Nappy Brown
Nobody sounded much like Nappy Brown during the mid-'50s. Exotically rolling his consonants with sing-song impunity (allegedly, Savoy Records boss Herman Lubinsky thought Brown was singing in Yiddish), bellowing the blues with gospel-inspired ferocity, Brown rode rock & roll's first wave for a few glorious years before his records stopped selling. But in the early '80s, Brown seemingly rose from the dead to stage a comeback bid. He became ensconced once again as a venerable blues veteran who'd stop at nothing (including rolling around the stage in sexual simulation) to enthrall his audience.
Napoleon Brown's sanctified screams come naturally -- he grew up in Charlotte, NC, singing gospel as well as blues. He was fronting a spiritual aggregation, the Heavenly Lights, who were signed to the roster of Newark, NJ's Savoy Records when Lubinsky convinced the leather-lunged shouter to cross the secular line in 1954. Voilà, Nappy Brown the R&B singer was born.
Brown brought hellfire intensity to his blues-soaked Savoy debut, "Is It True," but it was "Don't Be Angry" the next year that caused his fortunes to skyrocket. The sizzling rocker sported loads of Brown's unique vocal gimmicks and a hair-raising tenor sax solo by Sam "The Man" Taylor, becoming his first national smash. Those onboard New York session aces didn't hurt the overall ambience of Brown's Savoy dates -- Taylor's scorching horn further enlivened "Open Up That Door," while Budd Johnson or Al Sears took over on other equally raucous efforts. Novelty-tinged upbeat items such as "Little by Little" and "Piddily Patter Patter" defined Brown's output, but his throat-busting turn on the 1957 blues number "The Right Time" (borrowed by Ray Charles in short order) remains a highlight of Brown's early heyday.
After decades away from the limelight, Brown resurfaced in 1984 with a very credible album for Landslide Records, Tore Up, with guitarist Tinsley Ellis' band, the Heartfixers. Later, he recorded a fine set for Black Top (Something Gonna Jump Out the Bushes) with Anson Funderburgh, Ronnie Earl, and Earl King sharing guitar duties, and some not-so-fine CDs for other logos.
© Bill Dahl /TiVo
Artistes similaires
-
-
The Right Time (Singles 1957 - 1960)
Pop - Paru chez Rhythm & Blues Classics le 1 janv. 2012
16-Bit CD Quality 44.1 kHz - Stereo -
-
There'll Come a Day
Pop - Paru chez Digital Matters le 11 juin 2019
16-Bit CD Quality 44.1 kHz - Stereo -
Don't Be Angry With Me
Soul - Paru chez Excess Music le 29 mai 2023
16-Bit CD Quality 44.1 kHz - Stereo -
-
Just a little Love
Pop - Paru chez Music City Entertainment le 1 avr. 2019
16-Bit CD Quality 44.1 kHz - Stereo -
-
-
Any Time Is the Right Time
Pop - Paru chez Jazzboutique le 9 juil. 2019
16-Bit CD Quality 44.1 kHz - Stereo -
The Right Time
Soul - Paru chez LAND OF 1.000 DANCES le 28 janv. 2019
16-Bit CD Quality 44.1 kHz - Stereo -
-
Don't Be Angry (Billboard Hot 100 - No. 25)
Soul - Paru chez Music Manager le 19 déc. 2018
16-Bit CD Quality 44.1 kHz - Stereo -
-
Two-Faced Woman And a Lyin' Man
Pop - Paru chez Jazztastic le 1 mai 2019
16-Bit CD Quality 44.1 kHz - Stereo -
Hit Singles (All Tracks Remastered)
R&B - Paru chez jjjedizionimusicali le 27 mai 2021
16-Bit CD Quality 44.1 kHz - Stereo -
Nappy Brown (Vintage Charm)
R&B - Paru chez Don't stop the music le 25 avr. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
The Greatest Of Nappy Brown, Bobby "Blue" Bland & Big Joe Turner (Remastered 2022)
Nappy Brown, Bobby Bland, Big Joe Turner
R&B - Paru chez Millennium Digital Remaster le 2 sept. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Little By Little / I'm Getting Lonesome (All Tracks Remastered)
R&B - Paru chez Hit Singles Records le 14 févr. 2020
16-Bit CD Quality 44.1 kHz - Stereo -
Don't Be Angry / Little By Little (All Tracks Remastered)
R&B - Paru chez Hit Singles Records le 30 avr. 2020
16-Bit CD Quality 44.1 kHz - Stereo -