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Brenda Lee|All Alone Am I

All Alone Am I

Brenda Lee

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Although All Alone Am I featured a classic 1962 hit single as its title track, like some of Brenda Lee's other early albums, it was unduly weighted toward adult pop standards. This LP alone had "(I Left My Heart) In San Francisco," "Lover," "What Kind of Fool Am I," "Come Rain or Come Shine," and "Fly Me to the Moon," reinforcing the impression that her album market was viewed as being a more mature audience than the more youthful one responsible for buying a high percentage of her smash 45s. The cover of Fats Domino's "All By Myself" is, aside from "All Alone Am I," about the only nod to the more vigorous segment of the pop market that had made her a star in the first place. The bulk of the record, it should be emphasized, is well done, both due to Lee's always committed singing and to Owen Bradley's unfailingly lush production. It even swings, just a bit, on "By Myself," "Lover," and Cole Porter's "It's All Right with Me." But it's on the sedate side, and is one of the less imaginative and interesting of her early albums.

© Richie Unterberger /TiVo

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All Alone Am I

Brenda Lee

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1
All Alone Am I (Single Version)
00:02:46

Arthur Altman, ComposerLyricist - Owen Bradley, Producer - Brenda Lee, Vocalist, MainArtist, AssociatedPerformer - Manos Hadjidakis, ComposerLyricist

℗ 1962 UMG Recordings, Inc.

2
By Myself
00:02:13

Howard Dietz, ComposerLyricist - Arthur Schwartz, ComposerLyricist - Owen Bradley, Producer - Brenda Lee, MainArtist

℗ 1963 UMG Recordings, Inc.

3
(I Left My Heart) In San Francisco
00:02:49

George Cory, Composer - Owen Bradley, Producer - Douglas Cross, Author - Brenda Lee, MainArtist

℗ 1962 UMG Recordings, Inc.

4
It's All Right With Me
00:02:45

Cole Porter, ComposerLyricist - Owen Bradley, Producer - Brenda Lee, MainArtist

℗ 1963 UMG Recordings, Inc.

5
My Coloring Book
00:03:54

John Kander, Composer - Fred Ebb, Author - Owen Bradley, Producer - Brenda Lee, MainArtist

℗ 1963 UMG Recordings, Inc.

6
My Prayer
00:02:52

Jimmy Kennedy, ComposerLyricist - Owen Bradley, Producer - Georges Boulanger, ComposerLyricist - Brenda Lee, MainArtist

℗ 1963 UMG Recordings, Inc.

7
Lover
00:02:18

Richard Rodgers, ComposerLyricist - Lorenz Hart, ComposerLyricist - Owen Bradley, Producer - Brenda Lee, MainArtist

℗ 1963 UMG Recordings, Inc.

8
All By Myself
00:02:40

Irving Berlin, ComposerLyricist - Owen Bradley, Producer - Brenda Lee, MainArtist

℗ 1963 UMG Recordings, Inc.

9
What Kind Of Fool Am I?
00:02:16

Anthony Newley, ComposerLyricist - Leslie Bricusse, ComposerLyricist - Owen Bradley, Producer - Brenda Lee, MainArtist

℗ 1963 UMG Recordings, Inc.

10
Come Rain Or Come Shine
00:02:35

Johnny Mercer, ComposerLyricist - Harold Arlen, ComposerLyricist - Owen Bradley, Producer - Brenda Lee, MainArtist

℗ 1962 UMG Recordings, Inc.

11
I Hadn't Anyone Till You
00:02:45

Ray Noble, ComposerLyricist - Owen Bradley, Producer - Brenda Lee, MainArtist

℗ 1963 UMG Recordings, Inc.

12
Fly Me To The Moon
00:02:22

Bart Howard, ComposerLyricist - Owen Bradley, Producer - Brenda Lee, MainArtist

℗ 1963 UMG Recordings, Inc.

Chronique

Although All Alone Am I featured a classic 1962 hit single as its title track, like some of Brenda Lee's other early albums, it was unduly weighted toward adult pop standards. This LP alone had "(I Left My Heart) In San Francisco," "Lover," "What Kind of Fool Am I," "Come Rain or Come Shine," and "Fly Me to the Moon," reinforcing the impression that her album market was viewed as being a more mature audience than the more youthful one responsible for buying a high percentage of her smash 45s. The cover of Fats Domino's "All By Myself" is, aside from "All Alone Am I," about the only nod to the more vigorous segment of the pop market that had made her a star in the first place. The bulk of the record, it should be emphasized, is well done, both due to Lee's always committed singing and to Owen Bradley's unfailingly lush production. It even swings, just a bit, on "By Myself," "Lover," and Cole Porter's "It's All Right with Me." But it's on the sedate side, and is one of the less imaginative and interesting of her early albums.

© Richie Unterberger /TiVo

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