Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Christopher Keene|Glass: Satyagraha

Glass: Satyagraha

Christopher Keene

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

The first sound one hears is Douglas Perry's breathtakingly pure tenor intoning Sanskrit syllables from the Bhagavad-Gita, followed immediately by low strings scurrying behind. The sense of serene and confident purpose is entirely apparent, Perry's voice the perfect embodiment of the Ghandian philosophy of strength through pacifism. As the act continues, other voices are added, the full orchestra enters, all unhurried but purposeful growing in a calm force until subsiding at the end to Perry (Ghandi) alone. So begins Philip Glass' most impressive and complete opera after Einstein on the Beach, its predecessor. It's a far more traditional work in several respects: aside from Michael Riesman's electric keyboards, Satyagraha is scored for standard orchestra, and the voices are grouped much as found in European opera, with arias, duos, trios, and quartets. The overall sound is softer and less strident than in Einstein, with material that is more overtly melodic, though certainly an audience used to Verdi would still be baffled by the extreme repetitive aspect, not to mention a librtto entirely in Sanskrit. Without Robert Wilson's spectacular staging, the homebound listener may find Satyagraha a bit long and, in fact, that may be the case, but objections are tough to register after the concluding aria by Perry. Heard only once, the listener may not believe that he is simply singing a scale albeit with varying Sanskrit syllables, so gorgeous is the line and intonation. But to Glass' enormous credit, he has succeeded in fashioning a beautiful melody out of the barest materials and, in the process, created the perfect analogy for one of the leading figures of the 20th century. Highly recommended.

© TiVo

Plus d'informations

Glass: Satyagraha

Christopher Keene

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

Satyagraha (Philip Glass)

1
Act I: The Kuru Field of Justice
00:18:47

Christopher Keene, Conductor, Main Artist - New York City Opera Orchestra, Associated Performer - New York City Opera Chorus, Associated Performer - Philip Glass, Composer - Kurt Munkacsi, Producer - Michael Riesman, Producer - Constance DeJong, Lyricist

(P) 1985 Sony Music Entertainment Inc.

2
Act I: Tolstoy Farm
00:11:01

Christopher Keene, Conductor, Main Artist - New York City Opera Orchestra, Associated Performer - New York City Opera Chorus, Associated Performer - Philip Glass, Composer - Kurt Munkacsi, Producer - Michael Riesman, Producer - Constance DeJong, Lyricist

(P) 1985 Sony Music Entertainment Inc.

3
Act I: The Vow
00:11:41

Christopher Keene, Conductor, Main Artist - New York City Opera Orchestra, Associated Performer - New York City Opera Chorus, Associated Performer - Philip Glass, Composer - Kurt Munkacsi, Producer - Michael Riesman, Producer - Constance DeJong, Lyricist

(P) 1985 Sony Music Entertainment Inc.

DISQUE 2

1
Act II: Confrontation and Rescue
00:14:44

Christopher Keene, Conductor, Main Artist - New York City Opera Orchestra, Associated Performer - New York City Opera Chorus, Associated Performer - Philip Glass, Composer - Kurt Munkacsi, Producer - Michael Riesman, Producer - Constance DeJong, Lyricist

(P) 1985 Sony Music Entertainment Inc.

2
Act II: Indian Opinion
00:11:32

Christopher Keene, Conductor, Main Artist - New York City Opera Orchestra, Associated Performer - New York City Opera Chorus, Associated Performer - Philip Glass, Composer - Kurt Munkacsi, Producer - Michael Riesman, Producer - Constance DeJong, Lyricist

(P) 1985 Sony Music Entertainment Inc.

3
Act II: Protest
00:15:19

Christopher Keene, Conductor, Main Artist - New York City Opera Orchestra, Associated Performer - New York City Opera Chorus, Associated Performer - Philip Glass, Composer - Kurt Munkacsi, Producer - Michael Riesman, Producer - Constance DeJong, Lyricist

(P) 1985 Sony Music Entertainment Inc.

DISQUE 3

1
Act III: Newcastle March
00:15:35

Christopher Keene, Conductor, Main Artist - New York City Opera Orchestra, Associated Performer - New York City Opera Chorus, Associated Performer - Philip Glass, Composer - Kurt Munkacsi, Producer - Michael Riesman, Producer - Constance DeJong, Lyricist

(P) 1985 Sony Music Entertainment Inc.

2
Act III: ?
00:16:06

Christopher Keene, Conductor, Main Artist - New York City Opera Orchestra, Associated Performer - New York City Opera Chorus, Associated Performer - Philip Glass, Composer - Kurt Munkacsi, Producer - Michael Riesman, Producer - Constance DeJong, Lyricist

(P) 1985 Sony Music Entertainment Inc.

3
Act III: Evening Song
00:08:26

Christopher Keene, Conductor, Main Artist - New York City Opera Orchestra, Associated Performer - New York City Opera Chorus, Associated Performer - Philip Glass, Composer - Kurt Munkacsi, Producer - Michael Riesman, Producer - Constance DeJong, Lyricist

(P) 1985 Sony Music Entertainment Inc.

Chronique

The first sound one hears is Douglas Perry's breathtakingly pure tenor intoning Sanskrit syllables from the Bhagavad-Gita, followed immediately by low strings scurrying behind. The sense of serene and confident purpose is entirely apparent, Perry's voice the perfect embodiment of the Ghandian philosophy of strength through pacifism. As the act continues, other voices are added, the full orchestra enters, all unhurried but purposeful growing in a calm force until subsiding at the end to Perry (Ghandi) alone. So begins Philip Glass' most impressive and complete opera after Einstein on the Beach, its predecessor. It's a far more traditional work in several respects: aside from Michael Riesman's electric keyboards, Satyagraha is scored for standard orchestra, and the voices are grouped much as found in European opera, with arias, duos, trios, and quartets. The overall sound is softer and less strident than in Einstein, with material that is more overtly melodic, though certainly an audience used to Verdi would still be baffled by the extreme repetitive aspect, not to mention a librtto entirely in Sanskrit. Without Robert Wilson's spectacular staging, the homebound listener may find Satyagraha a bit long and, in fact, that may be the case, but objections are tough to register after the concluding aria by Perry. Heard only once, the listener may not believe that he is simply singing a scale albeit with varying Sanskrit syllables, so gorgeous is the line and intonation. But to Glass' enormous credit, he has succeeded in fashioning a beautiful melody out of the barest materials and, in the process, created the perfect analogy for one of the leading figures of the 20th century. Highly recommended.

© TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

The Studio Albums 2009 – 2018

Mark Knopfler

Brothers In Arms

Dire Straits

Brothers In Arms Dire Straits

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits

Playlists

Dans la même thématique...

J.S. Bach: Goldberg Variations

Víkingur Ólafsson

J.S. Bach: Goldberg Variations Víkingur Ólafsson

Rachmaninoff: The Piano Concertos & Paganini Rhapsody

Yuja Wang

Beethoven and Beyond

María Dueñas

Beethoven and Beyond María Dueñas

A Symphonic Celebration - Music from the Studio Ghibli Films of Hayao Miyazaki

Joe Hisaishi

Chopin: Piano Sonata No. 2, Op. 35 "Funeral March" - Beethoven: Piano Sonata No. 29, Op. 106 "Hammerklavier"

Beatrice Rana