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Antonia Bourve|Saint-Saëns: Oratorio de Noël

Saint-Saëns: Oratorio de Noël

Jens Hamann, Holger Speck, Les Favorites, Vocalensemble Rastatt, Romano Giefer, Antonia Bourvé, Marcus Ullmann, Sabine Czinczel, Gundula Schneider

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Saint-Saëns' Oratorio de Noël, written when the composer was 25, is scored for five soloists, choir, strings, harp, and organ. It's drenched in warm Romanticism, but its roots in Baroque and Classical traditions are easy to hear, as in the sacred music of Mendelssohn, which it stylistically resembles. It begins with a lovely, Bachian pastorale that sets the tone of reverence and transcendence that suffuses the whole work, and which returns at the end. Only its second movement, a recitative, deals with the Biblical nativity story; the remaining movements, with texts largely taken from the Psalms, praise God in mostly general terms. Musical highlights include the Benedictus for soprano, baritone, harp, and organ and the radiant, ethereal "Tecum principium," a trio for the same ensemble, plus tenor. The Oratorio is a hugely attractive piece that reveals Saint-Saëns' mastery of shapely vocal lines, graceful contrapuntal choral writing, and gently evocative tone painting -- it's a piece that should appeal to anyone who loves nineteenth century choral music. The CD also includes six of the composer's smaller instrumental, choral, and vocal liturgical pieces that demonstrate the same virtues and values of the Oratorio. Holger Speck leads the Vocalensemble Rastatt and the instrumental ensemble Les Favorites in warm and idiomatically sensitive performances, and the soloists sing with admirable purity and delicacy. Carus' balance is ideal, but the sound in the louder passages gets a little bright, almost shrill.
© TiVo

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Saint-Saëns: Oratorio de Noël

Antonia Bourve

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Oratorio de Noël, Op. 12 (Camille Saint-Saëns)

1
No. 1 Prelude In the Style of Bach
Antonia Bourve
00:03:54

CAMILLE SAINT-SAENS, ComposerLyricist - Marcus Ullmann, Tenor, MainArtist, AssociatedPerformer - Jens Hamann, Baritone, MainArtist, AssociatedPerformer - Vocalensemble Rastatt, Choir, MainArtist - Holger Speck, Conductor, MainArtist - Les Favorites, Ensemble, MainArtist - Antonia Bourvé, Soprano, MainArtist, AssociatedPerformer - Romano Giefer, Organ, MainArtist, AssociatedPerformer

℗ 2017 Carus

2
No. 2 Et Pastores erant; Gloria
Antonia Bourve
00:04:59

CAMILLE SAINT-SAENS, ComposerLyricist - Marcus Ullmann, Tenor, MainArtist, AssociatedPerformer - Jens Hamann, Baritone, MainArtist, AssociatedPerformer - Vocalensemble Rastatt, Choir, MainArtist - Holger Speck, Conductor, MainArtist - Sabine Czinczel, Alto, MainArtist, AssociatedPerformer - Les Favorites, Ensemble, MainArtist - Antonia Bourvé, Soprano, MainArtist, AssociatedPerformer - Romano Giefer, Organ, MainArtist, AssociatedPerformer

℗ 2006 Carus

3
No. 3 Expectants expectavi Dominum
Gundula Schneider
00:03:01

CAMILLE SAINT-SAENS, ComposerLyricist - Holger Speck, Conductor, MainArtist - Les Favorites, Ensemble, MainArtist - Gundula Schneider, Mezzo-Soprano, MainArtist, AssociatedPerformer - Romano Giefer, Organ, MainArtist, AssociatedPerformer

℗ 2006 Carus

4
No. 4 Domine, ego credidi
Marcus Ullmann
00:03:37

CAMILLE SAINT-SAENS, ComposerLyricist - Marcus Ullmann, Tenor, MainArtist, AssociatedPerformer - Vocalensemble Rastatt, Choir, MainArtist - Holger Speck, Conductor, MainArtist - Les Favorites, Ensemble, MainArtist - Romano Giefer, Organ, MainArtist, AssociatedPerformer

℗ 2006 Carus

5
No. 5 Benedictus qui venit
Antonia Bourve
00:03:46

CAMILLE SAINT-SAENS, ComposerLyricist - Jens Hamann, Baritone, MainArtist, AssociatedPerformer - Holger Speck, Conductor, MainArtist - Les Favorites, Ensemble, MainArtist - Antonia Bourvé, Soprano, MainArtist, AssociatedPerformer - Romano Giefer, Organ, MainArtist, AssociatedPerformer

℗ 2006 Carus

6
No. 6 Quare fremuerunt gentes
Romano Giefer
00:03:14

CAMILLE SAINT-SAENS, ComposerLyricist - Vocalensemble Rastatt, Choir, MainArtist - Holger Speck, Conductor, MainArtist - Les Favorites, Ensemble, MainArtist - Romano Giefer, Organ, MainArtist, AssociatedPerformer

℗ 2006 Carus

7
No. 7 Tecum principium
Antonia Bourve
00:03:44

CAMILLE SAINT-SAENS, ComposerLyricist - Marcus Ullmann, Tenor, MainArtist, AssociatedPerformer - Jens Hamann, Bass, MainArtist, AssociatedPerformer - Vocalensemble Rastatt, Choir, MainArtist - Holger Speck, Conductor, MainArtist - Les Favorites, Ensemble, MainArtist - Antonia Bourvé, Soprano, MainArtist, AssociatedPerformer - Romano Giefer, Organ, MainArtist, AssociatedPerformer

℗ 2017 Carus

8
No. 8 Alleluja
Antonia Bourve
00:02:29

CAMILLE SAINT-SAENS, ComposerLyricist - Jens Hamann, Baritone, MainArtist, AssociatedPerformer - Holger Speck, Conductor, MainArtist - Sabine Czinczel, Alto, MainArtist, AssociatedPerformer - Les Favorites, Ensemble, MainArtist - Antonia Bourvé, Soprano, MainArtist, AssociatedPerformer - Gundula Schneider, Mezzo-Soprano, MainArtist, AssociatedPerformer - Romano Giefer, Organ, MainArtist, AssociatedPerformer

℗ 2006 Carus

9
No. 9 Consurge, Filia Sion
Antonia Bourve
00:06:02

CAMILLE SAINT-SAENS, ComposerLyricist - Marcus Ullmann, Tenor, MainArtist, AssociatedPerformer - Jens Hamann, Baritone, MainArtist, AssociatedPerformer - Vocalensemble Rastatt, Ensemble, MainArtist - Sabine Czinczel, Alto, MainArtist, AssociatedPerformer - Les Favorites, Ensemble, MainArtist - Antonia Bourvé, Soprano, MainArtist, AssociatedPerformer - Gundula Schneider, Mezzo-Soprano, MainArtist, AssociatedPerformer - Romano Giefer, Organ, MainArtist, AssociatedPerformer

℗ 2006 Carus

10
No. 10 Tollite hostias
Antonia Bourve
00:02:09

CAMILLE SAINT-SAENS, ComposerLyricist - Marcus Ullmann, Tenor, MainArtist, AssociatedPerformer - Jens Hamann, Bass, MainArtist, AssociatedPerformer - Vocalensemble Rastatt, Ensemble, MainArtist - Holger Speck, Conductor, MainArtist - Les Favorites, Ensemble, MainArtist - Antonia Bourvé, Soprano, MainArtist, AssociatedPerformer - Romano Giefer, Organ, MainArtist, AssociatedPerformer

℗ 2017 Carus

11
Bénédiction nuptiale, Op. 9
Romano Giefer
00:07:25

CAMILLE SAINT-SAENS, Composer - Holger Speck, Conductor, MainArtist - Les Favorites, Ensemble, MainArtist - Romano Giefer, Organ, MainArtist, AssociatedPerformer

℗ 2006 Carus

12
Ave verum in D Major
Romano Giefer
00:04:52

CAMILLE SAINT-SAENS, Composer - Vocalensemble Rastatt, Ensemble, MainArtist - Holger Speck, Conductor, MainArtist - Les Favorites, Ensemble, MainArtist - Romano Giefer, Organ, MainArtist, AssociatedPerformer

℗ 2006 Carus

13
Sub tuum praesidium
Antonia Bourve
00:03:15

CAMILLE SAINT-SAENS, Composer - Holger Speck, Conductor, MainArtist - Les Favorites, Ensemble, MainArtist - Antonia Bourvé, Soprano, MainArtist, AssociatedPerformer - Gundula Schneider, Mezzo-Soprano, MainArtist, AssociatedPerformer - Romano Giefer, Organ, MainArtist, AssociatedPerformer

℗ 2006 Carus

14
O salutaris hostia
Antonia Bourve
00:04:34

CAMILLE SAINT-SAENS, Composer - Jens Hamann, Baritone, MainArtist, AssociatedPerformer - Holger Speck, Conductor, MainArtist - Sabine Czinczel, Alto, MainArtist, AssociatedPerformer - Les Favorites, Ensemble, MainArtist - Antonia Bourvé, Soprano, MainArtist, AssociatedPerformer - Romano Giefer, Organ, MainArtist, AssociatedPerformer

℗ 2006 Carus

15
Ave Maria
Antonia Bourve
00:02:32

CAMILLE SAINT-SAENS, Composer - Holger Speck, Conductor, MainArtist - Les Favorites, Ensemble, MainArtist - Antonia Bourvé, Soprano, MainArtist, AssociatedPerformer - Gundula Schneider, Mezzo-Soprano, MainArtist, AssociatedPerformer - Romano Giefer, Organ, MainArtist, AssociatedPerformer

℗ 2006 Carus

16
Tantum ergo
Romano Giefer
00:03:33

CAMILLE SAINT-SAENS, Composer - Vocalensemble Rastatt, Ensemble, MainArtist - Holger Speck, Conductor, MainArtist - Les Favorites, Ensemble, MainArtist - Romano Giefer, Organ, MainArtist, AssociatedPerformer

℗ 2006 Carus

Chronique

Saint-Saëns' Oratorio de Noël, written when the composer was 25, is scored for five soloists, choir, strings, harp, and organ. It's drenched in warm Romanticism, but its roots in Baroque and Classical traditions are easy to hear, as in the sacred music of Mendelssohn, which it stylistically resembles. It begins with a lovely, Bachian pastorale that sets the tone of reverence and transcendence that suffuses the whole work, and which returns at the end. Only its second movement, a recitative, deals with the Biblical nativity story; the remaining movements, with texts largely taken from the Psalms, praise God in mostly general terms. Musical highlights include the Benedictus for soprano, baritone, harp, and organ and the radiant, ethereal "Tecum principium," a trio for the same ensemble, plus tenor. The Oratorio is a hugely attractive piece that reveals Saint-Saëns' mastery of shapely vocal lines, graceful contrapuntal choral writing, and gently evocative tone painting -- it's a piece that should appeal to anyone who loves nineteenth century choral music. The CD also includes six of the composer's smaller instrumental, choral, and vocal liturgical pieces that demonstrate the same virtues and values of the Oratorio. Holger Speck leads the Vocalensemble Rastatt and the instrumental ensemble Les Favorites in warm and idiomatically sensitive performances, and the soloists sing with admirable purity and delicacy. Carus' balance is ideal, but the sound in the louder passages gets a little bright, almost shrill.
© TiVo

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