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Suzie Leblanc|Ay Que Sí! Music in 17th Century Spain

Ay Que Sí! Music in 17th Century Spain

Suzie Leblanc, Les Voix Humaines

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Canadian soprano Suzie LeBlanc has done quite a bit of recording in the years leading up to this release with Les Voix Humaines, Ay que sí, particularly with Canadian label Atma Classique. You wouldn't know it by the raves about these albums in Gramophone, because it seems as though that most esteemed of classical publications isn't really paying attention to LeBlanc. A pity, but it's their loss, as if Ay que sí is any indication of what the rest of her 20 or so Atma Classique recordings are like, they must be a treasure trove indeed, as this album is just about perfect.
This is a recital of early Baroque Spanish vocal music, a genre so readily identified with Jordi Savall and his wife Montserrat Figueras that one might assume that nothing could be in their class. Think again -- the purity of LeBlanc's voice floats effortlessly over the sensitively stated, yet rhythmically propelling accompaniment of Stephen Stubbs' Baroque guitar, Susie Napper and Margaret Little's viols, Maxine Eilander's Spanish harp, and Rafik Samman's quiet, tastefully applied percussion. The program is also wisely laid out, as there are liberal instrumental interjections from Les Voix Humaines so that Ay que sí doesn't get stuck too long in one groove. This sense of varying the instrumental texture also applies well to the accompaniments played behind LeBlanc. The 28-page booklet offers informative and useful notes that are laid out in an attractive and non-fussy way; important as these composers -- José Marín, Manuel Machado, and Juan Hidalgo -- are hardly household names, with only Diego Ortiz and Gaspar Sanz being reasonably familiar from their instrumental works. We also get artist biographies and the song texts in three languages, formatted in an easy-to-follow manner that does not strain the eyes or create confusion.
In other words, with Ay que sí, Atma Classique got it right. Ay que sí is a disc that one will want to put on repeat and let the thing play all day long. Atma Classique's recording is loud and clear, with just the right amount of reverb so that these quiet Baroque instruments don't get lost in the "hall." Amazing!

© TiVo

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Ay Que Sí! Music in 17th Century Spain

Suzie Leblanc

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1
Dos estrellas le siguen
Voix Humaines, Les
00:04:35

Manuel Machado, ComposerLyricist - Suzie Leblanc, Soprano, MainArtist, AssociatedPerformer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2002 ATMA Classique

2
Mi señora Mariantaños
Voix Humaines, Les
00:03:14

Suzie Leblanc, Soprano, MainArtist, AssociatedPerformer - Jose Marin, ComposerLyricist - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2002 ATMA Classique

3
Ojos, pues me desdeñáis
Suzie Leblanc
00:03:26

Suzie Leblanc, Soprano, MainArtist, AssociatedPerformer - Jose Marin, ComposerLyricist - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2002 ATMA Classique

4
Buena vista (Chan Chan)
Voix Humaines, Les
00:03:02

Francisco Repilado, ComposerLyricist - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2002 ATMA Classique

5
En los floridos Paramos
Voix Humaines, Les
00:02:34

Juan Hidalgo, ComposerLyricist - Suzie Leblanc, Soprano, MainArtist, AssociatedPerformer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2002 ATMA Classique

6
Españoleta
Voix Humaines, Les
00:06:37

Diego Fernandez de Huete, ComposerLyricist - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2002 ATMA Classique

7
Niña como en tus mudanças
Voix Humaines, Les
00:04:12

Suzie Leblanc, Soprano, MainArtist, AssociatedPerformer - Jose Marin, ComposerLyricist - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2002 ATMA Classique

8
Recercada segunda
Voix Humaines, Les
00:02:36

Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Diego Oritz, ComposerLyricist - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2002 ATMA Classique

9
Ay que sí, ay que no
Voix Humaines, Les
00:03:14

Juan Hidalgo, ComposerLyricist - Suzie Leblanc, Soprano, MainArtist, AssociatedPerformer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2002 ATMA Classique

10
Guardame las vacas
Voix Humaines, Les
00:02:39

Diego Fernandez de Huete, ComposerLyricist - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2002 ATMA Classique

11
Aquella sierra nevada
Suzie Leblanc
00:03:27

Suzie Leblanc, Soprano, MainArtist, AssociatedPerformer - Jose Marin, ComposerLyricist - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2002 ATMA Classique

12
No piense Menguilla ya
Suzie Leblanc
00:04:33

Suzie Leblanc, Soprano, MainArtist, AssociatedPerformer - Jose Marin, ComposerLyricist - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2002 ATMA Classique

13
Marionas
Voix Humaines, Les
00:04:04

Francisco Guerau, ComposerLyricist - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2002 ATMA Classique

14
Esperar
Suzie Leblanc
00:02:50

Juan Hidalgo, ComposerLyricist - Suzie Leblanc, Soprano, MainArtist, AssociatedPerformer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2002 ATMA Classique

15
Pavana
Voix Humaines, Les
00:02:52

Gaspar Sanz, ComposerLyricist - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2002 ATMA Classique

16
Turvéme Çelinda hermosa
Suzie Leblanc
00:02:26

Suzie Leblanc, Soprano, MainArtist, AssociatedPerformer - Jose Marin, ComposerLyricist - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2002 ATMA Classique

17
Españoleta
Voix Humaines, Les
00:04:49

Francisco Guerau, ComposerLyricist - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2002 ATMA Classique

18
Un sarao de la Chacona
Suzie Leblanc
00:03:56

Unknown, ComposerLyricist - Suzie Leblanc, Soprano, MainArtist, AssociatedPerformer - Les Voix Humaines, Chamber Ensemble, MainArtist, AssociatedPerformer - Johanne Goyette, Producer, Recording Engineer, StudioPersonnel

℗ 2002 ATMA Classique

Chronique

Canadian soprano Suzie LeBlanc has done quite a bit of recording in the years leading up to this release with Les Voix Humaines, Ay que sí, particularly with Canadian label Atma Classique. You wouldn't know it by the raves about these albums in Gramophone, because it seems as though that most esteemed of classical publications isn't really paying attention to LeBlanc. A pity, but it's their loss, as if Ay que sí is any indication of what the rest of her 20 or so Atma Classique recordings are like, they must be a treasure trove indeed, as this album is just about perfect.
This is a recital of early Baroque Spanish vocal music, a genre so readily identified with Jordi Savall and his wife Montserrat Figueras that one might assume that nothing could be in their class. Think again -- the purity of LeBlanc's voice floats effortlessly over the sensitively stated, yet rhythmically propelling accompaniment of Stephen Stubbs' Baroque guitar, Susie Napper and Margaret Little's viols, Maxine Eilander's Spanish harp, and Rafik Samman's quiet, tastefully applied percussion. The program is also wisely laid out, as there are liberal instrumental interjections from Les Voix Humaines so that Ay que sí doesn't get stuck too long in one groove. This sense of varying the instrumental texture also applies well to the accompaniments played behind LeBlanc. The 28-page booklet offers informative and useful notes that are laid out in an attractive and non-fussy way; important as these composers -- José Marín, Manuel Machado, and Juan Hidalgo -- are hardly household names, with only Diego Ortiz and Gaspar Sanz being reasonably familiar from their instrumental works. We also get artist biographies and the song texts in three languages, formatted in an easy-to-follow manner that does not strain the eyes or create confusion.
In other words, with Ay que sí, Atma Classique got it right. Ay que sí is a disc that one will want to put on repeat and let the thing play all day long. Atma Classique's recording is loud and clear, with just the right amount of reverb so that these quiet Baroque instruments don't get lost in the "hall." Amazing!

© TiVo

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