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Kristian Buhl-Mortensen|Giuliani: The Last Rose of Summer (Mauro Giuliani)

Giuliani: The Last Rose of Summer (Mauro Giuliani)

Mauro Giuliani

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Langue disponible : anglais

This rather mysterious little disc comes with a series title, "Scandinavian Classics," that seems to make little sense for music by an Italian guitarist working in Austria and arranging English songs. The Scandinavian element is the performer, Danish guitarist Kristian Buhl-Mortensen; the music, originally recorded for the small Danish label Classico at an unspecified time, is here licensed to German discounter TIM. This is just one of those rare random finds. Buhl-Mortensen finds a program and a relaxed but masterful style of playing that brings to life a composer who was extraordinarily famous in his own time but is generally known even among guitarists for a few rather academic sonatas. Buhl-Mortensen loosely alternates Giuliani's treatments of English, Scots, and Irish songs with character pieces, variations, preludes, and even a fughetta, producing a sequence that balances virtuosity and lyrical tunefulness. It's absolutely lovely, and though these pieces are light they hold the listener's interest from start to finish. Buhl-Mortensen's playing is exceptionally clean; the sound is a bit dead, but this is probably an improvement on the host of recordings whose engineers unaccountably believe that letting a guitar screech away in a church is somehow a good idea.

© TiVo

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Giuliani: The Last Rose of Summer (Mauro Giuliani)

Kristian Buhl-Mortensen

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1
Jenny's Bawbee
00:04:37

Kristian Buhl-Mortensen, guitar

2010 Classico

2
Caprice: Affettuoso, Op. 100
00:01:27

Kristian Buhl-Mortensen, guitar

2010 Classico

3
Coming Through The Rye
00:03:08

Kristian Buhl-Mortensen, guitar

2010 Classico

4
Variations on Folies d'Espagne, Op. 45: Folies d'Espagne, Op. 45
00:05:43

Kristian Buhl-Mortensen, guitar

2010 Classico

5
6 Preludes for Guitar, Op. 83: 6 Preludes for Guitar, Op. 83: No. 6. Allegro di Fuga
00:02:56

Kristian Buhl-Mortensen, guitar

2010 Classico

6
The Soldier's Return
00:03:25

Kristian Buhl-Mortensen, guitar

2010 Classico

7
Divertissement, Op. 106: Divertissement, Op. 106: No. 1. —
00:02:32

Kristian Buhl-Mortensen, guitar

2010 Classico

8
The Blue Bells Of Scotland
00:03:32

Kristian Buhl-Mortensen, guitar

2010 Classico

9
Variations on Nume perdonami, se in tale istante, Op. 102
00:10:22

Kristian Buhl-Mortensen, guitar

2010 Classico

10
Fughetta, Op. 113
00:03:22

Kristian Buhl-Mortensen, guitar

2010 Classico

11
The Last Rose Of Summer
00:03:34

Kristian Buhl-Mortensen, guitar

2010 Classico

12
Bagatelles, Op. 73: Bagatelles, Op. 73: No. 7. —
00:02:26

Kristian Buhl-Mortensen, guitar

2010 Classico

13
My Lodging Is On The Cold Ground
00:02:37

Kristian Buhl-Mortensen, guitar

2010 Classico

14
3 Sonatinas, Op. 71, No. 3: I. Andantino sostenuto
00:01:38

Kristian Buhl-Mortensen, guitar

2010 Classico

15
3 Sonatinas, Op. 71, No. 3: II. Tempo di marcia
00:05:01

Kristian Buhl-Mortensen, guitar

2010 Classico

16
3 Sonatinas, Op. 71, No. 3: III. Scherzo con moto
00:05:24

Kristian Buhl-Mortensen, guitar

2010 Classico

17
3 Sonatinas, Op. 71, No. 3: IV. Finale: Allegro
00:04:13

Kristian Buhl-Mortensen, guitar

2010 Classico

Chronique

This rather mysterious little disc comes with a series title, "Scandinavian Classics," that seems to make little sense for music by an Italian guitarist working in Austria and arranging English songs. The Scandinavian element is the performer, Danish guitarist Kristian Buhl-Mortensen; the music, originally recorded for the small Danish label Classico at an unspecified time, is here licensed to German discounter TIM. This is just one of those rare random finds. Buhl-Mortensen finds a program and a relaxed but masterful style of playing that brings to life a composer who was extraordinarily famous in his own time but is generally known even among guitarists for a few rather academic sonatas. Buhl-Mortensen loosely alternates Giuliani's treatments of English, Scots, and Irish songs with character pieces, variations, preludes, and even a fughetta, producing a sequence that balances virtuosity and lyrical tunefulness. It's absolutely lovely, and though these pieces are light they hold the listener's interest from start to finish. Buhl-Mortensen's playing is exceptionally clean; the sound is a bit dead, but this is probably an improvement on the host of recordings whose engineers unaccountably believe that letting a guitar screech away in a church is somehow a good idea.

© TiVo

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