06:25

William Alwyn, Composer - The Rasumovsky Quartet, MainArtist

(C) 2006 Dutton Epoch (P) 2006 Dutton Epoch

2
String Quartet No. 1 in D Minor: II. Allegro molto
00:04:18

William Alwyn, Composer - The Rasumovsky Quartet, MainArtist

(C) 2006 Dutton Epoch (P) 2006 Dutton Epoch

3
String Quartet No. 1 in D Minor: III. Adagio
00:05:43

William Alwyn, Composer - The Rasumovsky Quartet, MainArtist

(C) 2006 Dutton Epoch (P) 2006 Dutton Epoch

4
String Quartet No. 1 in D Minor: III. Allegro vivace molto ritmico
00:06:42

William Alwyn, Composer - The Rasumovsky Quartet, MainArtist

(C) 2006 Dutton Epoch (P) 2006 Dutton Epoch

5
String Quartet No. 2 "Spring Waters": I. Moderato
00:10:03

William Alwyn, Composer - The Rasumovsky Quartet, MainArtist

(C) 2006 Dutton Epoch (P) 2006 Dutton Epoch

6
String Quartet No. 2 "Spring Waters": II. Allegro scherzando
00:05:39

William Alwyn, Composer - The Rasumovsky Quartet, MainArtist

(C) 2006 Dutton Epoch (P) 2006 Dutton Epoch

7
String Quartet No. 2 "Spring Waters": III. Adagio - Allegro moderato
00:05:37

William Alwyn, Composer - The Rasumovsky Quartet, MainArtist

(C) 2006 Dutton Epoch (P) 2006 Dutton Epoch

8
String Quartet No. 3: I. Allegro molto
00:10:12

William Alwyn, Composer - The Rasumovsky Quartet, MainArtist

(C) 2006 Dutton Epoch (P) 2006 Dutton Epoch

9
String Quartet No. 3: II. Adagio - Allegro - Adagio
00:13:09

William Alwyn, Composer - The Rasumovsky Quartet, MainArtist

(C) 2006 Dutton Epoch (P) 2006 Dutton Epoch

10
Three Winter Poems: I. Winter Landscape
00:02:42

William Alwyn, Composer - The Rasumovsky Quartet, MainArtist

(C) 2006 Dutton Epoch (P) 2006 Dutton Epoch

11
Three Winter Poems: II. Elegy - Frozen Waters
00:03:32

William Alwyn, Composer - The Rasumovsky Quartet, MainArtist

(C) 2006 Dutton Epoch (P) 2006 Dutton Epoch

12
Three Winter Poems: III. Serenade - Snow Shower
00:02:40

William Alwyn, Composer - The Rasumovsky Quartet, MainArtist

(C) 2006 Dutton Epoch (P) 2006 Dutton Epoch

Chronique

William Alwyn's works for string quartets range across his entire composing career from 1948's Three Winter Poems through 1984's Third Quartet, his last completed work. Alwyn's harmonic language changed over the years from colorful but deeply conservative to tougher but still deeply conservative, but his evocative content and emotional tone changed very little; even if Alwyn is perhaps not always entirely persuasive, he is always wholly passionate. In this 2005 recording by England's Rasumovsky Quartet, Alwyn's music gets its best possible shot at immortality. The Rasumovsky does its best to bring out the cogency and the drama of Alwyn's music, driving his fast movements, sweetening his slow movements, and bringing out the aggressive tendencies of his climaxes. How well they succeed will depend more on the music than on the performance. Even captured in Dutton's crisp, clean, close sound, the Alwyn's quartets might be insufficiently modern for some listener's tastes, and for them, there are always Ligeti's quartets. But for fans of twentieth century English music with more traditional tastes, Alwyn's quartets may be just the thing.

© TiVo

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