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William Byrd|The Deer's Cry

The Deer's Cry

The Sixteen & Harry Christophers

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Langue disponible : anglais

The popular choral group the Sixteen has never sounded better than on this release, and fans of the ensemble can buy with confidence in acquiring a set of classic English Renaissance pieces with a few modern works for spice. For the unconverted it's a bit less convincing, but it has a strong idea. The album title comes from the conventional name of a prayer of none other than St. Patrick, set in modern English by Arvo Pärt in 2007. There are two other works by Pärt on the album, both well known, but the rest of the music is by William Byrd and in a couple of cases, one collaborative, by Thomas Tallis. The idea of combining Byrd and Pärt is a very strong one. Both drew on the experience of being religious recusants, and it's fascinating to hear the musical results of this experience even with more than four centuries separating the works of the two composers. Director Harry Christophers establishes the simple, inward side of Byrd on the program, but also sets Byrd apart with such works as the palindromic Diliges Dominum (track one) and the intricate Ad Dominum cum tribularer (track seven). Sample a Byrd/Pärt pair, such as the familiar Emendemus in melius and The Woman with the Alabaster Box (tracks four and five) for an indication of the possible power of Christophers' approach here. The problem is that Pärt is outnumbered on the program: having drawn the connection between Byrd and Pärt, the performers give it short shrift. The result is a handsomely performed program, but one that treats Pärt as an ornament rather than exploring the commonalities among these composers in depth.
© TiVo

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The Deer's Cry

William Byrd

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1
Diliges Dominum
The Sixteen
00:03:15

William BYRD, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist - Stainer & Bell Ltd, MusicPublisher

(C) 2015 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

2
Christe qui lux es et dies
The Sixteen
00:04:54

William BYRD, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist

(C) 2015 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

3
The Deer’s Cry
The Sixteen
00:04:23

Arvo Pärt, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist - Universal Edition, MusicPublisher

(C) 2015 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

4
Emendemus in melius
The Sixteen
00:03:58

William BYRD, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist

(C) 2015 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

5
The Woman with the Alabaster Box
The Sixteen
00:06:11

Arvo Pärt, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist - Universal Edition, MusicPublisher

(C) 2015 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

6
Miserere mihi, Domine
The Sixteen
00:02:24

William BYRD, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist

(C) 2015 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

7
Ad Dominum cum tribularer
The Sixteen
00:10:12

William BYRD, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist - Stainer & Bell Ltd, MusicPublisher

(C) 2015 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

8
Miserere nostri
The Sixteen
00:03:00

Thomas Tallis, Composer - William BYRD, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist

(C) 2015 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

9
When Jesus Went
The Sixteen
00:02:37

Thomas Tallis, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist

(C) 2015 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

10
O lux beata Trinitas
The Sixteen
00:04:10

William BYRD, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist

(C) 2015 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

11
Nunc dimittis
Harry Christophers
00:06:40

Arvo Pärt, Composer - The Sixteen, Ensemble - Harry Christophers, Conductor - Universal Edition, MusicPublisher - Emma Brain Gabbott, MainArtist

(C) 2015 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

12
Laetentur coeli
The Sixteen
00:03:28

William BYRD, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist

(C) 2015 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

13
Tribue, Domine
The Sixteen
00:11:31

William BYRD, Composer - The Sixteen, Ensemble, MainArtist - Harry Christophers, Conductor, MainArtist

(C) 2015 The Sixteen Productions (P) 2016 The Sixteen Productions Ltd

Chronique

The popular choral group the Sixteen has never sounded better than on this release, and fans of the ensemble can buy with confidence in acquiring a set of classic English Renaissance pieces with a few modern works for spice. For the unconverted it's a bit less convincing, but it has a strong idea. The album title comes from the conventional name of a prayer of none other than St. Patrick, set in modern English by Arvo Pärt in 2007. There are two other works by Pärt on the album, both well known, but the rest of the music is by William Byrd and in a couple of cases, one collaborative, by Thomas Tallis. The idea of combining Byrd and Pärt is a very strong one. Both drew on the experience of being religious recusants, and it's fascinating to hear the musical results of this experience even with more than four centuries separating the works of the two composers. Director Harry Christophers establishes the simple, inward side of Byrd on the program, but also sets Byrd apart with such works as the palindromic Diliges Dominum (track one) and the intricate Ad Dominum cum tribularer (track seven). Sample a Byrd/Pärt pair, such as the familiar Emendemus in melius and The Woman with the Alabaster Box (tracks four and five) for an indication of the possible power of Christophers' approach here. The problem is that Pärt is outnumbered on the program: having drawn the connection between Byrd and Pärt, the performers give it short shrift. The result is a handsomely performed program, but one that treats Pärt as an ornament rather than exploring the commonalities among these composers in depth.
© TiVo

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