Glazunov: String Quartets Vol. 4

Chronique

Why the six string quartets of Alexander Glazunov are not performed more frequently is anyone's guess. Is it because the melodies, though deeply lyrical and flowing, are not always ones that become entrenched in our heads? Or is it because Glazunov's quartets do not live up to expectations Westerners may have of what Russian music should sound like? Whatever the case may be, their neglect is our loss. Vol. 4 of MDG's survey Glazunov's quartet music culminates with his sixth and final quartet, a masterpiece of form and use of the full potential of the string quartet. At times, the writing is robust and almost symphonic; this is juxtaposed against melodies played by a single instrument with a heartwarmingly simple pizzicato accompaniment. Glazunov's final contribution to the genre is performed by the Utrecht String Quartet, an ensemble whose technical superiority makes way for committed, thoughtful musical experiences. Just as Glazunov's writing exploits the full potential of the string quartet, so, too, does Utrecht's playing exploit the full range of colors, textures, and sentiments found in the score. The disc comes full circle to end with the charming, vivacious Five Novelettes, Op. 15, an early work completed shortly after the First Quartet. This disc, along with the remaining volumes, is a welcome addition to any collection.
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