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Langue disponible : anglais
Although Hans Abrahamsen began his career as a follower of the "New Simplicity" movement in Denmark -- a conservative effort in the 1960s to counter the influence of the avant-garde -- he subsequently developed his own methods and moved on to fashion a more idiosyncratic and intuitive practice. Drawing on many compositional techniques, from Stravinsky's neo-Classicism to Ligeti's spectral explorations, and beyond, Abrahamsen veers between extremes of style, yet avoids sounding eclectic by never lingering too long on any one mannerism or reference. The chaotic stylistic menagerie of Stratifications (1973-1975) hardly prepares the listener for the quiet, poetic musings of Nacht und Trompeten (1981), and the variegated Concerto for piano and orchestra (1999-2000) only remotely resembles a conventional concerto -- perhaps one that has been taken apart and reassembled as a vehicle for musical stream-of-consciousness. The arrangements of pieces by Bach, Nielsen, Nørgård, and Schoenberg are interesting sidelines, but if they were Abrahamsen's major preoccupation in the 1990s, then they suggest that the composer took time out to reassess his directions. The Danish National Symphony Orchestra, conducted by Thomas Dausgaard, plays the first two works with vivid timbres and admirable precision, and the BIT 20 Ensemble, directed by Ilan Volkov, presents the Concerto and the arrangements with intimate expression and strikingly separated colors.
© TiVo
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Stratifications (Hans Abrahamsen)
, Contributor - Thomas Dausgaard, Conductor
(C) 2004 Dacapo (P) 2004 Dacapo
Nacht und Trompeten (Hans Abrahamsen)
, Contributor - Thomas Dausgaard, Conductor
(C) 2004 Dacapo (P) 2004 Dacapo
Piano concerto (Hans Abrahamsen)
, Contributor - Ilan Volkov, Conductor - BIT 20 Ensemble, Ensemble
(C) 2004 Dacapo (P) 2004 Dacapo
, Contributor - Ilan Volkov, Conductor - BIT 20 Ensemble, Ensemble
(C) 2004 Dacapo (P) 2004 Dacapo
, Contributor - Ilan Volkov, Conductor - BIT 20 Ensemble, Ensemble
(C) 2004 Dacapo (P) 2004 Dacapo
, Contributor - Ilan Volkov, Conductor - BIT 20 Ensemble, Ensemble
(C) 2004 Dacapo (P) 2004 Dacapo
Befiehl du deine Wege, BWV 272 (Johann Sebastian Bach)
, Contributor - Ilan Volkov, Conductor
(C) 2004 Dacapo (P) 2004 Dacapo
Nielsen - 3 Piano Pieces, Op. 59 (Hans Abrahamsen)
, Contributor - Ilan Volkov, Conductor
(C) 2004 Dacapo (P) 2004 Dacapo
, Contributor - Ilan Volkov, Conductor
(C) 2004 Dacapo (P) 2004 Dacapo
, Contributor - Ilan Volkov, Conductor
(C) 2004 Dacapo (P) 2004 Dacapo
Norgard - Prelude to Breaking (Hans Abrahamsen)
, Contributor - Ilan Volkov, Conductor
(C) 2004 Dacapo (P) 2004 Dacapo
Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19 (Hans Abrahamsen)
, Contributor - Ilan Volkov, Conductor
(C) 2004 Dacapo (P) 2004 Dacapo
, Contributor - Ilan Volkov, Conductor
(C) 2004 Dacapo (P) 2004 Dacapo
, Contributor - Ilan Volkov, Conductor
(C) 2004 Dacapo (P) 2004 Dacapo
, Contributor - Ilan Volkov, Conductor
(C) 2004 Dacapo (P) 2004 Dacapo
Chronique
Although Hans Abrahamsen began his career as a follower of the "New Simplicity" movement in Denmark -- a conservative effort in the 1960s to counter the influence of the avant-garde -- he subsequently developed his own methods and moved on to fashion a more idiosyncratic and intuitive practice. Drawing on many compositional techniques, from Stravinsky's neo-Classicism to Ligeti's spectral explorations, and beyond, Abrahamsen veers between extremes of style, yet avoids sounding eclectic by never lingering too long on any one mannerism or reference. The chaotic stylistic menagerie of Stratifications (1973-1975) hardly prepares the listener for the quiet, poetic musings of Nacht und Trompeten (1981), and the variegated Concerto for piano and orchestra (1999-2000) only remotely resembles a conventional concerto -- perhaps one that has been taken apart and reassembled as a vehicle for musical stream-of-consciousness. The arrangements of pieces by Bach, Nielsen, Nørgård, and Schoenberg are interesting sidelines, but if they were Abrahamsen's major preoccupation in the 1990s, then they suggest that the composer took time out to reassess his directions. The Danish National Symphony Orchestra, conducted by Thomas Dausgaard, plays the first two works with vivid timbres and admirable precision, and the BIT 20 Ensemble, directed by Ilan Volkov, presents the Concerto and the arrangements with intimate expression and strikingly separated colors.
© TiVo
À propos
- 1 disque(s) - 15 piste(s)
- Durée totale : 01:02:38
- Artistes principaux : Danish National Symphony Orchestra Anne Marie Abildskov Thomas Dausgaard BIT20 Ensemble Ilan Volkov
- Compositeur : Arnold Schönberg
- Label : Dacapo
- Genre : Classique
(C) 2004 Dacapo (P) 2004 Dacapo
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