Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
European musicians performed the music of George Gershwin in traditional orchestral contexts while he was still largely an inhabitant of the crossover sphere in the U.S., and there is still a seemingly inexhaustible stream of new European recordings of Gershwin standards. This one might qualify as quintesentially French despite the presence of British-American conductor David Wroe, leading the Orchestre National de Lille. Gershwin's Piano Concerto in F major has sometimes been held to reflect the influence of French music (and Maurice Ravel certainly completed the circle if so); the readings of pianist Bruno Fontaine certainly make the connection seem plausible. Even in the brassy first movement of the concerto he plays counter to the orchestra with flexible, rather dreamy solos, with the jazz rhythms not particularly marked, and the slow movement here is an especially lovely night piece. The most notable departure from the norm is the almost impressionistic Rhapsody in Blue, a work whose ability to stand up to the most divergent interpretations constantly reveals its greatness anew. Fontaine controls the pace and freely shifts it, emphasizing small details of phrase structure and creating a poetic rather than passionate (or "bluesy") mood. The big middle theme of the Rhapsody is kept quiet and measured; in this reading it's not the moment of emotional release that it usually becomes. Your mileage may vary, but Fontaine and Wroe have crafted a Rhapsody in Blue that's both original and coherent, no mean feat. The program is rounded out with a competent version of Porgy and Bess: A Symphonic Picture, and the album makes a satisfying whole despite ludicrous graphics. The live sound from the Transart label gets maximum clarity out of a restored stone circus building in Reims.
© TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Bruno Fontaine, interprète - David Wroe, interprète - Orchestre National de Lille, interprète - George Gershwin, compositeur
2009 Eric Manas/Transart 2009 Transart
Bruno Fontaine, interprète - David Wroe, interprète - Orchestre National de Lille, interprète - George Gershwin, compositeur
2009 Eric Manas/Transart 2009 Transart
Bruno Fontaine, interprète - David Wroe, interprète - Orchestre National de Lille, interprète - George Gershwin, compositeur
2009 Eric Manas/Transart 2009 Transart
Bruno Fontaine, interprète - David Wroe, interprète - Orchestre National de Lille, interprète - George Gershwin, compositeur
2009 Eric Manas/Transart 2009 Transart
David Wroe, interprète - Orchestre National de Lille, interprète - George Gershwin, compositeur - Robert Russel Bennett, compositeur
2009 Eric Manas/Transart 2009 Transart
Chronique
European musicians performed the music of George Gershwin in traditional orchestral contexts while he was still largely an inhabitant of the crossover sphere in the U.S., and there is still a seemingly inexhaustible stream of new European recordings of Gershwin standards. This one might qualify as quintesentially French despite the presence of British-American conductor David Wroe, leading the Orchestre National de Lille. Gershwin's Piano Concerto in F major has sometimes been held to reflect the influence of French music (and Maurice Ravel certainly completed the circle if so); the readings of pianist Bruno Fontaine certainly make the connection seem plausible. Even in the brassy first movement of the concerto he plays counter to the orchestra with flexible, rather dreamy solos, with the jazz rhythms not particularly marked, and the slow movement here is an especially lovely night piece. The most notable departure from the norm is the almost impressionistic Rhapsody in Blue, a work whose ability to stand up to the most divergent interpretations constantly reveals its greatness anew. Fontaine controls the pace and freely shifts it, emphasizing small details of phrase structure and creating a poetic rather than passionate (or "bluesy") mood. The big middle theme of the Rhapsody is kept quiet and measured; in this reading it's not the moment of emotional release that it usually becomes. Your mileage may vary, but Fontaine and Wroe have crafted a Rhapsody in Blue that's both original and coherent, no mean feat. The program is rounded out with a competent version of Porgy and Bess: A Symphonic Picture, and the album makes a satisfying whole despite ludicrous graphics. The live sound from the Transart label gets maximum clarity out of a restored stone circus building in Reims.
© TiVo
À propos
- 1 disque(s) - 5 piste(s)
- Durée totale : 01:17:10
- Artistes principaux : Bruno Fontaine David Wroe Orchestre National de Lille
- Compositeur : George Gershwin
- Label : TransArt Live
- Genre : Classique
2009 Eric Manas/Transart 2009 Transart
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.