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Elizabeth Sellars|BERKELEY: Sonatina for Violin and Piano, Op. 17 / Six Preludes, Op. 23 / Concertino, Op. 49

BERKELEY: Sonatina for Violin and Piano, Op. 17 / Six Preludes, Op. 23 / Concertino, Op. 49

BERKELEY: Sonatina for Violin and Piano, Op. 17 / Six Preludes, Op. 23 / Concertino, Op. 49

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This disc of solo and chamber music by Lennox Berkeley, for all its variety -- of composition dates, instrumentation, forms, and so on -- shows a few consistencies throughout the works. What marks these pieces are the concise, clear lines, uncomplicated structure, and a shifting or compound use of both tonality and meter. These elements create music that is easy to listen to and appreciate, but with such a complexity of moods that it is often hard to describe a piece or movement as having just one overarching emotion. Biographies of Berkeley often talk about how his use of tonality changed over the years, first reflecting the influence of his French friends and finally utilizing serial techniques and atonality. Shades of Poulenc, Stravinsky, and even Chopin are heard in these. However, the latest piece here, the Duo for cello and piano, from 1971, although harder-edged than the other works, is not uncomfortably dissonant. The Three Pieces for Clarinet Solo are not traditionally tonal or tuneful either, sounding like the prose of a person's inner voice. A playful humor is the piano Preludes, Op. 23, and Short Pieces, Op. 4, while the Sonatina has bewilderment, elegiac sadness, and optimism in it. The members of the Schirmer Ensemble feel comfortable with the music, making the listener feel at ease with it also. They are all graceful, even in the more energetic moments and sections, such as the outer movements of the Concertino. They convey a sense that this is serious music, with a depth of expression, but that it is to be enjoyed rather than absorbed and analyzed. The works were recorded in a few different places, at different times, so that the sound of the recording is not consistent. There is a certain amount of space in the sound of all of the works, with the cello and piano duets sounding the most distant, but even so, there is still an overall sense of intimacy to the album.
© TiVo

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BERKELEY: Sonatina for Violin and Piano, Op. 17 / Six Preludes, Op. 23 / Concertino, Op. 49

Elizabeth Sellars

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Violin Sonatina in A Major, Op. 17 (Lennox Berkeley)

1
I. Moderato
Elizabeth Sellars
00:04:19

Lennox Berkeley, Composer - Elizabeth Sellars, Performer - Len Vorster, Performer

2005 Naxos 2005 Naxos

2
II. Lento
Elizabeth Sellars
00:03:38

Lennox Berkeley, Composer - Elizabeth Sellars, Performer - Len Vorster, Performer

2005 Naxos 2005 Naxos

3
III. Allegretto, Variations 1-5
Elizabeth Sellars
00:05:19

Lennox Berkeley, Composer - Elizabeth Sellars, Performer - Len Vorster, Performer

2005 Naxos 2005 Naxos

5 Short Pieces, Op. 4 (Lennox Berkeley)

4
I. Andante
Len Vorster
00:01:06

Lennox Berkeley, Composer - Len Vorster, Performer

2005 Naxos 2005 Naxos

5
II. Allegro moderato
Len Vorster
00:00:49

Lennox Berkeley, Composer - Len Vorster, Performer

2005 Naxos 2005 Naxos

6
III. Allegro
Len Vorster
00:01:55

Lennox Berkeley, Composer - Len Vorster, Performer

2005 Naxos 2005 Naxos

7
IV. Andante
Len Vorster
00:01:57

Lennox Berkeley, Composer - Len Vorster, Performer

2005 Naxos 2005 Naxos

8
V. Allegro
Len Vorster
00:00:50

Lennox Berkeley, Composer - Len Vorster, Performer

2005 Naxos 2005 Naxos

Andantino, Op. 21, No. 2a (Lennox Berkeley)

9
Andantino for Cello and Piano, Op. 21, No. 2a
David Berlin
00:02:58

Lennox Berkeley, Composer - Len Vorster, Performer - David Berlin, Performer

2005 Naxos 2005 Naxos

3 Pieces (Lennox Berkeley)

10
I. Moderato (in tempo rubato)
Deborah de Graaff
00:01:37

Lennox Berkeley, Composer - Deborah de Graaff, Performer

2005 Naxos 2005 Naxos

11
II. Lento
Deborah de Graaff
00:02:10

Lennox Berkeley, Composer - Deborah de Graaff, Performer

2005 Naxos 2005 Naxos

12
III. Allegro
Deborah de Graaff
00:01:15

Lennox Berkeley, Composer - Deborah de Graaff, Performer

2005 Naxos 2005 Naxos

Mazurka, Op. 101, No. 2 (Lennox Berkeley)

13
Mazurka for Piano, Op. 101, No. 2
Len Vorster
00:01:24

Lennox Berkeley, Composer - Len Vorster, Performer

2005 Naxos 2005 Naxos

Duo, Op. 81, No. 1 (Lennox Berkeley)

14
Duo for Cello and Piano, Op. 81, No. 1
David Berlin
00:06:22

Lennox Berkeley, Composer - Len Vorster, Performer - David Berlin, Performer

2005 Naxos 2005 Naxos

6 Preludes, Op. 23 (Lennox Berkeley)

15
I. Allegro
Len Vorster
00:01:43

Lennox Berkeley, Composer - Len Vorster, Performer

2005 Naxos 2005 Naxos

16
II. Andante
Len Vorster
00:01:54

Lennox Berkeley, Composer - Len Vorster, Performer

2005 Naxos 2005 Naxos

17
III. Allegro moderato
Len Vorster
00:01:40

Lennox Berkeley, Composer - Len Vorster, Performer

2005 Naxos 2005 Naxos

18
IV. Allegretto
Len Vorster
00:01:57

Lennox Berkeley, Composer - Len Vorster, Performer

2005 Naxos 2005 Naxos

19
V. Allegro
Len Vorster
00:01:51

Lennox Berkeley, Composer - Len Vorster, Performer

2005 Naxos 2005 Naxos

20
VI. Andante
Len Vorster
00:02:31

Lennox Berkeley, Composer - Len Vorster, Performer

2005 Naxos 2005 Naxos

Concertino, Op. 49 (Lennox Berkeley)

21
I. Allegro moderato
Masahide Kurita
00:04:29

Lennox Berkeley, Composer - Elizabeth Sellars, Performer - Len Vorster, Performer - Schirmer Ensemble, Ensemble - David Berlin, Performer - Masahide Kurita, Performer

2005 Naxos 2005 Naxos

22
II. Aria I
Masahide Kurita
00:03:33

Lennox Berkeley, Composer - Elizabeth Sellars, Performer - Len Vorster, Performer - Schirmer Ensemble, Ensemble - David Berlin, Performer - Masahide Kurita, Performer

2005 Naxos 2005 Naxos

23
III. Aria II
Masahide Kurita
00:02:36

Lennox Berkeley, Composer - Elizabeth Sellars, Performer - Len Vorster, Performer - Schirmer Ensemble, Ensemble - David Berlin, Performer - Masahide Kurita, Performer

2005 Naxos 2005 Naxos

24
IV. Vivace
Masahide Kurita
00:03:30

Lennox Berkeley, Composer - Elizabeth Sellars, Performer - Len Vorster, Performer - Schirmer Ensemble, Ensemble - David Berlin, Performer - Masahide Kurita, Performer

2005 Naxos 2005 Naxos

Chronique

This disc of solo and chamber music by Lennox Berkeley, for all its variety -- of composition dates, instrumentation, forms, and so on -- shows a few consistencies throughout the works. What marks these pieces are the concise, clear lines, uncomplicated structure, and a shifting or compound use of both tonality and meter. These elements create music that is easy to listen to and appreciate, but with such a complexity of moods that it is often hard to describe a piece or movement as having just one overarching emotion. Biographies of Berkeley often talk about how his use of tonality changed over the years, first reflecting the influence of his French friends and finally utilizing serial techniques and atonality. Shades of Poulenc, Stravinsky, and even Chopin are heard in these. However, the latest piece here, the Duo for cello and piano, from 1971, although harder-edged than the other works, is not uncomfortably dissonant. The Three Pieces for Clarinet Solo are not traditionally tonal or tuneful either, sounding like the prose of a person's inner voice. A playful humor is the piano Preludes, Op. 23, and Short Pieces, Op. 4, while the Sonatina has bewilderment, elegiac sadness, and optimism in it. The members of the Schirmer Ensemble feel comfortable with the music, making the listener feel at ease with it also. They are all graceful, even in the more energetic moments and sections, such as the outer movements of the Concertino. They convey a sense that this is serious music, with a depth of expression, but that it is to be enjoyed rather than absorbed and analyzed. The works were recorded in a few different places, at different times, so that the sound of the recording is not consistent. There is a certain amount of space in the sound of all of the works, with the cello and piano duets sounding the most distant, but even so, there is still an overall sense of intimacy to the album.
© TiVo

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