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Camilla Wicks|Sibelius, Valen & Others: Violin Works

Sibelius, Valen & Others: Violin Works

Camilla Wicks

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Langue disponible : anglais

For most listeners, the great thing here will be the 1952 recording of Sibelius' Violin Concerto with soloist Camilla Wicks accompanied by Sixten Ehrling leading the Stockholm Radio Symphony. An American born in Long Beach, CA, of Norwegian stock, the young Wicks was so deeply, passionately, and completely under the skin of the concerto that a more sympathetic and exciting performance of the work is hard to imagine. For some listeners, though, the great thing here will be Wicks' performance of Fartein Valen's Violin Concerto recorded in 1949 with Oivin Fjeldstad conducting the Oslo Philharmonic Orchestra. In what was in all likelihood the brief single-movement work's world-premiere recording -- the notes make no note of it -- Wicks turns in a performance of fearless confidence and fierce concentration, a performance that may even convince at least some of the unconverted as to the virtues of Valen's austere yet lyrical atonal counterpoint. As a bonus for any listeners, Biddulph has included Wicks solo HMV recordings made between 1949 and 1951 with Ehrling at the piano -- her soulful Nigun by Bloch, her searing Improvisation by Kabalevsky, her hilarious March from The Love of Three Oranges by Prokofiev, and her dreamy performances of arrangements of four of Shostakovich's early Opus 34 Preludes, plus his Polka from his ballet The Age of Gold -- along with her five unissued Columbia recordings from 1951 with an unidentified accompanist -- including a tremendous Malagueña by Sarasate and a droll but delightful Pastorale by Stravinsky. Offered here in Biddulph's manifestly antique but clear enough for seasoned listeners sound, these performances belong on the shelf of any fan of twentieth century violinists, especially twentieth century American women violinists.

© TiVo

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Sibelius, Valen & Others: Violin Works

Camilla Wicks

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Violin Concerto in D minor, Op. 47 (Jean Sibelius)

1
I. Allegro moderato
00:15:41

Jean Sibelius, Composer - Sixten Ehrling, Conductor, MainArtist - Camilla Wicks, Artist, MainArtist - Symphony Orchestra of Radio Stockholm, Orchestra, MainArtist

(C) 2006 Biddulph Recordings (P) 2006 Biddulph Recordings

2
II. Adagio di molto
00:08:33

Jean Sibelius, Composer - Sixten Ehrling, Conductor, MainArtist - Camilla Wicks, Artist, MainArtist - Symphony Orchestra of Radio Stockholm, Orchestra, MainArtist

(C) 2006 Biddulph Recordings (P) 2006 Biddulph Recordings

3
III. Allegro, ma non tanto
00:07:39

Jean Sibelius, Composer - Sixten Ehrling, Conductor, MainArtist - Camilla Wicks, Artist, MainArtist - Symphony Orchestra of Radio Stockholm, Orchestra, MainArtist

(C) 2006 Biddulph Recordings (P) 2006 Biddulph Recordings

Violin Concerto, Op. 37 (Fartein Valen)

4
Allegro moderato
00:10:23

Oslo Philharmonic Orchestra, Orchestra, MainArtist - Fartein Valen, Composer - Øivin Fjeldstad, Conductor, MainArtist - Camilla Wicks, Artist, MainArtist

(C) 2006 Biddulph Recordings (P) 2006 Biddulph Recordings

5
Lento. Cadenza - Chorale. Tranquilo
00:02:27

Oslo Philharmonic Orchestra, Orchestra, MainArtist - Fartein Valen, Composer - Øivin Fjeldstad, Conductor, MainArtist - Camilla Wicks, Artist, MainArtist

(C) 2006 Biddulph Recordings (P) 2006 Biddulph Recordings

Baal Shem, B. 47 (Ernest Bloch)

6
II. Nigun (Version for Violin & Piano)
00:06:08

Ernest Bloch, Composer - Sixten Ehrling, Artist, MainArtist - Camilla Wicks, Artist, MainArtist

(C) 2006 Biddulph Recordings (P) 2006 Biddulph Recordings

Improvisation for Violin & Piano, Op. 21 (Dmitri Kabalevsky)

7
Improvisation for Violin & Piano, Op. 21
00:04:17

Dmitri Kabalevsky, Composer - Sixten Ehrling, Artist, MainArtist - Camilla Wicks, Artist, MainArtist

(C) 2006 Biddulph Recordings (P) 2006 Biddulph Recordings

The Love for Three Oranges Suite, Op. 33bis (Sergei Prokofiev)

8
III. March (Arr. for Violin & Piano)
00:01:24

Sergei Prokofiev, Composer - Sixten Ehrling, Artist, MainArtist - Camilla Wicks, Artist, MainArtist

(C) 2006 Biddulph Recordings (P) 2006 Biddulph Recordings

The Golden Age, Op. 22a (Dimitri Chostakovitch)

9
III. Polka (Arr. D. Grunes for Violin & Piano)
00:02:02

Dmitri Shostakovich, Composer - Sixten Ehrling, Artist, MainArtist - Camilla Wicks, Artist, MainArtist

(C) 2006 Biddulph Recordings (P) 2006 Biddulph Recordings

24 Preludes, Op. 34 (Excerpts Arr. D. Tsyganov for Violin & Piano) (Dimitri Chostakovitch)

10
No. 10 in C-Sharp Minor
00:02:03

Dmitri Shostakovich, Composer - Sixten Ehrling, Artist, MainArtist - Camilla Wicks, Artist, MainArtist

(C) 2006 Biddulph Recordings (P) 2006 Biddulph Recordings

11
No. 15 in D-Flat Major
00:00:59

Dmitri Shostakovich, Composer - Sixten Ehrling, Artist, MainArtist - Camilla Wicks, Artist, MainArtist

(C) 2006 Biddulph Recordings (P) 2006 Biddulph Recordings

12
No. 16 in B-Flat Minor
00:01:02

Dmitri Shostakovich, Composer - Sixten Ehrling, Artist, MainArtist - Camilla Wicks, Artist, MainArtist

(C) 2006 Biddulph Recordings (P) 2006 Biddulph Recordings

13
No. 24 in D Minor
00:01:16

Dmitri Shostakovich, Composer - Sixten Ehrling, Artist, MainArtist - Camilla Wicks, Artist, MainArtist

(C) 2006 Biddulph Recordings (P) 2006 Biddulph Recordings

Spanish Dances, Op. 21 (Pablo de Sarasate)

14
No. 1, Malagueña
00:04:24

Pablo de Sarasate, Composer - Unknown Artist, Artist - Camilla Wicks, Artist, MainArtist

(C) 2006 Biddulph Recordings (P) 2006 Biddulph Recordings

Huella, Op. 49 (Arr. J. Heifetz for Violin & Piano) (Julian Aguirre)

15
Huella, Op. 49 (Arr. J. Heifetz for Violin & Piano)
00:02:39

Unknown Artist, Artist - Julian Aguirre, Composer - Camilla Wicks, Artist, MainArtist

(C) 2006 Biddulph Recordings (P) 2006 Biddulph Recordings

26 Preludios (Flausino Vale)

16
No. 15, Ao pé da fogueira (Arr. J. Heifetz for Violin & Piano)
00:01:34

Unknown Artist, Artist - Camilla Wicks, Artist, MainArtist - Flausino Vale, Composer

(C) 2006 Biddulph Recordings (P) 2006 Biddulph Recordings

From San Domingo (Version for Violin & Piano) (Arthur Benjamin)

17
From San Domingo (Version for Violin & Piano)
00:02:45

Unknown Artist, Artist - Arthur Benjamin, Composer - Camilla Wicks, Artist, MainArtist

(C) 2006 Biddulph Recordings (P) 2006 Biddulph Recordings

Pastorale (Version for Violin & Piano) (Igor Stravinsky)

18
Pastorale (Version for Violin & Piano)
00:02:52

Igor Stravinsky, Composer - Unknown Artist, Artist - Camilla Wicks, Artist, MainArtist

(C) 2006 Biddulph Recordings (P) 2006 Biddulph Recordings

Chronique

For most listeners, the great thing here will be the 1952 recording of Sibelius' Violin Concerto with soloist Camilla Wicks accompanied by Sixten Ehrling leading the Stockholm Radio Symphony. An American born in Long Beach, CA, of Norwegian stock, the young Wicks was so deeply, passionately, and completely under the skin of the concerto that a more sympathetic and exciting performance of the work is hard to imagine. For some listeners, though, the great thing here will be Wicks' performance of Fartein Valen's Violin Concerto recorded in 1949 with Oivin Fjeldstad conducting the Oslo Philharmonic Orchestra. In what was in all likelihood the brief single-movement work's world-premiere recording -- the notes make no note of it -- Wicks turns in a performance of fearless confidence and fierce concentration, a performance that may even convince at least some of the unconverted as to the virtues of Valen's austere yet lyrical atonal counterpoint. As a bonus for any listeners, Biddulph has included Wicks solo HMV recordings made between 1949 and 1951 with Ehrling at the piano -- her soulful Nigun by Bloch, her searing Improvisation by Kabalevsky, her hilarious March from The Love of Three Oranges by Prokofiev, and her dreamy performances of arrangements of four of Shostakovich's early Opus 34 Preludes, plus his Polka from his ballet The Age of Gold -- along with her five unissued Columbia recordings from 1951 with an unidentified accompanist -- including a tremendous Malagueña by Sarasate and a droll but delightful Pastorale by Stravinsky. Offered here in Biddulph's manifestly antique but clear enough for seasoned listeners sound, these performances belong on the shelf of any fan of twentieth century violinists, especially twentieth century American women violinists.

© TiVo

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