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Ning Feng|Bruch: Scottish Fantasy - Tchaikovsky: Violin Concerto in D

Bruch: Scottish Fantasy - Tchaikovsky: Violin Concerto in D

Ning Feng, Deutsches Symphonie-Orchester Berlin and Yang Yang

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Violinists visiting Max Bruch to play him his 1st Violin Concerto (the violin concerto, though he wrote three) were chased away by the composer, who shouted that he had written a lot more than just that. The great success of this delightful piece has cast a shadow over his other music. And those who know the work – or hear it for the first time – understand only too well why, for it is rightly one of the most popular of allromantic violin concertos. However, Bruch another work for violin and orchestra which is perhaps even more special. For the soloist it is technically more more difficult than the 1st Violin Concerto, and it is a free fantasy rather than a traditional threemovement concerto. It is the Scottish Fantasy op. 46 for violin and orchestra (1880), written for the legendary virtuoso Pablo de Sarasate, a Spaniard who spent his entire life in France. Shortly before, Edouard Lalo had composed his exotic and daredevil Symphonie Espagnole (1875) for De Sarasate. This is another strange mixture of symphony, solo concerto and suite. Bruch hesitated to use the title fantasy’, since this is usually a rather short piece in free form, while he had written a considerable work lasting half an hour, with a range of contrasting moods

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Bruch: Scottish Fantasy - Tchaikovsky: Violin Concerto in D

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Scottish Fantasy, Op. 46 (Max Bruch)

1
Ia. Introduction. Grave
00:04:09

YANG YANG, Conductor, MainArtist - Max Bruch, Composer - Copyright Control, MusicPublisher - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Ning Feng, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

2
Ib. Adagio cantabile
00:05:13

YANG YANG, Conductor, MainArtist - Max Bruch, Composer - Copyright Control, MusicPublisher - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Ning Feng, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

3
II. Scherzo. Allegro - Adagio
00:06:22

YANG YANG, Conductor, MainArtist - Max Bruch, Composer - Copyright Control, MusicPublisher - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Ning Feng, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

4
III. Andante sostenuto
00:07:15

YANG YANG, Conductor, MainArtist - Max Bruch, Composer - Copyright Control, MusicPublisher - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Ning Feng, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

5
IV. Finale. Allegro guerriero
00:10:11

YANG YANG, Conductor, MainArtist - Max Bruch, Composer - Copyright Control, MusicPublisher - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Ning Feng, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

Violin Concerto in D Major, Op. 35, TH 59 (Pyotr Illitch Tchaïkovski)

6
I. Allegro moderato - Moderato assai
00:19:42

YANG YANG, Conductor, MainArtist - Copyright Control, MusicPublisher - Pyotr Ilyich Tchaikovsky, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Ning Feng, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

7
II. Canzonetta. Andante
00:07:13

YANG YANG, Conductor, MainArtist - Copyright Control, MusicPublisher - Pyotr Ilyich Tchaikovsky, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Ning Feng, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

8
III. Finale. Allegro vivacissimo
00:10:52

YANG YANG, Conductor, MainArtist - Copyright Control, MusicPublisher - Pyotr Ilyich Tchaikovsky, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Ning Feng, MainArtist

2014 Channel Classics Records 2014 Channel Classics Records

Chronique

Violinists visiting Max Bruch to play him his 1st Violin Concerto (the violin concerto, though he wrote three) were chased away by the composer, who shouted that he had written a lot more than just that. The great success of this delightful piece has cast a shadow over his other music. And those who know the work – or hear it for the first time – understand only too well why, for it is rightly one of the most popular of allromantic violin concertos. However, Bruch another work for violin and orchestra which is perhaps even more special. For the soloist it is technically more more difficult than the 1st Violin Concerto, and it is a free fantasy rather than a traditional threemovement concerto. It is the Scottish Fantasy op. 46 for violin and orchestra (1880), written for the legendary virtuoso Pablo de Sarasate, a Spaniard who spent his entire life in France. Shortly before, Edouard Lalo had composed his exotic and daredevil Symphonie Espagnole (1875) for De Sarasate. This is another strange mixture of symphony, solo concerto and suite. Bruch hesitated to use the title fantasy’, since this is usually a rather short piece in free form, while he had written a considerable work lasting half an hour, with a range of contrasting moods

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