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The Choir of Trinity College Cambridge|Briggs: Hail, gladdening Light & Other Works

Briggs: Hail, gladdening Light & Other Works

Stephen Layton, The Choir of Trinity College Cambridge

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Various releases celebrated conductor Stephen Layton's tenure as director of the Choir of Trinity College Cambridge as it approached its end in 2023. This one wasn't specifically so billed, but it serves the purpose; it is an ambitious album that exposes a fine composer-organist to a larger audience and shows that Layton was far from losing interest in the choir during his later years as its head. There are several major attractions, one being the Hyperion label's engineering work at the Church of Saint-Eustache, Paris, far from its usual British haunts. It is an acoustically imposing space, and David Briggs fills it with organ improvisations that exploit every corner of the church's instrument. These are interspersed among Briggs' choral compositions, which are an impressively varied group. The album takes its title from one of them, the anthem Hail, gladdening Light, which isn't far off from the usual fare of the Choir of Trinity College, but other works, extended in tonality, seem fascinatingly akin to Briggs' organ improvisations, and some hark back to earlier choral languages. Sample Briggs' recent Trinity College Fauxbourdon Service (2020), a Magnificat and Nunc dimittis that might be called neo-medieval. This album offers new music by an underrated composer, splendidly performed and engineered. Who could ask for anything more?

© James Manheim /TiVo

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Briggs: Hail, gladdening Light & Other Works

The Choir of Trinity College Cambridge

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1
St Davids Service: I. Jubilate Deo
The Choir of Trinity College Cambridge
00:03:19

Jonathan Lee, Organ, MainArtist, AssociatedPerformer - Simon Perry, Producer, Executive Producer - DAVID BRIGGS, Composer - Anonymous, Author - Adrian Peacock, Producer, Recording Producer - David Hinitt, Recording Engineer, StudioPersonnel - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2024 Hyperion Records Limited

2
Prelude
David Briggs
00:05:17

Simon Perry, Producer, Executive Producer - DAVID BRIGGS, Composer, Organ, MainArtist, AssociatedPerformer - Adrian Peacock, Producer, Recording Producer - David Hinitt, Recording Engineer, StudioPersonnel

℗ 2024 Hyperion Records Limited

3
Set Me as a Seal
The Choir of Trinity College Cambridge
00:02:54

Simon Perry, Producer, Executive Producer - DAVID BRIGGS, Composer - Anonymous, Author - Adrian Peacock, Producer, Recording Producer - David Hinitt, Recording Engineer, StudioPersonnel - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2024 Hyperion Records Limited

4
God Be in My Head
The Choir of Trinity College Cambridge
00:02:05

Jonathan Lee, Organ, MainArtist, AssociatedPerformer - Simon Perry, Producer, Executive Producer - DAVID BRIGGS, Composer - Anonymous, Author - Adrian Peacock, Producer, Recording Producer - David Hinitt, Recording Engineer, StudioPersonnel - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2023 Hyperion Records Limited

5
Intermezzo
David Briggs
00:03:29

Simon Perry, Producer, Executive Producer - DAVID BRIGGS, Composer, Organ, MainArtist, AssociatedPerformer - Adrian Peacock, Producer, Recording Producer - David Hinitt, Recording Engineer, StudioPersonnel

℗ 2024 Hyperion Records Limited

6
Surrexit Dominus
The Choir of Trinity College Cambridge
00:03:11

Simon Perry, Producer, Executive Producer - DAVID BRIGGS, Composer - Anonymous, Author - Adrian Peacock, Producer, Recording Producer - David Hinitt, Recording Engineer, StudioPersonnel - Stephen Layton, Conductor, MainArtist - Harrison Cole, Organ, MainArtist, AssociatedPerformer - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2024 Hyperion Records Limited

7
Toccata on Surrexit Dominus
David Briggs
00:04:35

Simon Perry, Producer, Executive Producer - DAVID BRIGGS, Composer, Organ, MainArtist, AssociatedPerformer - Adrian Peacock, Producer, Recording Producer - David Hinitt, Recording Engineer, StudioPersonnel

℗ 2024 Hyperion Records Limited

8
Hail, Gladdening Light
The Choir of Trinity College Cambridge
00:04:18

Simon Perry, Producer, Executive Producer - DAVID BRIGGS, Composer - Anonymous, Author - Adrian Peacock, Producer, Recording Producer - David Hinitt, Recording Engineer, StudioPersonnel - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2024 Hyperion Records Limited

9
Vexilla regis
The Choir of Trinity College Cambridge
00:04:43

Simon Perry, Producer, Executive Producer - DAVID BRIGGS, Composer - Adrian Peacock, Producer, Recording Producer - David Hinitt, Recording Engineer, StudioPersonnel - Stephen Layton, Conductor, MainArtist - Venantius Fortunatus, Author - Harrison Cole, Organ, MainArtist, AssociatedPerformer - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2024 Hyperion Records Limited

10
Ubi caritas et amor
The Choir of Trinity College Cambridge
00:05:06

Simon Perry, Producer, Executive Producer - DAVID BRIGGS, Composer - Anonymous, Author - Adrian Peacock, Producer, Recording Producer - David Hinitt, Recording Engineer, StudioPersonnel - Stephen Layton, Conductor, MainArtist - Harrison Cole, Organ, MainArtist, AssociatedPerformer - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2024 Hyperion Records Limited

11
The Trinity College Fauxbourdon Service: I. Magnificat
Florian Störtz
00:05:31

Simon Perry, Producer, Executive Producer - DAVID BRIGGS, Composer - Anonymous, Author - Adrian Peacock, Producer, Recording Producer - David Hinitt, Recording Engineer, StudioPersonnel - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist - Florian Störtz, MainArtist, AssociatedPerformer, Bass (Vocal)

℗ 2024 Hyperion Records Limited

12
The Trinity College Fauxbourdon Service: II. Nunc dimittis
Florian Störtz
00:03:00

Simon Perry, Producer, Executive Producer - DAVID BRIGGS, Composer - Anonymous, Author - Adrian Peacock, Producer, Recording Producer - David Hinitt, Recording Engineer, StudioPersonnel - Stephen Layton, Conductor, MainArtist - The Choir of Trinity College Cambridge, Choir, MainArtist - Florian Störtz, MainArtist, AssociatedPerformer, Bass (Vocal)

℗ 2024 Hyperion Records Limited

13
Cantabile
David Briggs
00:03:35

Simon Perry, Producer, Executive Producer - DAVID BRIGGS, Composer, Organ, MainArtist, AssociatedPerformer - Adrian Peacock, Producer, Recording Producer - David Hinitt, Recording Engineer, StudioPersonnel

℗ 2024 Hyperion Records Limited

14
St Davids Service: II. Te Deum
The Choir of Trinity College Cambridge
00:10:44

Simon Perry, Producer, Executive Producer - DAVID BRIGGS, Composer - Anonymous, Author - Adrian Peacock, Producer, Recording Producer - David Hinitt, Recording Engineer, StudioPersonnel - Stephen Layton, Conductor, MainArtist - Harrison Cole, Organ, MainArtist, AssociatedPerformer - The Choir of Trinity College Cambridge, Choir, MainArtist

℗ 2024 Hyperion Records Limited

Chronique

Various releases celebrated conductor Stephen Layton's tenure as director of the Choir of Trinity College Cambridge as it approached its end in 2023. This one wasn't specifically so billed, but it serves the purpose; it is an ambitious album that exposes a fine composer-organist to a larger audience and shows that Layton was far from losing interest in the choir during his later years as its head. There are several major attractions, one being the Hyperion label's engineering work at the Church of Saint-Eustache, Paris, far from its usual British haunts. It is an acoustically imposing space, and David Briggs fills it with organ improvisations that exploit every corner of the church's instrument. These are interspersed among Briggs' choral compositions, which are an impressively varied group. The album takes its title from one of them, the anthem Hail, gladdening Light, which isn't far off from the usual fare of the Choir of Trinity College, but other works, extended in tonality, seem fascinatingly akin to Briggs' organ improvisations, and some hark back to earlier choral languages. Sample Briggs' recent Trinity College Fauxbourdon Service (2020), a Magnificat and Nunc dimittis that might be called neo-medieval. This album offers new music by an underrated composer, splendidly performed and engineered. Who could ask for anything more?

© James Manheim /TiVo

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