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Vladimir Ashkenazy|Mozart: Violin Concerto K 219 - Strauss: Symphonia Domestica

Mozart: Violin Concerto K 219 - Strauss: Symphonia Domestica

Wolfgang Amadeus Mozart - Richard Strauss

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Mozart and Strauss would seem to be unlikely companions for a CD, especially such divergent genres as a violin concerto (Mozart's K. 219) and a symphony (Strauss' Symphonia Domestica). Indeed, these two compositions share little in common. The unifying point for the Audite album is conductor Vladimir Ashkenazy, who claims a passion for both of these composers. Ashkenazy approaches both works on the program with an equal balance of intellectual acumen and emotional enlightenment. The result for listeners is a performance -- particularly of the Strauss -- which allows the score to speak for itself without the conductor attempting to place undue importance on any programmatic after-thoughts. The DSO Berlin responds to Ashkenazy's leadership with close attention to articulation, balance, and intonation. The one mismatched component on the album, surprisingly, is violinist Pinchas Zukerman and his performance of the Mozart A major Concerto. While Ashkenazy's interpretation is very supple and elegant, Zukerman plays with a great deal of force and pressure. The live recording lets listeners hear (unfortunately) a great deal of production noise from his instrument as he unnecessarily strains to be heard over the orchestra, which does a splendid job of keeping the tone quiet during solo passages. Despite many successful collaborations in the past, this particular pairing of Ashkenazy and Zukerman is not as satisfying as it could be. Ashkenazy's Strauss, however, is comprehensive and thoroughly enjoyable.
© TiVo

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Mozart: Violin Concerto K 219 - Strauss: Symphonia Domestica

Vladimir Ashkenazy

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Violin Concerto No. 5 in A major, K. 219, 'Turkish' (Wolfgang Amadeus Mozart)

1
Applause
00:00:28

Vladimir Ashkenazy, Conductor - Vladimir Ashkenazy, Conductor - Deutsches Symphony Orchestra, Berlin, Orchestra

2008 Audite 2008 Audite

2
I. Allegro aperto
00:09:45

Vladimir Ashkenazy, Conductor - Vladimir Ashkenazy, Conductor - Deutsches Symphony Orchestra, Berlin, Orchestra

2008 Audite 2008 Audite

3
II. Adagio
00:10:42

Vladimir Ashkenazy, Conductor - Vladimir Ashkenazy, Conductor - Deutsches Symphony Orchestra, Berlin, Orchestra

2008 Audite 2008 Audite

4
III. Rondeau. Tempo di menuetto - Allegro
00:08:54

Vladimir Ashkenazy, Conductor - Deutsches Symphony Orchestra, Berlin, Orchestra - Vladimir Ashkenazy, Conductor

2008 Audite 2008 Audite

5
Applause
00:02:53

Vladimir Ashkenazy, Conductor - Deutsches Symphony Orchestra, Berlin, Orchestra - Vladimir Ashkenazy, Conductor

2008 Audite 2008 Audite

Symphonia domestica, Op. 53, TrV 209 (Richard Strauss)

6
Part I: Theme I: Bewegt - Theme II: Sehr lebhaft - Theme III: Ruhig
00:05:17

Vladimir Ashkenazy, Conductor - Vladimir Ashkenazy, Conductor - Deutsches Symphony Orchestra, Berlin, Orchestra

2008 Audite 2008 Audite

7
Part I: Scherzo
00:12:53

Vladimir Ashkenazy, Conductor - Vladimir Ashkenazy, Conductor - Deutsches Symphony Orchestra, Berlin, Orchestra

2008 Audite 2008 Audite

8
Part I: Adagio
00:12:37

Vladimir Ashkenazy, Conductor - Vladimir Ashkenazy, Conductor - Deutsches Symphony Orchestra, Berlin, Orchestra

2008 Audite 2008 Audite

9
Part II: Finale
00:13:10

Vladimir Ashkenazy, Conductor - Vladimir Ashkenazy, Conductor - Deutsches Symphony Orchestra, Berlin, Orchestra

2008 Audite 2008 Audite

10
Applause
00:01:52

Vladimir Ashkenazy, Conductor - Deutsches Symphony Orchestra, Berlin, Orchestra - Vladimir Ashkenazy, Conductor

2008 Audite 2008 Audite

Chronique

Mozart and Strauss would seem to be unlikely companions for a CD, especially such divergent genres as a violin concerto (Mozart's K. 219) and a symphony (Strauss' Symphonia Domestica). Indeed, these two compositions share little in common. The unifying point for the Audite album is conductor Vladimir Ashkenazy, who claims a passion for both of these composers. Ashkenazy approaches both works on the program with an equal balance of intellectual acumen and emotional enlightenment. The result for listeners is a performance -- particularly of the Strauss -- which allows the score to speak for itself without the conductor attempting to place undue importance on any programmatic after-thoughts. The DSO Berlin responds to Ashkenazy's leadership with close attention to articulation, balance, and intonation. The one mismatched component on the album, surprisingly, is violinist Pinchas Zukerman and his performance of the Mozart A major Concerto. While Ashkenazy's interpretation is very supple and elegant, Zukerman plays with a great deal of force and pressure. The live recording lets listeners hear (unfortunately) a great deal of production noise from his instrument as he unnecessarily strains to be heard over the orchestra, which does a splendid job of keeping the tone quiet during solo passages. Despite many successful collaborations in the past, this particular pairing of Ashkenazy and Zukerman is not as satisfying as it could be. Ashkenazy's Strauss, however, is comprehensive and thoroughly enjoyable.
© TiVo

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