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Martin Pearlman|Mozart: Flute Concertos & Symphony No. 41 in C Major, K. 551 "Jupiter"

Mozart: Flute Concertos & Symphony No. 41 in C Major, K. 551 "Jupiter"

Martin Pearlman, Boston Baroque, Jacques Zoon

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Langue disponible : anglais

Fans of Martin Pearlman and the Boston Baroque will be delighted to find that they have at last ventured into recording Mozart's symphonies and concertos for Telarc; one hopes this 2005 disc is a sign of great things to come. Though the Flute Concertos (2) seem a modest enough place to start -- a pair of the piano concertos might have made a bigger splash -- the performance of Mozart's greatest symphony is an auspicious beginning indeed. Pearlman and his ensemble make the Symphony No. 41 in C major, K. 551, "Jupiter," sparkle with the timbres of original instruments, and give it a good shaking with brisk tempi and compelling forward momentum. None of the ponderous weight of Romantic interpretations can be found here, and the often obscured wind parts are at last heard clearly, in proper balance with the strings. While Jacques Zoon's renditions of the Flute Concerto in D major, K. 314, and the Flute Concerto in G major, K. 313, are radiant and refreshing for their clarity and delicacy, they are much less revelatory than the performance of the symphony. Pearlman's "Jupiter" brilliantly makes the case for authentic period practices and shows how exciting this masterpiece is when played with smaller forces, sharper details, and greater speed. Telarc's DSD recording has never sounded better.

© TiVo

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Mozart: Flute Concertos & Symphony No. 41 in C Major, K. 551 "Jupiter"

Martin Pearlman

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Flute Concerto No. 2 in D Major, K. 314 (Wolfgang Amadeus Mozart)

1
I. Allegro aperto
00:06:55

Wolfgang Amadeus Mozart, Composer - Boston Baroque, Orchestra, MainArtist - Jacques Zoon, Flute, MainArtist, AssociatedPerformer - Martin Pearlman, Conductor, MainArtist - Thomas C. Moore, Producer, Editor, Recording Producer, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 2005 Telarc International Corp.

2
II. Andante ma non troppo
00:06:30

Wolfgang Amadeus Mozart, Composer - Boston Baroque, Orchestra, MainArtist - Jacques Zoon, Flute, MainArtist, AssociatedPerformer - Martin Pearlman, Conductor, MainArtist - Thomas C. Moore, Producer, Editor, Recording Producer, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 2005 Telarc International Corp.

3
III. Allegro
00:05:23

Wolfgang Amadeus Mozart, Composer - Boston Baroque, Orchestra, MainArtist - Jacques Zoon, Flute, MainArtist, AssociatedPerformer - Martin Pearlman, Conductor, MainArtist - Thomas C. Moore, Producer, Editor, Recording Producer, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 2005 Telarc International Corp.

Flute Concerto No. 1 in G Major, K. 313 (Wolfgang Amadeus Mozart)

4
I. Allegro maestoso
00:07:47

Wolfgang Amadeus Mozart, Composer - Boston Baroque, Orchestra, MainArtist - Jacques Zoon, Flute, MainArtist, AssociatedPerformer - Martin Pearlman, Conductor, MainArtist - Thomas C. Moore, Producer, Editor, Recording Producer, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 2005 Telarc International Corp.

5
II. Adagio non troppo
00:08:13

Wolfgang Amadeus Mozart, Composer - Boston Baroque, Orchestra, MainArtist - Jacques Zoon, Flute, MainArtist, AssociatedPerformer - Martin Pearlman, Conductor, MainArtist - Thomas C. Moore, Producer, Editor, Recording Producer, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 2005 Telarc International Corp.

6
III. Rondo. Tempo di menuetto
00:06:41

Wolfgang Amadeus Mozart, Composer - Boston Baroque, Orchestra, MainArtist - Jacques Zoon, Flute, MainArtist, AssociatedPerformer - Martin Pearlman, Conductor, MainArtist - Thomas C. Moore, Producer, Editor, Recording Producer, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 2005 Telarc International Corp.

Symphony No. 41 in C Major, K. 551 "Jupiter" (Wolfgang Amadeus Mozart)

7
I. Allegro vivace
00:10:48

Wolfgang Amadeus Mozart, Composer - Boston Baroque, Orchestra, MainArtist - Martin Pearlman, Conductor, MainArtist - Thomas C. Moore, Producer, Editor, Recording Producer, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 2005 Telarc International Corp.

8
II. Andante cantabile
00:10:46

Wolfgang Amadeus Mozart, Composer - Boston Baroque, Orchestra, MainArtist - Martin Pearlman, Conductor, MainArtist - Thomas C. Moore, Producer, Editor, Recording Producer, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 2005 Telarc International Corp.

9
III. Menuetto. Allegretto
00:05:16

Wolfgang Amadeus Mozart, Composer - Boston Baroque, Orchestra, MainArtist - Martin Pearlman, Conductor, MainArtist - Thomas C. Moore, Producer, Editor, Recording Producer, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 2005 Telarc International Corp.

10
IV. Molto allegro
00:08:42

Wolfgang Amadeus Mozart, Composer - Boston Baroque, Orchestra, MainArtist - Martin Pearlman, Conductor, MainArtist - Thomas C. Moore, Producer, Editor, Recording Producer, StudioPersonnel - Jack Renner, Recording Engineer, StudioPersonnel

℗ 2005 Telarc International Corp.

Chronique

Fans of Martin Pearlman and the Boston Baroque will be delighted to find that they have at last ventured into recording Mozart's symphonies and concertos for Telarc; one hopes this 2005 disc is a sign of great things to come. Though the Flute Concertos (2) seem a modest enough place to start -- a pair of the piano concertos might have made a bigger splash -- the performance of Mozart's greatest symphony is an auspicious beginning indeed. Pearlman and his ensemble make the Symphony No. 41 in C major, K. 551, "Jupiter," sparkle with the timbres of original instruments, and give it a good shaking with brisk tempi and compelling forward momentum. None of the ponderous weight of Romantic interpretations can be found here, and the often obscured wind parts are at last heard clearly, in proper balance with the strings. While Jacques Zoon's renditions of the Flute Concerto in D major, K. 314, and the Flute Concerto in G major, K. 313, are radiant and refreshing for their clarity and delicacy, they are much less revelatory than the performance of the symphony. Pearlman's "Jupiter" brilliantly makes the case for authentic period practices and shows how exciting this masterpiece is when played with smaller forces, sharper details, and greater speed. Telarc's DSD recording has never sounded better.

© TiVo

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