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Thomas Oliemans|Brahms: Romanzen aus Magelone & Regenlied-Zyklus (Brahms Songbook, Vol. 1)

Brahms: Romanzen aus Magelone & Regenlied-Zyklus (Brahms Songbook, Vol. 1)

Thomas Oliemans and Malcolm Martineau

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Langue disponible : anglais

Why are Brahms' Romanzen aus Magelone, a.k.a. Magelone Songs, so much less familiar than song cycles by Schubert, Schumann, or even Hugo Wolf? It is largely because it is hard for the listener to get a grip on whether the songs really make up a song cycle at all. On one hand, Brahms was pretty clear; he was, he said, "absolutely against the performance of all the songs as a cycle." The songs don't tell an overarching story, and they don't seem to flow into one another; they vary in length and in tonality. Yet, they do set poems from a single work, a sort of picaresque novel with poems by Ludwig Tieck, written in 1797. Baritone Thomas Oliemans gets it right when he analogizes the songs to "a streaming series nowadays: we recognize characters and landscapes but we also embark on and discover other paths." No one would call Oliemans' voice the most beautiful one on the scene today, but these are vivid and affecting performances, and it is because Oliemans puts into practice his understanding of the work. Each song is sculpted into its own little world, and the oddly formal texts come alive. Sample Wir müssen uns trennen, where the knight departs from his beloved to go into battle; Brahms captures the knight's brief, almost abrupt words, and Oliemans embodies the tension in the musical lines. This release marks the beginning of a series curated by accompanist Malcolm Martineau, with various singers; the accompaniments are crucial in these songs, and Martineau's work is beautifully detailed. Add in excellent sound from Potton Hall, and one senses the beginning of an important series.
© James Manheim /TiVo

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Brahms: Romanzen aus Magelone & Regenlied-Zyklus (Brahms Songbook, Vol. 1)

Thomas Oliemans

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Romanzen aus L. Tieck’s Magelone, Op. 33 (Johannes Brahms)

1
No. 1, Keinen hat es noch gereut
00:03:31

Johannes Brahms, Composer - Copyright Control, MusicPublisher - Malcolm Martineau, MainArtist - Ludwig Tieck, Lyricist - Thomas Oliemans, Soloist, MainArtist

2023 Outhere 2023 Linn Records

2
No. 2, Traun! Bogen und Pfeil
00:01:30

Johannes Brahms, Composer - Copyright Control, MusicPublisher - Malcolm Martineau, MainArtist - Ludwig Tieck, Lyricist - Thomas Oliemans, Soloist, MainArtist

2023 Outhere 2023 Linn Records

3
No. 3, Sind es Schmerzen, sind es Freuden
00:05:11

Johannes Brahms, Composer - Copyright Control, MusicPublisher - Malcolm Martineau, MainArtist - Ludwig Tieck, Lyricist - Thomas Oliemans, Soloist, MainArtist

2023 Outhere 2023 Linn Records

4
No. 4, Liebe kam aus fernen Landen
00:04:26

Johannes Brahms, Composer - Copyright Control, MusicPublisher - Malcolm Martineau, MainArtist - Ludwig Tieck, Lyricist - Thomas Oliemans, Soloist, MainArtist

2023 Outhere 2023 Linn Records

5
No. 5, So willst du des Armen
00:01:46

Johannes Brahms, Composer - Copyright Control, MusicPublisher - Malcolm Martineau, MainArtist - Ludwig Tieck, Lyricist - Thomas Oliemans, Soloist, MainArtist

2023 Outhere 2023 Linn Records

6
No. 6, Wie soll ich die Freude
00:06:37

Johannes Brahms, Composer - Copyright Control, MusicPublisher - Malcolm Martineau, MainArtist - Ludwig Tieck, Lyricist - Thomas Oliemans, Soloist, MainArtist

2023 Outhere 2023 Linn Records

7
No. 7, War es dir, dem diese Lippen bebten
00:02:44

Johannes Brahms, Composer - Copyright Control, MusicPublisher - Malcolm Martineau, MainArtist - Ludwig Tieck, Lyricist - Thomas Oliemans, Soloist, MainArtist

2023 Outhere 2023 Linn Records

8
No. 8, Wir müssen uns trennen
00:03:54

Johannes Brahms, Composer - Copyright Control, MusicPublisher - Malcolm Martineau, MainArtist - Ludwig Tieck, Lyricist - Thomas Oliemans, Soloist, MainArtist

2023 Outhere 2023 Linn Records

9
No. 9, Ruhe, Süssliebchen
00:05:19

Johannes Brahms, Composer - Copyright Control, MusicPublisher - Malcolm Martineau, MainArtist - Ludwig Tieck, Lyricist - Thomas Oliemans, Soloist, MainArtist

2023 Outhere 2023 Linn Records

10
No. 10, Verzweiflung "So tönet denn, schäumende Wellen"
00:02:31

Johannes Brahms, Composer - Copyright Control, MusicPublisher - Malcolm Martineau, MainArtist - Ludwig Tieck, Lyricist - Thomas Oliemans, Soloist, MainArtist

2023 Outhere 2023 Linn Records

11
No. 11, Wie schnell verschwindet
00:03:28

Johannes Brahms, Composer - Copyright Control, MusicPublisher - Malcolm Martineau, MainArtist - Ludwig Tieck, Lyricist - Thomas Oliemans, Soloist, MainArtist

2023 Outhere 2023 Linn Records

12
No. 12, Muss es eine Trennung geben
00:02:33

Johannes Brahms, Composer - Copyright Control, MusicPublisher - Malcolm Martineau, MainArtist - Ludwig Tieck, Lyricist - Thomas Oliemans, Soloist, MainArtist

2023 Outhere 2023 Linn Records

13
No. 13, Sulima "Geliebter, wo zaudert"
00:02:02

Johannes Brahms, Composer - Copyright Control, MusicPublisher - Malcolm Martineau, MainArtist - Ludwig Tieck, Lyricist - Thomas Oliemans, Soloist, MainArtist

2023 Outhere 2023 Linn Records

14
No. 14, Wie froh und frisch
00:02:46

Johannes Brahms, Composer - Copyright Control, MusicPublisher - Malcolm Martineau, MainArtist - Ludwig Tieck, Lyricist - Thomas Oliemans, Soloist, MainArtist

2023 Outhere 2023 Linn Records

15
No. 15, Treue Liebe dauert lange
00:04:33

Johannes Brahms, Composer - Copyright Control, MusicPublisher - Malcolm Martineau, MainArtist - Ludwig Tieck, Lyricist - Thomas Oliemans, Soloist, MainArtist

2023 Outhere 2023 Linn Records

Vier Lieder nach Gedichten von Klaus Groth "Regenlied"-Zyklus (Johannes Brahms)

16
No. 1, Regenlied "Walle, Regen, walle nieder"
00:04:39

Johannes Brahms, Composer - Copyright Control, MusicPublisher - Malcolm Martineau, MainArtist - Klaus Groth, Lyricist - Thomas Oliemans, Soloist, MainArtist

2023 Outhere 2023 Linn Records

17
No. 2, Dein blaues Auge
00:01:56

Johannes Brahms, Composer - Copyright Control, MusicPublisher - Malcolm Martineau, MainArtist - Klaus Groth, Lyricist - Thomas Oliemans, Soloist, MainArtist

2023 Outhere 2023 Linn Records

18
No. 3, Mein wundes Herz verlangt
00:01:31

Johannes Brahms, Composer - Copyright Control, MusicPublisher - Malcolm Martineau, MainArtist - Klaus Groth, Lyricist - Thomas Oliemans, Soloist, MainArtist

2023 Outhere 2023 Linn Records

19
No. 4, Nachklang "Regentropfen aus den Bäumen"
00:01:34

Johannes Brahms, Composer - Copyright Control, MusicPublisher - Malcolm Martineau, MainArtist - Klaus Groth, Lyricist - Thomas Oliemans, Soloist, MainArtist

2023 Outhere 2023 Linn Records

Chronique

Why are Brahms' Romanzen aus Magelone, a.k.a. Magelone Songs, so much less familiar than song cycles by Schubert, Schumann, or even Hugo Wolf? It is largely because it is hard for the listener to get a grip on whether the songs really make up a song cycle at all. On one hand, Brahms was pretty clear; he was, he said, "absolutely against the performance of all the songs as a cycle." The songs don't tell an overarching story, and they don't seem to flow into one another; they vary in length and in tonality. Yet, they do set poems from a single work, a sort of picaresque novel with poems by Ludwig Tieck, written in 1797. Baritone Thomas Oliemans gets it right when he analogizes the songs to "a streaming series nowadays: we recognize characters and landscapes but we also embark on and discover other paths." No one would call Oliemans' voice the most beautiful one on the scene today, but these are vivid and affecting performances, and it is because Oliemans puts into practice his understanding of the work. Each song is sculpted into its own little world, and the oddly formal texts come alive. Sample Wir müssen uns trennen, where the knight departs from his beloved to go into battle; Brahms captures the knight's brief, almost abrupt words, and Oliemans embodies the tension in the musical lines. This release marks the beginning of a series curated by accompanist Malcolm Martineau, with various singers; the accompaniments are crucial in these songs, and Martineau's work is beautifully detailed. Add in excellent sound from Potton Hall, and one senses the beginning of an important series.
© James Manheim /TiVo

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