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Franz Welser-Möst|Schmidt: Symphony No.4 / Variations on a Hussar's Song

Schmidt: Symphony No.4 / Variations on a Hussar's Song

Franz Welser-Möst

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Langue disponible : anglais

Not half bad, but only half good, Franz Welser-Möst's recording of the Symphony No. 4 and the Hussar Variations of Franz Schmidt with the London Philharmonic is better than expected, but not as good as it could be. At its worst, Welser-Möst's Fourth is too fast, too light, and too maladroit -- the opening section's tempo should be Allegro molto moderato, not Welser-Möst's Allegro con brio; the Scherzo should collapse into chaos, not dither away into Welser-Möst's emptiness; and the closing section's close should echo in the void and not simply fade out into Welser-Möst's echo chamber. At its best, Welser-Möst's Fourth is deeply moving -- the central slow section of the work is a threnody of terrible grief and Welser-Möst's threnody has the intensity of the most terrible grief. And throughout the Hussar Variations, Welser-Möst delivers what may be the most structurally cogent and emotionally convincing performance of the work ever recorded. The London Philharmonic plays with more than enough power, if not quite enough precision. EMI's sound is a bit dry but clear and deep. While there are better recordings of Schmidt's Fourth in the world than Welser-Möst's, his Hussar Variations are well worth hearing by any fan of very late German Romantic music.

© TiVo

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Schmidt: Symphony No.4 / Variations on a Hussar's Song

Franz Welser-Möst

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1
Symphony No. 4: Allegro molto moderato - Passionato -
00:12:54

London Philharmonic Orchestra (LPO), Orchestra - David Groves, Producer - Franz Schmidt, Composer - Franz Welser-Möst, Conductor - London Philharmonic Orchestra, Orchestra, Featured Vocalist - Paul Beniston, Trumpet, Lead Vocals - Franz Welser-Moest, Conductor, Lead Vocals - London Philharmonic Orchestra/Franz Welser-Möst/Paul Beniston, MainArtist

© 2006 EMI Records Ltd ℗ 1995 Warner Classics, Warner Music UK Ltd

2
Symphony No. 4: Adagio - più lento - Adagio -
00:13:37

London Philharmonic Orchestra (LPO), Orchestra - David Groves, Producer - Franz Schmidt, Composer - Franz Welser-Möst, Conductor - London Philharmonic Orchestra, Orchestra, Featured Vocalist - Robert Truman, Cello, Lead Vocals - Franz Welser-Moest, Conductor, Lead Vocals - London Philharmonic Orchestra/Franz Welser-Möst/Robert Truman, MainArtist

© 2006 EMI Records Ltd ℗ 1995 Warner Classics, Warner Music UK Ltd

3
Symphony No. 4: Molto vivace -
00:07:18

London Philharmonic Orchestra (LPO), Orchestra - David Groves, Producer - Franz Schmidt, Composer - Franz Welser-Möst, Conductor, MainArtist - London Philharmonic Orchestra, Orchestra, Featured Vocalist, MainArtist - Franz Welser-Moest, Conductor, Lead Vocals

© 2006 EMI Records Ltd ℗ 1995 Warner Classics, Warner Music UK Ltd

4
Symphony No. 4: Tempo primo un poco sostenuto - Passionato - Tempo primo (Allegro molto moderato)
00:09:25

London Philharmonic Orchestra (LPO), Orchestra - David Groves, Producer - Franz Schmidt, Composer - Franz Welser-Möst, Conductor, MainArtist - London Philharmonic Orchestra, Orchestra, Featured Vocalist, MainArtist - Franz Welser-Moest, Conductor, Lead Vocals

© 2006 EMI Records Ltd ℗ 1995 Warner Classics, Warner Music UK Ltd

5
Variations on a Hussar's Song: Adagio
00:05:37

London Philharmonic Orchestra (LPO), Orchestra - David Groves, Producer - Franz Schmidt, Composer - Franz Welser-Möst, Conductor, MainArtist - London Philharmonic Orchestra, Orchestra, Featured Vocalist, MainArtist - Franz Welser-Moest, Conductor, Lead Vocals

© 2006 EMI Records Ltd ℗ 1995 Warner Classics, Warner Music UK Ltd

6
Variations on a Hussar's Song: Vivace alla marcia
00:03:34

London Philharmonic Orchestra (LPO), Orchestra - David Groves, Producer - Franz Schmidt, Composer - Franz Welser-Möst, Conductor, MainArtist - London Philharmonic Orchestra, Orchestra, Featured Vocalist, MainArtist - Franz Welser-Moest, Conductor, Lead Vocals

© 2006 EMI Records Ltd ℗ 1995 Warner Classics, Warner Music UK Ltd

7
Variations on a Hussar's Song: Lento - Andante tranquillo - Allegretto moderato - Più tranquillo -
00:04:19

London Philharmonic Orchestra (LPO), Orchestra - David Groves, Producer - Franz Schmidt, Composer - Franz Welser-Möst, Conductor, MainArtist - London Philharmonic Orchestra, Orchestra, Featured Vocalist, MainArtist - Franz Welser-Moest, Conductor, Lead Vocals

© 2006 EMI Records Ltd ℗ 1995 Warner Classics, Warner Music UK Ltd

8
Variations on a Hussar's Song: Allegro - Presto -
00:03:55

London Philharmonic Orchestra (LPO), Orchestra - David Groves, Producer - Franz Schmidt, Composer - Franz Welser-Möst, Conductor, MainArtist - London Philharmonic Orchestra, Orchestra, Featured Vocalist, MainArtist - Franz Welser-Moest, Conductor, Lead Vocals

© 2006 EMI Records Ltd ℗ 1995 Warner Classics, Warner Music UK Ltd

9
Variations on a Hussar's Song: Lento - Adagio -
00:03:59

London Philharmonic Orchestra (LPO), Orchestra - David Groves, Producer - Franz Schmidt, Composer - Franz Welser-Möst, Conductor, MainArtist - London Philharmonic Orchestra, Orchestra, Featured Vocalist, MainArtist - Franz Welser-Moest, Conductor, Lead Vocals

© 2006 EMI Records Ltd ℗ 1995 Warner Classics, Warner Music UK Ltd

10
Variations on a Hussar's Song: Vivace -
00:03:33

London Philharmonic Orchestra (LPO), Orchestra - David Groves, Producer - Franz Schmidt, Composer - Franz Welser-Möst, Conductor, MainArtist - London Philharmonic Orchestra, Orchestra, Featured Vocalist, MainArtist - Franz Welser-Moest, Conductor, Lead Vocals

© 2006 EMI Records Ltd ℗ 1995 Warner Classics, Warner Music UK Ltd

11
Variations on a Hussar's Song: A tempo
00:01:42

London Philharmonic Orchestra (LPO), Orchestra - David Groves, Producer - Franz Schmidt, Composer - Franz Welser-Möst, Conductor, MainArtist - London Philharmonic Orchestra, Orchestra, Featured Vocalist, MainArtist - Franz Welser-Moest, Conductor, Lead Vocals

© 2006 EMI Records Ltd ℗ 1995 Warner Classics, Warner Music UK Ltd

Chronique

Not half bad, but only half good, Franz Welser-Möst's recording of the Symphony No. 4 and the Hussar Variations of Franz Schmidt with the London Philharmonic is better than expected, but not as good as it could be. At its worst, Welser-Möst's Fourth is too fast, too light, and too maladroit -- the opening section's tempo should be Allegro molto moderato, not Welser-Möst's Allegro con brio; the Scherzo should collapse into chaos, not dither away into Welser-Möst's emptiness; and the closing section's close should echo in the void and not simply fade out into Welser-Möst's echo chamber. At its best, Welser-Möst's Fourth is deeply moving -- the central slow section of the work is a threnody of terrible grief and Welser-Möst's threnody has the intensity of the most terrible grief. And throughout the Hussar Variations, Welser-Möst delivers what may be the most structurally cogent and emotionally convincing performance of the work ever recorded. The London Philharmonic plays with more than enough power, if not quite enough precision. EMI's sound is a bit dry but clear and deep. While there are better recordings of Schmidt's Fourth in the world than Welser-Möst's, his Hussar Variations are well worth hearing by any fan of very late German Romantic music.

© TiVo

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