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The Ebor Singers|Music for Troubled Times: The English Civil War & Siege of York

Music for Troubled Times: The English Civil War & Siege of York

The Ebor Singers & Paul Gameson

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Langue disponible : anglais

To cover the musical ramifications of the English Civil War and Siege of York, as promised by the subtitle of this Resonus release, would be a tall order, and the Ebor Singers (named for York's Roman designation, still used as an honorific for the city's archbishop) wisely choose to focus on a single event, the Siege of York in 1644. The album presents music that might have been heard in York Minster, the city's impressive cathedral, during that period, as well as some secular works that, one assumes, could have been sung in the general vicinity. Not all the music directly relates to the events of the day, but the styles pertain to the history of which they were a part, and the program hangs together well. For example, the singing of psalms by congregations was a harbinger of new democratic trends in the air, and several of them are included here. Several pieces do in fact address the turbulent times; sample Thomas Tomkins' Sad Pavan for these distracted times for solo organ. The Ebor Singers are an outgrowth of Paul Gameson's research interests in the period, not a virtuoso choir; the choral blend is fine, but the solos are often less than precise intonationally. Still, this may certainly be recommended to anyone with an interest in the period, historically or musically, and perhaps a model for future recordings exploring music in times of instability.
© TiVo

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Music for Troubled Times: The English Civil War & Siege of York

The Ebor Singers

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1
O Lord, Save Thy Servant Charles
The Ebor Singers
00:02:08

William BYRD, Composer - The Ebor Singers, Ensemble, MainArtist - Paul Gameson, Conductor

(C) 2017 Resonus Limited (P) 2017 Resonus Limited

2
Psalm 100: All People That On Earth Do Dwell
The Ebor Singers
00:02:46

William Lawes, Composer - The Ebor Singers, Ensemble, MainArtist - Paul Gameson, Conductor

(C) 2017 Resonus Limited (P) 2017 Resonus Limited

3
Behold How Good And Joyful A Thing It Is
The Ebor Singers
00:02:12

John Hutchinson, Composer - The Ebor Singers, Ensemble, MainArtist - Paul Gameson, Conductor

(C) 2017 Resonus Limited (P) 2017 Resonus Limited

4
Psalm 6: Lord, In Thy Wrath Reprove Me Not
The Ebor Singers
00:04:39

William Lawes, Composer - The Ebor Singers, Ensemble, MainArtist - Paul Gameson, Conductor

(C) 2017 Resonus Limited (P) 2017 Resonus Limited

5
O God, The Proud Are Risen Against Me
The Ebor Singers
00:03:03

Thomas Tomkins, Composer - The Ebor Singers, Ensemble, MainArtist - Paul Gameson, Conductor

(C) 2017 Resonus Limited (P) 2017 Resonus Limited

6
Psalm 18: O God, My Strength And Fortitude
The Ebor Singers
00:05:10

William Lawes, Composer - The Ebor Singers, Ensemble, MainArtist - Paul Gameson, Conductor

(C) 2017 Resonus Limited (P) 2017 Resonus Limited

7
See How Cawood’s Dragon Looks
The Ebor Singers
00:02:03

William Lawes, Composer - The Ebor Singers, Ensemble, MainArtist - Paul Gameson, Conductor

(C) 2017 Resonus Limited (P) 2017 Resonus Limited

8
Psalm 67: Have Mercy On Us, Lord
The Ebor Singers
00:03:34

William Lawes, Composer - The Ebor Singers, Ensemble, MainArtist - Paul Gameson, Conductor

(C) 2017 Resonus Limited (P) 2017 Resonus Limited

9
O Lord God, The Heathen Are Come Into Thine Inheritance
The Ebor Singers
00:04:16

William Child, Composer - The Ebor Singers, Ensemble, MainArtist - Paul Gameson, Conductor

(C) 2017 Resonus Limited (P) 2017 Resonus Limited

10
Psalm 22: O God, My God
The Ebor Singers
00:14:58

William Lawes, Composer - The Ebor Singers, Ensemble, MainArtist - Paul Gameson, Conductor

(C) 2017 Resonus Limited (P) 2017 Resonus Limited

11
Music, The Master Of Thy Art Is Dead
The Ebor Singers
00:03:16

William Lawes, Composer - The Ebor Singers, Ensemble, MainArtist - Paul Gameson, Conductor

(C) 2017 Resonus Limited (P) 2017 Resonus Limited

12
My God, My King, Incline Thine Ear
The Ebor Singers
00:02:18

John Wilson, Composer - The Ebor Singers, Ensemble, MainArtist - Paul Gameson, Conductor

(C) 2017 Resonus Limited (P) 2017 Resonus Limited

13
A Funeral Anthem
The Ebor Singers
00:04:51

Henry Lawes, Composer - The Ebor Singers, Ensemble, MainArtist - Paul Gameson, Conductor

(C) 2017 Resonus Limited (P) 2017 Resonus Limited

14
How Wretched Is The State
The Ebor Singers
00:06:54

The Ebor Singers, Ensemble, MainArtist - Paul Gameson, Conductor - George Jeffreys, Composer

(C) 2017 Resonus Limited (P) 2017 Resonus Limited

15
Sad Pavan: For These Distracted Times
David Pipe
00:05:05

Thomas Tomkins, Composer - David Pipe, MainArtist - The Ebor Singers, Ensemble - Paul Gameson, Conductor

(C) 2017 Resonus Limited (P) 2017 Resonus Limited

16
How Doth The City Sit Solitary
The Ebor Singers
00:09:26

Matthew Locke, Composer - The Ebor Singers, Ensemble, MainArtist - Paul Gameson, Conductor

(C) 2017 Resonus Limited (P) 2017 Resonus Limited

Chronique

To cover the musical ramifications of the English Civil War and Siege of York, as promised by the subtitle of this Resonus release, would be a tall order, and the Ebor Singers (named for York's Roman designation, still used as an honorific for the city's archbishop) wisely choose to focus on a single event, the Siege of York in 1644. The album presents music that might have been heard in York Minster, the city's impressive cathedral, during that period, as well as some secular works that, one assumes, could have been sung in the general vicinity. Not all the music directly relates to the events of the day, but the styles pertain to the history of which they were a part, and the program hangs together well. For example, the singing of psalms by congregations was a harbinger of new democratic trends in the air, and several of them are included here. Several pieces do in fact address the turbulent times; sample Thomas Tomkins' Sad Pavan for these distracted times for solo organ. The Ebor Singers are an outgrowth of Paul Gameson's research interests in the period, not a virtuoso choir; the choral blend is fine, but the solos are often less than precise intonationally. Still, this may certainly be recommended to anyone with an interest in the period, historically or musically, and perhaps a model for future recordings exploring music in times of instability.
© TiVo

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