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Junior Mance|Harlem Lullaby

Harlem Lullaby

Junior Mance

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Langue disponible : anglais

Most records by pianist Junior Mance are well worth getting, but this obscure Atlantic album was a bit of a misfire. One of the problems is that on three of the eight songs, Mance switches to harpsichord, which doesn't work too well. Otherwise, the material, which includes five Mance originals, is blues-oriented but fairly routine and no one sounds all that inspired. Mance is joined by either Gene Taylor or Bob Cunningham on bass and Ray Lucas, Alan Dawson or Bobby Thompson on drums. There are some good moments (including the title cut) to this album.

© Scott Yanow /TiVo

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Harlem Lullaby

Junior Mance

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À partir de 12,49€/mois

1
The Uptown
00:03:55

Junior Mance, MainArtist - J. Mance, Writer

2009 © 1966 Atlantic Recording Corp. ℗ 1967 Atlantic Records

2
That Mellow Feeling
00:04:42

Junior Mance, Writer, MainArtist

2009 © 1966 Atlantic Recording Corp. ℗ 1967 Atlantic Recording Corp.

3
Cootin'
00:03:46

Traditional, Writer - Junior Mance, MainArtist

2009 © 1966 Atlantic Recording Corp. ℗ 1967 Atlantic Records

4
I'm Falling for You
00:05:06

Junior Mance, MainArtist - B. Trill, Writer

2009 © 1966 Atlantic Recording Corp. ℗ 1967 Atlantic Records

5
St. James Infirmary
00:03:14

Traditional, Writer - Junior Mance, MainArtist

2009 © 1966 Atlantic Recording Corp. ℗ 1967 Atlantic Records

6
Harlem Lullaby
00:04:57

Junior Mance, MainArtist - J. Mance, Writer

2009 © 1966 Atlantic Recording Corp. ℗ 1967 Atlantic Records

7
Run 'Em Round (LP Version)
00:04:40

Junior Mance, MainArtist - J. Mance, Writer

2009 © 1966 Atlantic Recording Corp. ℗ 1967 Atlantic Records

8
What Becomes of the Brokenhearted
00:03:04

Junior Mance, MainArtist - J. DEAN, Writer - P. Riser, Writer - W. Weatherspoon, Writer

2009 © 1966 Atlantic Recording Corp. ℗ 1967 Atlantic Records

Chronique

Most records by pianist Junior Mance are well worth getting, but this obscure Atlantic album was a bit of a misfire. One of the problems is that on three of the eight songs, Mance switches to harpsichord, which doesn't work too well. Otherwise, the material, which includes five Mance originals, is blues-oriented but fairly routine and no one sounds all that inspired. Mance is joined by either Gene Taylor or Bob Cunningham on bass and Ray Lucas, Alan Dawson or Bobby Thompson on drums. There are some good moments (including the title cut) to this album.

© Scott Yanow /TiVo

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