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Laurence Dean|Music of the Sensitive Style for Flute & Harp

Music of the Sensitive Style for Flute & Harp

Andrew Lawrence-King, Laurence Dean

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The Empfindsam or “sentimental” style of music embodied by Carl Philipp Emanuel Bach and his contemporaries was a direct response to the most modern literary in Germany and intellectual currents of their time. It developed with the rise of the middle class in the later eighteenth century and its hallmarks are subjective feelings, extreme displays of emotion and the triumph of feeling over reason. The use of harp on this recording is unprecedented, but upon reflection directly in keeping with the tendencies of the age. The subtleties of dynamics and articulation possible on this instrument make it an ideal companion to the transverse flute; together this instrumental duo is excellently suited to the expressive needs of the “Empfindsamer Stil”. © Christophorus

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Music of the Sensitive Style for Flute & Harp

Laurence Dean

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Sonata F major (Carl Friedrich Abel)

1
Flute Sonata in F Major, Op. 6 No. 5, WK 127: I. Adagio
00:03:30

Andrew Lawrence-King, Artist - Carl Friedrich Abel, Composer - Laurence Dean, Artist, MainArtist

(C) 2019 Christophorus (P) 2019 Christophorus

2
Flute Sonata in F Major, Op. 6 No. 5, WK 127: II. Allegro
00:04:11

Andrew Lawrence-King, Artist - Carl Friedrich Abel, Composer - Laurence Dean, Artist, MainArtist

(C) 2019 Christophorus (P) 2019 Christophorus

3
Flute Sonata in F Major, Op. 6 No. 5, WK 127: III. Vivace
00:03:10

Andrew Lawrence-King, Artist - Carl Friedrich Abel, Composer - Laurence Dean, Artist, MainArtist

(C) 2019 Christophorus (P) 2019 Christophorus

Adagio C major (Johann Joachim Quantz)

4
Adagio for Flute in C Major, QV 1:7
00:04:48

Andrew Lawrence-King, Artist - Johann Joachim Quantz, Composer - Laurence Dean, Artist, MainArtist

(C) 2019 Christophorus (P) 2019 Christophorus

Amor ist mein Lied - Variations (Carl Philipp Emanuel Bach)

5
Bachus und Venus, H. 698, Wq. 202d "Amor ist mein Lied" (Arr. L. Dean & A. Lawrence-King for Flute & Harp)
00:04:23

Andrew Lawrence-King, Artist - Carl Philipp Emanuel Bach, Composer - Laurence Dean, Artist, MainArtist

(C) 2019 Christophorus (P) 2019 Christophorus

Sonata b flat minor (Franz Benda)

6
Flute Sonata in E Minor, L3.57: I. Largo, mà un poco andante
00:02:58

Andrew Lawrence-King, Artist - Franz Benda, Composer - Laurence Dean, Artist, MainArtist

(C) 2019 Christophorus (P) 2019 Christophorus

7
Flute Sonata in E Minor, L3.57: II. Arioso, un poco allegro
00:04:47

Andrew Lawrence-King, Artist - Franz Benda, Composer - Laurence Dean, Artist, MainArtist

(C) 2019 Christophorus (P) 2019 Christophorus

8
Flute Sonata in E Minor, L3.57: III. Presto
00:03:30

Andrew Lawrence-King, Artist - Franz Benda, Composer - Laurence Dean, Artist, MainArtist

(C) 2019 Christophorus (P) 2019 Christophorus

Fantasia D minor (Georg Philipp Telemann)

9
Flute Fantasia No. 6 in D Minor, TWV 40:7: I. Dolce
00:02:58

Andrew Lawrence-King, Artist - Georg Philipp Telemann, Composer - Laurence Dean, Artist, MainArtist

(C) 2019 Christophorus (P) 2019 Christophorus

10
Flute Fantasia No. 6 in D Minor, TWV 40:7: II. Allegro
00:01:15

Andrew Lawrence-King, Artist - Georg Philipp Telemann, Composer - Laurence Dean, Artist, MainArtist

(C) 2019 Christophorus (P) 2019 Christophorus

11
Flute Fantasia No. 6 in D Minor, TWV 40:7: III. Spirituoso
00:01:05

Andrew Lawrence-King, Artist - Georg Philipp Telemann, Composer - Laurence Dean, Artist, MainArtist

(C) 2019 Christophorus (P) 2019 Christophorus

Sonata G major (Georg Benda)

12
Flute Sonata in G Major, LorB 642.b: I. Allegro moderato
00:05:42

Andrew Lawrence-King, Artist - Georg Benda, Composer - Laurence Dean, Artist, MainArtist

(C) 2019 Christophorus (P) 2019 Christophorus

13
Flute Sonata in G Major, LorB 642.b: II. Andantino
00:04:29

Andrew Lawrence-King, Artist - Georg Benda, Composer - Laurence Dean, Artist, MainArtist

(C) 2019 Christophorus (P) 2019 Christophorus

14
Flute Sonata in G Major, LorB 642.b: III. Allegro moderato
00:02:54

Andrew Lawrence-King, Artist - Georg Benda, Composer - Laurence Dean, Artist, MainArtist

(C) 2019 Christophorus (P) 2019 Christophorus

Komm, Gott, Schöpfer, heilger Geist (Johann Philipp Kirnberger)

15
Komm Gott Schöpfer heilger Geist, EngK 209 (Arr. for Flute & Basso continuo)
00:03:24

Andrew Lawrence-King, Artist - Johann Philipp Kirnberger, Composer - Laurence Dean, Artist, MainArtist

(C) 2019 Christophorus (P) 2019 Christophorus

Sonata D major (Johann Gottfried Müthel)

16
Flute Sonata in D Major: I. Adagio
00:06:00

Andrew Lawrence-King, Artist - Johann Gottfried Müthel, Composer - Laurence Dean, Artist, MainArtist

(C) 2019 Christophorus (P) 2019 Christophorus

17
Flute Sonata in D Major: II. Allegro ma non troppo
00:05:02

Andrew Lawrence-King, Artist - Johann Gottfried Müthel, Composer - Laurence Dean, Artist, MainArtist

(C) 2019 Christophorus (P) 2019 Christophorus

18
Flute Sonata in D Major: III. Cantabile
00:03:46

Andrew Lawrence-King, Artist - Johann Gottfried Müthel, Composer - Laurence Dean, Artist, MainArtist

(C) 2019 Christophorus (P) 2019 Christophorus

Siciliana (from: Sonata E flat major) (Johann Sebastian Bach)

19
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano
00:02:42

Johann Sebastian Bach, Composer - Andrew Lawrence-King, Artist - Laurence Dean, Artist, MainArtist

(C) 2019 Christophorus (P) 2019 Christophorus

Chronique

The Empfindsam or “sentimental” style of music embodied by Carl Philipp Emanuel Bach and his contemporaries was a direct response to the most modern literary in Germany and intellectual currents of their time. It developed with the rise of the middle class in the later eighteenth century and its hallmarks are subjective feelings, extreme displays of emotion and the triumph of feeling over reason. The use of harp on this recording is unprecedented, but upon reflection directly in keeping with the tendencies of the age. The subtleties of dynamics and articulation possible on this instrument make it an ideal companion to the transverse flute; together this instrumental duo is excellently suited to the expressive needs of the “Empfindsamer Stil”. © Christophorus

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