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For all the talk of Bach as an essentially conservative composer, the seven concertos for harpsichord and orchestra (plus an eighth fragment) were progressive works, among the first concertos for keyboard instrument and orchestra. Bach arranged at least some of them from concertos for other instruments, now mostly lost. They pose problems of balance for the performers, problems that Bach himself seems to have struggled with, and recordings of the concertos are not abundant. There are several by big-name harpsichordists, but this one by Francesco Corti, conducting the historical-performance group Il Pomo d'Oro, is well worth the listener's time. In the outer movements, Corti differentiates the harpsichord from the small orchestra with sharp, punchy attacks that bring a fresh flavor to the most familiar of the pieces from this set, the first movement of the Harpsichord Concerto No. 2 in E major, BWV 1053. In the slow movements, Corti is lyrical and romantic, not quite to a Glenn Gould degree, but with a sensuousness deriving from the highly dramatic contemporary Italian school of Baroque performance. Even in the Harpsichord Concerto No. 7 in G minor, BWV 1058, transcribed from a violin concerto and troublesome in terms of making the solo part stand out, Corti separates the strands nicely. His differentiation of the music's surface is aided by unobtrusive variations in repeated sections. Pentatone's sound, from the too-large and over resonant Gustav Mahler Hall in Toblach, Italy, is uncharacteristically harsh, but Corti's modern Andrea Restelli harpsichord, a copy of an instrument by Christian Vater, is attractive and in tune with his aims.
© TiVo
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Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist
2020 Pentatone Music B.V. 2020 Lido Productions Ltd
Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist
2020 Pentatone Music B.V. 2020 Lido Productions Ltd
Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist
2020 Pentatone Music B.V. 2020 Lido Productions Ltd
Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist
2020 Pentatone Music B.V. 2020 Lido Productions Ltd
Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist
2020 Pentatone Music B.V. 2020 Lido Productions Ltd
Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist
2020 Pentatone Music B.V. 2020 Lido Productions Ltd
Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist
2020 Pentatone Music B.V. 2020 Lido Productions Ltd
Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist
2020 Pentatone Music B.V. 2020 Lido Productions Ltd
Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist
2020 Pentatone Music B.V. 2020 Lido Productions Ltd
Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist
2020 Pentatone Music B.V. 2020 Lido Productions Ltd
Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist
2020 Pentatone Music B.V. 2020 Lido Productions Ltd
Johann Sebastian Bach, Composer - Il Pomo d'Oro, Orchestra, MainArtist - Jean-Daniel Noir, Producer - Francesco Corti, Harpsichord, MainArtist
2020 Pentatone Music B.V. 2020 Lido Productions Ltd
Chronique
For all the talk of Bach as an essentially conservative composer, the seven concertos for harpsichord and orchestra (plus an eighth fragment) were progressive works, among the first concertos for keyboard instrument and orchestra. Bach arranged at least some of them from concertos for other instruments, now mostly lost. They pose problems of balance for the performers, problems that Bach himself seems to have struggled with, and recordings of the concertos are not abundant. There are several by big-name harpsichordists, but this one by Francesco Corti, conducting the historical-performance group Il Pomo d'Oro, is well worth the listener's time. In the outer movements, Corti differentiates the harpsichord from the small orchestra with sharp, punchy attacks that bring a fresh flavor to the most familiar of the pieces from this set, the first movement of the Harpsichord Concerto No. 2 in E major, BWV 1053. In the slow movements, Corti is lyrical and romantic, not quite to a Glenn Gould degree, but with a sensuousness deriving from the highly dramatic contemporary Italian school of Baroque performance. Even in the Harpsichord Concerto No. 7 in G minor, BWV 1058, transcribed from a violin concerto and troublesome in terms of making the solo part stand out, Corti separates the strands nicely. His differentiation of the music's surface is aided by unobtrusive variations in repeated sections. Pentatone's sound, from the too-large and over resonant Gustav Mahler Hall in Toblach, Italy, is uncharacteristically harsh, but Corti's modern Andrea Restelli harpsichord, a copy of an instrument by Christian Vater, is attractive and in tune with his aims.
© TiVo
À propos
- 1 disque(s) - 12 piste(s)
- Durée totale : 01:04:01
- 1 Livret Numérique
- Artistes principaux : Francesco Corti Il Pomo D'oro
- Compositeur : Johann Sebastian Bach
- Label : PENTATONE
- Genre : Classique Musique concertante
2020 Pentatone Music B.V. 2020 Lido Productions Ltd
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