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Sharon Kam|Brahms, J.: Sonatas & Trio

Brahms, J.: Sonatas & Trio

Johannes Brahms

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Langue disponible : anglais

Start with the sound: Berlin Classics here offers chamber music recorded in a chamber like the ones for which it was intended. Israeli clarinetist Sharon Kam, along with German pianist Martin Helmchen (there's something that wouldn't have been so common until recently) and cellist Gustav Rivinius, performs Brahms' three late chamber masterpieces for clarinet in the Siemens-Villa in Berlin, not the studio it sounds like but a genuine villa in Berlin's swank Lichterfelde neighborhood. The intimacy of the sound environment fulfills the first condition for a great recording of these works, which their breathtaking combination of autumnal warmth and gnarly motivic complexity. The second condition is fulfilled by the players, who draw you into the incredible wealth of implications at the beginning of each of the opening movements maintain the long, lyrical phrases of the slow movements and beautifully capture the quiet resolution of the finales. The duets between Kam and Helmchen are the best of all; this pair has the fluid and attentive quality beyond mere ensemble that brings out the profound but somehow domestic magic of these works. These are less dramatic than the classic recordings of the two clarinet sonatas by Richard Stoltzman, but, taken for what they are, they're hard to beat.

© TiVo

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Brahms, J.: Sonatas & Trio

Sharon Kam

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Sonata for Clarinet and Piano in F Minor, Op. 120 No. 1 (Johannes Brahms)

1
1. Allegro appassionato
Martin Helmchen
00:07:40

Sharon Kam, clarinet - Martin Helmchen, piano

2009 Edel Classics GmbH 2009 Edel Classics GmbH

2
2. Andante un poco adagio
Martin Helmchen
00:04:53

Sharon Kam, clarinet - Martin Helmchen, piano

2009 Edel Classics GmbH 2009 Edel Classics GmbH

3
3. Allegretto grazioso
Martin Helmchen
00:04:07

Sharon Kam, clarinet - Martin Helmchen, piano

2009 Edel Classics GmbH 2009 Edel Classics GmbH

4
4. Vivace
Martin Helmchen
00:05:05

Sharon Kam, clarinet - Martin Helmchen, piano

2009 Edel Classics GmbH 2009 Edel Classics GmbH

Sonata for Clarinet and Piano in E-Flat Major, Op. 120 No. 2 (Johannes Brahms)

5
1. Allegro amabile
Martin Helmchen
00:07:48

Sharon Kam, clarinet - Martin Helmchen, piano

2009 Edel Classics GmbH 2009 Edel Classics GmbH

6
2. Allegro appassionato
Martin Helmchen
00:05:16

Sharon Kam, clarinet - Martin Helmchen, piano

2009 Edel Classics GmbH 2009 Edel Classics GmbH

7
3. Andante con moto – Allegro
Martin Helmchen
00:06:52

Sharon Kam, clarinet - Martin Helmchen, piano

2009 Edel Classics GmbH 2009 Edel Classics GmbH

Trio for Piano, Clarinet and Violoncello in A Minor, Op. 114 (Johannes Brahms)

8
I. Allegro
Martin Helmchen
00:07:42

Sharon Kam, clarinet - Gustav Rivinius, cello - Martin Helmchen, piano

2009 Edel Classics GmbH 2009 Edel Classics GmbH

9
II. Adagio
Martin Helmchen
00:07:32

Sharon Kam, clarinet - Gustav Rivinius, cello - Martin Helmchen, piano

2009 Edel Classics GmbH 2009 Edel Classics GmbH

10
III. Andantino grazioso
Martin Helmchen
00:04:34

Sharon Kam, clarinet - Gustav Rivinius, cello - Martin Helmchen, piano

2009 Edel Classics GmbH 2009 Edel Classics GmbH

11
IV. Allegro
Martin Helmchen
00:04:26

Sharon Kam, clarinet - Gustav Rivinius, cello - Martin Helmchen, piano

2009 Edel Classics GmbH 2009 Edel Classics GmbH

Chronique

Start with the sound: Berlin Classics here offers chamber music recorded in a chamber like the ones for which it was intended. Israeli clarinetist Sharon Kam, along with German pianist Martin Helmchen (there's something that wouldn't have been so common until recently) and cellist Gustav Rivinius, performs Brahms' three late chamber masterpieces for clarinet in the Siemens-Villa in Berlin, not the studio it sounds like but a genuine villa in Berlin's swank Lichterfelde neighborhood. The intimacy of the sound environment fulfills the first condition for a great recording of these works, which their breathtaking combination of autumnal warmth and gnarly motivic complexity. The second condition is fulfilled by the players, who draw you into the incredible wealth of implications at the beginning of each of the opening movements maintain the long, lyrical phrases of the slow movements and beautifully capture the quiet resolution of the finales. The duets between Kam and Helmchen are the best of all; this pair has the fluid and attentive quality beyond mere ensemble that brings out the profound but somehow domestic magic of these works. These are less dramatic than the classic recordings of the two clarinet sonatas by Richard Stoltzman, but, taken for what they are, they're hard to beat.

© TiVo

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