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Natalie Dessay's collection of coloratura mad scenes from Italian, French, and American opera is culled from a variety of previous high-profile releases of recitals and complete operas, so avid fans of the soprano aren't likely to find new performances here, except perhaps Glitter and be gay, from Candide, from the 1997 EMI disc Centenary Gala at Glyndebourne. This disc makes an excellent introduction for listeners new to Dessay, though. It highlights her acute dramatic gifts, both tragic and comic, and her characteristic gleaming purity, agile flexibility, and focused musicality are evident throughout. While comic arias aren't generally considered mad scenes, the Bernstein perhaps qualifies for expressing a different kind of madness, and Dessay's riotous performance is deliriously and deliciously over the top. One of the most interesting things about the album is the inclusion of Lucia's mad scene from both the Italian and French versions of the opera, both conducted by Evelino Pidò, the French from a 2002 recording of the complete opera, and the Italian from 2007 recital. Dessay is in top form in both performances (even though the first was made just prior to the vocal difficulties that required surgery). The 2007 version ultimately makes a stronger impression, though, because Dessay's characterization has matured, and this Lucia seems more deeply tragic. Also, the use of a glass harmonica, instead of the flutes that replace it in most modern performance, provides a distinctive ghostly halo that makes a tremendous difference in the tone of the scene. Pidò, who leads Concerto Köln on three tracks, offers an especially attentive and sensitive accompaniment. The ambience of the sound varies between tracks because of the diverse sources of the recordings, but it is never less than very fine.
© TiVo
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Natalie Dessay, Lead Vocals, Soprano Vocals, Boy Soprano - Gaetano Donizetti, Composer - Evelino Pido, Conductor, Lead Vocals - Orchestre De L'Opéra National De Lyon, Orchestra, Vocals - Nicolas Cavallier, Lead Vocals, Performance - Natalie Dessay/Nicolas Cavallier/Orchestre de l'Opéra National de Lyon/Evelino Pidò, MainArtist
© 2009 EMI Records Ltd/Virgin Classics. ℗ 2002 Erato/Warner Classics, Warner Music UK Ltd
Vincenzo Bellini, Composer - Natalie Dessay, Lead Vocals, Soprano Vocals, Boy Soprano - Evelino Pido, Conductor, Lead Vocals - Franck Ferrari, Lead Vocals, Performance - Concerto Koln, Orchestra, Lead Vocals - Matthew Rose, Lead Vocals, Performance - Natalie Dessay/Concerto Köln/Franck Ferrari/Evelino Pidò/Matthew Rose, MainArtist
© 2009 EMI Records Ltd/Virgin Classics. ℗ 2007 Erato/Warner Classics, Warner Music UK Ltd
Natalie Dessay, Soprano Vocals, MainArtist - Orchestre Du Capitole De Toulouse, Orchestra, Lead Vocals, FeaturedArtist - Michel Plasson, Conductor, Lead Vocals, FeaturedArtist - Alain Lanceron, Producer - Joel Suhubiette, Choir Director - Choeur Les Elements, Choir, Lead Vocals, FeaturedArtist - Ambroise Thomas, Composer - Janine Reiss, Musical Director - Orchestre National du Capitole de Toulouse, Orchestra - Etienne Collard (Musica Numeris), ExecutiveProducer - Jean Chatauret (Musica Numeris), Tonmeister - Choeur 'Les Éléments', Choir - Bob Gonella, Language Supervisor - Anne Gotkovsky (Isolier) [8], Mezzo-soprano Vocals - MacIej Kotlarsky (Le Comte) [8], Tenor Vocals - Choeur "les Eléments" Außer [6], [10], Choir - Charlotte Charbonnier (Musica Numeris), Editor
© 2009 EMI Records Ltd/Virgin Classics. ℗ 2003 Erato/Warner Classics, Warner Music UK Ltd
Leonard Bernstein, Composer - Andrew Davis, Conductor, MainArtist - Natalie Dessay, Soprano Vocals, MainArtist - London Philharmonic Orchestra, Orchestra, MainArtist - Lillian Hellman, Poet
© 2009 EMI Records Ltd/Virgin Classics. A Warner Classics/Erato release, ℗ 1997 Parlophone Records Limited
Natalie Dessay, Soprano Vocals, MainArtist - Michel Carre, Poet - Jules Barbier, Poet - Giacomo Meyerbeer, Composer - Patrick Fournillier, Conductor - Orchestre Philharmonique de Monte-Carlo, Orchestra
© 2009 EMI Records Ltd/Virgin Classics. A Warner Classics/Erato release, ℗ 1996 Warner Music France
Natalie Dessay, Lead Vocals, Soprano Vocals, Boy Soprano - Gaetano Donizetti, Composer - Evelino Pido, Conductor, Lead Vocals - Europäischer Kammerchor, Vocals, Performance - Sascha Reckert, Lead Vocals, Performance - Concerto Koln, Orchestra, Lead Vocals - Matthew Rose, Lead Vocals, Performance - Wolfgang Klose, Lead Vocals, Performance - Natalie Dessay/Concerto Köln/Europäischer Kammerchor/Wolfgang Klose/Evelino Pidò/Sascha Reckert/Matthew Rose, MainArtist
© 2009 EMI Records Ltd/Virgin Classics. ℗ 2007 Erato/Warner Classics, Warner Music UK Ltd
Chronique
Natalie Dessay's collection of coloratura mad scenes from Italian, French, and American opera is culled from a variety of previous high-profile releases of recitals and complete operas, so avid fans of the soprano aren't likely to find new performances here, except perhaps Glitter and be gay, from Candide, from the 1997 EMI disc Centenary Gala at Glyndebourne. This disc makes an excellent introduction for listeners new to Dessay, though. It highlights her acute dramatic gifts, both tragic and comic, and her characteristic gleaming purity, agile flexibility, and focused musicality are evident throughout. While comic arias aren't generally considered mad scenes, the Bernstein perhaps qualifies for expressing a different kind of madness, and Dessay's riotous performance is deliriously and deliciously over the top. One of the most interesting things about the album is the inclusion of Lucia's mad scene from both the Italian and French versions of the opera, both conducted by Evelino Pidò, the French from a 2002 recording of the complete opera, and the Italian from 2007 recital. Dessay is in top form in both performances (even though the first was made just prior to the vocal difficulties that required surgery). The 2007 version ultimately makes a stronger impression, though, because Dessay's characterization has matured, and this Lucia seems more deeply tragic. Also, the use of a glass harmonica, instead of the flutes that replace it in most modern performance, provides a distinctive ghostly halo that makes a tremendous difference in the tone of the scene. Pidò, who leads Concerto Köln on three tracks, offers an especially attentive and sensitive accompaniment. The ambience of the sound varies between tracks because of the diverse sources of the recordings, but it is never less than very fine.
© TiVo
À propos
- 1 disque(s) - 6 piste(s)
- Durée totale : 01:19:35
- Artistes principaux : Natalie Dessay
- Compositeur : Various Composers
- Label : Warner Classics
- Genre : Classique
© 2009 EMI Records Ltd/Virgin Classics. ℗ 2009 The copyright in this sound recording is owned by EMI Records Ltd/Virgin Classics.
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