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London Baroque|Couperin: Apotheoses

Couperin: Apotheoses

London Baroque

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This disc is not for the casual classical music lover: the subtle art of François Couperin lacks the more obvious appeal of, say, the art of Richard Wagner. This disc is not even for the casual Baroque music lover: the refined art of Couperin's Le Parnasse, ou l'Apothéose de Corelli lacks the more immediate appeal of, say, Antonio Vivaldi's Four Seasons. This disc is not even for the casual Couperin music lover: the narration in French of the descriptive titles of Le Parnasse lacks the instant intelligibility of, say, English. But for listeners who know and love the subtle and refined art of Couperin, who know and love his deeply affectionate and profoundly virtuosic music, and who either understand French or are willing to open their program book, this 2001 recording by Charles Medlam's London Baroque will be a wonderful thing. The musicians perform with a richly polished tone, a warmly sensitive understanding, and a brilliantly virtuosic technique, illuminating every facet of Couperin's art. BIS' sound is so real that you can smell the rosin on the bows.

© TiVo

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Couperin: Apotheoses

London Baroque

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Le Parnasse, ou L'Apotheose de Corelli (François Couperin)

1
I. Corelli at the foot of Mount Parnassus asks the Muses to welcome him amongst them.
00:02:20

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

2
II. Corelli, enchanted by his favourable reception at Mount Parnassus, expresses his joy. He proceeds with his followers.
00:02:16

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

3
III. Corelli drinks at the well of Hypocrene. His followers proceed.
00:02:42

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

4
IV. Corelli's exaltation at drinking at the waters of Hypocrene.
00:01:03

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

5
V. After his exaltation, Corelli now falls asleep; his followers attend with some very quiet music.
00:02:25

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

6
VI. The Muses wake Corelli and place him next to Apollo.
00:00:53

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

7
VII. Corelli gives thanks.
00:02:24

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

L'Apothéose de Lulli (François Couperin)

8
I. Lully in the Elysian Fields making music with the spirits of the underworld.
00:02:32

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

9
II. Air for the same.
00:02:22

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

10
III. Mercury flies to the Elysian Fields to warn of Apollo's impending arrival there.
00:00:39

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

11
IV. Descent of Apollo, who comes to offer his violin to Lully and a place on Parnassus.
00:03:14

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

12
V. Subterranean rumblings caused by Lully's contemporaries.
00:00:37

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

13
VI. Lamentations of the same for flutes or very muted violins.
00:02:28

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

14
VII. Lully Is elevated to Parnassus.
00:01:02

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

15
VIII. The welcome (both kind and guarded) given to Lully by Corelli and the Italian Muses.
00:02:22

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

16
IX. Lully's thanks to Apollo.
00:02:40

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

17
X. Apollo persuades Lully and Corelli That ... French and Italian styles would make perfection in Music: Essay in the form of an overture.
00:04:12

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

18
XI. Lully plays the subject and Corelli accompanies It (First Air); Corelli plays the subject ...And Lully accompanies It [Second Air]
00:02:04

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

19
XII: The Peace of Parnasus (Trio Sonata): I. Gravement
00:02:45

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

20
XIII. The Peace of Parnasus (Trio Sonata): II. Saillie [Vivement]
00:01:29

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

21
XIV. The Peace of Parnasus (Trio Sonata): III. Rondement
00:01:38

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

22
XV. The Peace of Parnasus (Trio Sonata): IV. Vivement
00:01:48

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

La Sultane (François Couperin)

23
— - — - Air tendrement - — - Legerement - Vivement
00:09:43

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

La Steinquerque (François Couperin)

24
Gayement (Bruit de Guerre) - Lentement - Gravement - Legerement - Mouvement de Fanfares - Lentement - Gravement - Gayement
00:09:49

François Couperin, Composer - London Baroque, Ensemble, MainArtist

2003 BIS 2003 (P) BIS

Chronique

This disc is not for the casual classical music lover: the subtle art of François Couperin lacks the more obvious appeal of, say, the art of Richard Wagner. This disc is not even for the casual Baroque music lover: the refined art of Couperin's Le Parnasse, ou l'Apothéose de Corelli lacks the more immediate appeal of, say, Antonio Vivaldi's Four Seasons. This disc is not even for the casual Couperin music lover: the narration in French of the descriptive titles of Le Parnasse lacks the instant intelligibility of, say, English. But for listeners who know and love the subtle and refined art of Couperin, who know and love his deeply affectionate and profoundly virtuosic music, and who either understand French or are willing to open their program book, this 2001 recording by Charles Medlam's London Baroque will be a wonderful thing. The musicians perform with a richly polished tone, a warmly sensitive understanding, and a brilliantly virtuosic technique, illuminating every facet of Couperin's art. BIS' sound is so real that you can smell the rosin on the bows.

© TiVo

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