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Oslo Sinfonietta|Maja S.K. Ratkje: And Sing ...

Maja S.K. Ratkje: And Sing ...

Oslo Sinfonietta, Maja S.K. Ratkje & Cikada

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This album interleaves the composer's own voice as a performer with the ensemble sound of CIKADA and Oslo Sinfonietta. In "And sing while thou on pressed flowers dost sleep" the voice is pre-recorded, and the sound files are played through loudspeakers placed among the musicians. In Concerto for Voice (moods IIIb) the composer is performing live a solo part for amplified voice, using much wider dynamics and improvisation. While performing has influenced and inspired Maja S. K. Ratkje's composing, the opposite is also true – even though it's too simple to say that she improvises like a composer and composes like an improvising musician: "The process of composition is primarily about mastering form and contextualising elements – both the actual sounds and the formal units – musically," she says.

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Maja S.K. Ratkje: And Sing ...

Oslo Sinfonietta

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1
"And sing while thou on pressed flowers dost sleep"
CIKADA
00:20:33

William Shakespeare , Composer - Christian Eggen, Conductor - CIKADA, MainArtist - Lindberg Lyd AS, Producer - Morten Lindberg, Producer - Maja S.K. Ratkje, Composer, MainArtist - Lindberg Lyd, MusicPublisher

(C) 2016 2L (Lindberg Lyd, Norway) (P) 2016 2L (Lindberg Lyd, Norway)

2
Concerto for Voice (moods IIIb)
Oslo Sinfonietta
00:23:24

Christian Eggen, Conductor - Lindberg Lyd AS, Producer - Morten Lindberg, Producer - Oslo Sinfonietta, MainArtist - Maja S.K. Ratkje, Composer, MainArtist - Lindberg Lyd, MusicPublisher

(C) 2016 2L (Lindberg Lyd, Norway) (P) 2016 2L (Lindberg Lyd, Norway)

Chronique

This album interleaves the composer's own voice as a performer with the ensemble sound of CIKADA and Oslo Sinfonietta. In "And sing while thou on pressed flowers dost sleep" the voice is pre-recorded, and the sound files are played through loudspeakers placed among the musicians. In Concerto for Voice (moods IIIb) the composer is performing live a solo part for amplified voice, using much wider dynamics and improvisation. While performing has influenced and inspired Maja S. K. Ratkje's composing, the opposite is also true – even though it's too simple to say that she improvises like a composer and composes like an improvising musician: "The process of composition is primarily about mastering form and contextualising elements – both the actual sounds and the formal units – musically," she says.

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