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Ludwig van Beethoven|PASTORALE - Classics for Relaxing and Dreaming

PASTORALE - Classics for Relaxing and Dreaming

PASTORALE - Classics for Relaxing and Dreaming

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Night Music 8, later reissued by Naxos under a different cover as Pastorale, is predominantly a collection of quiet music for late-night relaxation. If this disc is played for that purpose, then the bold horns in the Pastorale from Bizet's L'Arlésienne Suite No. 2 are perhaps too loud and may call for a softer volume. After this fairly robust opening track, the album assumes a much milder tone and passes through a number of Baroque and Classical slow movements, inducing a mood of reverie that is largely unbroken. Beyond its use as aural wallpaper, though, this collection is rather innocuous and may not satisfy serious listeners. As is often the case with such placid collections, sublime pieces are mixed with a few middling selections, leaving an impression of unevenness and aesthetic confusion that may not invite repeated listening. While the Andante con moto from Schubert's Symphony No. 5, the movement from Haydn's Seven Last Words of Christ, and the Largo from Beethoven's Piano Concerto No. 3 are the most substantial items and deserve attention, their effect is somewhat undercut by slighter fare that is merely pretty and of little emotional involvement. Overall, the performances are fine and the recording quality is the best that Naxos can offer.

© TiVo

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PASTORALE - Classics for Relaxing and Dreaming

Ludwig van Beethoven

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L'arlésienne, Op. 23, GB 30 (Georges Bizet)

1
L'arlesienne Suite No. 2: I. Pastorale
Slovak Philharmonic Orchestra
00:05:48

(C) 1998 Naxos (P) 1998 Naxos

Concerto for 3 Violins in F Major, TWV 53:F1 (Georg Philipp Telemann)

2
Largo
Anna Holbling
00:05:40

(C) 1998 Naxos (P) 1998 Naxos

Symphony No. 5 in B-Flat Major, D. 485 (Franz Schubert)

3
Andante con moto
Slovak Philharmonic Orchestra
00:11:57

(C) 1998 Naxos (P) 1998 Naxos

Flute Concerto No. 1 in G Major, K. 313 (Wolfgang Amadeus Mozart)

4
II. Adagio non troppo
Herbert Weissberg
00:09:22

(C) 1998 Naxos (P) 1998 Naxos

La plus que lente, L. 121 (Claude Debussy)

5
Le plus que lente
Balázs Szokolay
00:03:26

(C) 1998 Naxos (P) 1998 Naxos

21 Hungarian Dances, WoO 1 (Johannes Brahms)

6
Hungarian Dance No. 11
Budapest Symphony Orchestra
00:03:21

(C) 1998 Naxos (P) 1998 Naxos

Recorder Concerto in C Major, RV 443 (Antonio Vivaldi)

7
Largo
Jiri Stivin
00:04:11

(C) 1998 Naxos (P) 1998 Naxos

The 7 Last Words of Our Saviour on the Cross, Op. 51

8
Largo I
Zoltán Kodály
00:07:16

(C) 1998 Naxos (P) 1998 Naxos

Piano Concerto No. 3 in C Minor, Op. 37 (Ludwig van Beethoven)

9
Largo
Stefan Vladar
00:09:56

(C) 1998 Naxos (P) 1998 Naxos

Xerxes, HWV 40 (Anonyme)

10
Serse (Xerxes), HWV 40: Ombra mai fu: Larghetto (arr. for oboe and orchestra)
Jozef Cejka
00:03:43

(C) 1998 Naxos (P) 1998 Naxos

Gypsy Songs, Op. 55, B. 104 (Antonín Dvořák)

11
Songs My Mother Taught Me (Gypsy Song No. 4)
Takako Nishizaki
00:02:56

(C) 1998 Naxos (P) 1998 Naxos

Concerto No.4 in E major (Edvard Grieg)

12
Borghild's Dream
Slovak State Philharmonic Orchestra
00:03:48

(C) 1998 Naxos (P) 1998 Naxos

Chronique

Night Music 8, later reissued by Naxos under a different cover as Pastorale, is predominantly a collection of quiet music for late-night relaxation. If this disc is played for that purpose, then the bold horns in the Pastorale from Bizet's L'Arlésienne Suite No. 2 are perhaps too loud and may call for a softer volume. After this fairly robust opening track, the album assumes a much milder tone and passes through a number of Baroque and Classical slow movements, inducing a mood of reverie that is largely unbroken. Beyond its use as aural wallpaper, though, this collection is rather innocuous and may not satisfy serious listeners. As is often the case with such placid collections, sublime pieces are mixed with a few middling selections, leaving an impression of unevenness and aesthetic confusion that may not invite repeated listening. While the Andante con moto from Schubert's Symphony No. 5, the movement from Haydn's Seven Last Words of Christ, and the Largo from Beethoven's Piano Concerto No. 3 are the most substantial items and deserve attention, their effect is somewhat undercut by slighter fare that is merely pretty and of little emotional involvement. Overall, the performances are fine and the recording quality is the best that Naxos can offer.

© TiVo

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