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Nikolai Malko|Beethoven, L. Van: Symphony No. 9, "Choral" / Leonore Overture No. 3 (Danish National Radio Smphony, Malko)

Beethoven, L. Van: Symphony No. 9, "Choral" / Leonore Overture No. 3 (Danish National Radio Smphony, Malko)

Ludwig van Beethoven - Friedrich von Schiller

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Into the extremely slender discography of Nicolai Malko comes this coupling of Beethoven's Leonore Overture No. 3 and Symphony No. 9, taken from the conductor's 25th Jubilee Concert on January 30, 1955, with the Danish Radio Symphony Orchestra and Choir. While they are in their way quite good, only hardcore Malko devotees are likely to take pleasure from them. The Ukrainian-born conductor is his usual straightforward yet subtle self, and these performances are in large part clean, clear, and direct, but the Danish orchestra and chorus are too often unable to comply with his demands. There are moments in the symphony's opening Allegro and Scherzo where the orchestra's unity is as questionable as its intonation, and there are pages in the Finale where the ensemble seems to fray at the edges. Worse yet is the Danish chorus, which seems too small and under-rehearsed to handle the requirements of the score. But all that having been acknowledged, Malko's performances are still terrific; his Leonore Overture has tremendous drive, particularly in its climatic coda, and the Ninth Symphony has the kind of linear intensity Toscanini preferred but with the irresistible relentlessness that Furtwängler advocated. Danacord's remastered sound is acceptable for its time, but no one will mistake it for a post-'50s recording.

© TiVo

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Beethoven, L. Van: Symphony No. 9, "Choral" / Leonore Overture No. 3 (Danish National Radio Smphony, Malko)

Nikolai Malko

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Leonore Overture No. 3, Op. 72b (Ludwig van Beethoven)

1
Leonore Overture No. 3, Op. 72b
Nikolai Malko
00:13:37

Nikolai Malko, Conductor - Nikolai Malko, Conductor

2009 Danacord

Symphony No. 9 in D Minor, Op. 125 "Choral" (Ludwig van Beethoven)

2
I. Allegro ma non troppo, un poco maestoso
Else Brems
00:15:05

Nikolai Malko, Conductor - Danish National Radio Symphony Orchestra, Orchestra - Else Brems, mezzo-soprano - Holger Byrding, bass - Thyge Thygesen, tenor - Nikolai Malko, Conductor - Danish National Radio Choir, Choir

2009 Danacord

3
II. Molto vivace
Else Brems
00:09:38

Nikolai Malko, Conductor - Holger Byrding, bass - Else Brems, mezzo-soprano - Danish National Radio Symphony Orchestra, Orchestra - Nikolai Malko, Conductor - Thyge Thygesen, tenor - Danish National Radio Choir, Choir

2009 Danacord

4
III. Adagio molto e cantabile - Andante moderato
Else Brems
00:14:57

Nikolai Malko, Conductor - Holger Byrding, bass - Thyge Thygesen, tenor - Nikolai Malko, Conductor - Else Brems, mezzo-soprano - Danish National Radio Choir, Choir - Danish National Radio Symphony Orchestra, Orchestra

2009 Danacord

5
IV. Finale: Presto - Allegro assai
Else Brems
00:24:22

Nikolai Malko, Conductor - Thyge Thygesen, tenor - Nikolai Malko, Conductor - Holger Byrding, bass - Danish National Radio Choir, Choir - Danish National Radio Symphony Orchestra, Orchestra - Else Brems, mezzo-soprano

2009 Danacord

Chronique

Into the extremely slender discography of Nicolai Malko comes this coupling of Beethoven's Leonore Overture No. 3 and Symphony No. 9, taken from the conductor's 25th Jubilee Concert on January 30, 1955, with the Danish Radio Symphony Orchestra and Choir. While they are in their way quite good, only hardcore Malko devotees are likely to take pleasure from them. The Ukrainian-born conductor is his usual straightforward yet subtle self, and these performances are in large part clean, clear, and direct, but the Danish orchestra and chorus are too often unable to comply with his demands. There are moments in the symphony's opening Allegro and Scherzo where the orchestra's unity is as questionable as its intonation, and there are pages in the Finale where the ensemble seems to fray at the edges. Worse yet is the Danish chorus, which seems too small and under-rehearsed to handle the requirements of the score. But all that having been acknowledged, Malko's performances are still terrific; his Leonore Overture has tremendous drive, particularly in its climatic coda, and the Ninth Symphony has the kind of linear intensity Toscanini preferred but with the irresistible relentlessness that Furtwängler advocated. Danacord's remastered sound is acceptable for its time, but no one will mistake it for a post-'50s recording.

© TiVo

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