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Goldner String Quartet|Borodin: String Quartet No. 2 & Piano Quintet – Goldstein: Cello Sonata

Borodin: String Quartet No. 2 & Piano Quintet – Goldstein: Cello Sonata

Goldner String Quartet, Piers Lane

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The corpus of Russian chamber music from the period of the Mighty Handful is not large nor often played, and a competent recording of Borodin works is worthwhile on the face of it. One of the repertory's undisputed high points is the String Quartet No. 2 in D major of 1881, full of great tunes that turned up in the Broadway musical Kismet (sample the "Notturno" slow movement). The performance here by the Goldner String Quartet is lyrical and clean, all that could be desired, really. But equally attractive is the opening Piano Quintet in C minor of 1862, with an electric performance by Piers Lane on the piano. This is supposed to be a work from Borodin's pre-nationalist period, but you'd never know it from the opening theme. The Cello Sonata in B minor is a partially lost work later reconstructed by composer Mikhail Goldstein, who claimed to have written a third of the end result. It doesn't quite have the cohesive sweep of the quintet, but again it is a melodically rich work. A few other recordings exist of the two rarer pieces here, but fine Potton Hall sound from Hyperion is a point in favor of the present release. Recommended.

© TiVo

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Borodin: String Quartet No. 2 & Piano Quintet – Goldstein: Cello Sonata

Goldner String Quartet

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1
Piano Quintet in C Minor: I. Andante
Piers Lane
00:06:01

Piers Lane, Piano, MainArtist, AssociatedPerformer - Alexander Borodin, Composer - Dene Olding, Violin, AssociatedPerformer - Goldner String Quartet, String Quartet, MainArtist, AssociatedPerformer - Dimity Hall, Violin, AssociatedPerformer - Irina Morozova, Viola, AssociatedPerformer - Julian Smiles, Cello, AssociatedPerformer

℗ 2017 Hyperion Records Limited

2
Piano Quintet in C Minor: II. Scherzo. Allegro non troppo
Piers Lane
00:06:01

Piers Lane, Piano, MainArtist, AssociatedPerformer - Alexander Borodin, Composer - Dene Olding, Violin, AssociatedPerformer - Goldner String Quartet, String Quartet, MainArtist, AssociatedPerformer - Dimity Hall, Violin, AssociatedPerformer - Irina Morozova, Viola, AssociatedPerformer - Julian Smiles, Cello, AssociatedPerformer

℗ 2017 Hyperion Records Limited

3
Piano Quintet in C Minor: III. Finale. Allegro moderato
Goldner String Quartet
00:14:44

Piers Lane, Piano, MainArtist, AssociatedPerformer - Alexander Borodin, Composer - Dene Olding, Violin, AssociatedPerformer - Goldner String Quartet, String Quartet, MainArtist, AssociatedPerformer - Dimity Hall, Violin, AssociatedPerformer - Irina Morozova, Viola, AssociatedPerformer - Julian Smiles, Cello, AssociatedPerformer

℗ 2017 Hyperion Records Limited

4
Cello Sonata in B Minor (Reconstr. Goldstein): I. Allegro
Piers Lane
00:08:43

Piers Lane, Piano, MainArtist, AssociatedPerformer - Alexander Borodin, Composer - Julian Smiles, Cello, MainArtist, AssociatedPerformer - Mikhail Goldstein, Composer

℗ 2017 Hyperion Records Limited

5
Cello Sonata in B Minor (Reconstr. Goldstein): II. Pastorale. Andante dolce
Julian Smiles
00:07:33

Piers Lane, Piano, MainArtist, AssociatedPerformer - Alexander Borodin, Composer - Julian Smiles, Cello, MainArtist, AssociatedPerformer - Mikhail Goldstein, Composer

℗ 2017 Hyperion Records Limited

6
Cello Sonata in B Minor (Reconstr. Goldstein): III. Maestoso – Presto
Piers Lane
00:06:57

Piers Lane, Piano, MainArtist, AssociatedPerformer - Alexander Borodin, Composer - Julian Smiles, Cello, MainArtist, AssociatedPerformer - Mikhail Goldstein, Composer

℗ 2017 Hyperion Records Limited

7
String Quartet No. 2 in D Major: I. Allegro moderato
Goldner String Quartet
00:08:12

Alexander Borodin, Composer - Dene Olding, Violin, AssociatedPerformer - Goldner String Quartet, String Quartet, MainArtist, AssociatedPerformer - Dimity Hall, Violin, AssociatedPerformer - Irina Morozova, Viola, AssociatedPerformer - Julian Smiles, Cello, AssociatedPerformer

℗ 2017 Hyperion Records Limited

8
String Quartet No. 2 in D Major: II. Scherzo. Allegro
Goldner String Quartet
00:04:55

Alexander Borodin, Composer - Dene Olding, Violin, AssociatedPerformer - Goldner String Quartet, String Quartet, MainArtist, AssociatedPerformer - Dimity Hall, Violin, AssociatedPerformer - Irina Morozova, Viola, AssociatedPerformer - Julian Smiles, Cello, AssociatedPerformer

℗ 2017 Hyperion Records Limited

9
String Quartet No. 2 in D Major: III. Notturno. Andante
Goldner String Quartet
00:07:46

Alexander Borodin, Composer - Dene Olding, Violin, AssociatedPerformer - Goldner String Quartet, String Quartet, MainArtist, AssociatedPerformer - Dimity Hall, Violin, AssociatedPerformer - Irina Morozova, Viola, AssociatedPerformer - Julian Smiles, Cello, AssociatedPerformer

℗ 2017 Hyperion Records Limited

10
String Quartet No. 2 in D Major: IV. Finale. Andante – Vivace
Goldner String Quartet
00:06:56

Alexander Borodin, Composer - Dene Olding, Violin, AssociatedPerformer - Goldner String Quartet, String Quartet, MainArtist, AssociatedPerformer - Dimity Hall, Violin, AssociatedPerformer - Irina Morozova, Viola, AssociatedPerformer - Julian Smiles, Cello, AssociatedPerformer

℗ 2017 Hyperion Records Limited

Chronique

The corpus of Russian chamber music from the period of the Mighty Handful is not large nor often played, and a competent recording of Borodin works is worthwhile on the face of it. One of the repertory's undisputed high points is the String Quartet No. 2 in D major of 1881, full of great tunes that turned up in the Broadway musical Kismet (sample the "Notturno" slow movement). The performance here by the Goldner String Quartet is lyrical and clean, all that could be desired, really. But equally attractive is the opening Piano Quintet in C minor of 1862, with an electric performance by Piers Lane on the piano. This is supposed to be a work from Borodin's pre-nationalist period, but you'd never know it from the opening theme. The Cello Sonata in B minor is a partially lost work later reconstructed by composer Mikhail Goldstein, who claimed to have written a third of the end result. It doesn't quite have the cohesive sweep of the quintet, but again it is a melodically rich work. A few other recordings exist of the two rarer pieces here, but fine Potton Hall sound from Hyperion is a point in favor of the present release. Recommended.

© TiVo

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