Humphrey Lyttelton
The grand old man of British jazz, trumpeter and bandleader Humphrey Lyttelton spearheaded the postwar trad jazz revival before renouncing the movement in favor of more contemporary and restless creative vision. A larger-than-life figure, he also excelled as a writer and cartoonist, and for decades was a fixture of radio, serving as the hilariously deadpan host of the long-running I'm Sorry, I Haven't a Clue. Born in Eton on May 23, 1921, Lyttelton was the product of a distinguished and wealthy family -- a lifelong jazz enthusiast, he received his first trumpet at age 15 and formed a band with some Eton College classmates. He also studied military drumming under a former Coldstream Guards drum major and joined the school band as a percussionist. Lyttelton enlisted in the British Army on D-Day and saw combat in Italy -- on leave in London he sat in with local jazz bands, and upon returning to civilian life in 1945 he enrolled at the Camberwell School of Art. In March 1947, he signed on with semi-professional trad jazz combo George Webb's Dixielanders; when Dixielanders clarinetist and professional cartoonist Wally Fawkes was promoted to write and illustrate a full-fledged daily strip for The Daily Mail, Lyttelton was tapped to fill Fawkes' previous position sketching "column-breakers" -- i.e., humorous or decorative drawings inserted into the text. He also reviewed jazz and classical recordings for the newspaper, and later scripted the Fawkes-drawn strip Flook as well.
In early 1948 Lyttelton resigned from the Dixielanders to found his own group, bringing Fawkes and later pianist Webb with him -- with the subsequent additions of Blackpool-born brothers Keith (trombone) and Ian Christie (clarinet), the group emerged at the forefront of the trad jazz renaissance. With Lyttelton's declamatory trumpet out front, the group's reverential, New Orleans-inspired sound proved a commercial juggernaut -- in late 1949, they signed to Parlophone, and their 78-rpm efforts sold so consistently that the label issued a new release each month until introducing the LP format several years later. However, Lyttelton quickly felt smothered within the narrow creative confines of the trad jazz sound and began embracing Latin and African rhythms as early as 1951 -- he also exploited new technologies, employing multi-track recording techniques to play trumpet, clarinet, piano, and washboard on "One Man Went to Blow." Most notably -- and to the endless chagrin of purists -- Lyttelton soon abandoned the accepted trumpet-clarinet-trombone format to introduce saxophones into the equation, and as his musical aspirations evolved, so did the lineup of his support staff: the Lyttelton band was the launching pad for a multitude of fledgling jazz greats, among them saxophonists Tony Coe, Danny Moss, Alan Barnes, Joe Temperley, John Barnes, and Karen Sharp as well as trombonists Roy Williams, Pete Strange, and John Picard. The group also backed visiting American giants like Sidney Bechet, Jimmy Rushing, and Buck Clayton.
With 1956's self-penned "Bad Penny Blues," Lyttelton scored British jazz's first-ever Top 20 U.K. pop hit -- the group went on to tour Europe and the Middle East, and in 1959 joined Thelonious Monk and Anita O'Day on a trek across the U.S. As the trad jazz vogue gave way to rock & roll, Lyttelton continued performing, but he also launched a secondary career as a broadcaster -- his witty and informal presence made him a natural for radio, and in 1966 he was awarded his own BBC series, The Best of Jazz, which he helmed for over four decades. Six years later, he was also appointed host of the spoof panel game I'm Sorry, I Haven't a Clue, a program notorious for its abundance of double entendres. He also continued his writing, over the course of his lifetime publishing a series of books including I Play as I Please, Second Course, Take It from the Top, Why No Beethoven, and It Just Occurred to Me..., and for a time he even served as a restaurant critic. Another hobby was calligraphy: Lyttelton received a set of calligraphic pens upon his father's death, and proved so adept that he was elected president of the Society for Italic Handwriting. The craft even lent its name to his own label, Calligraph Records, which served to re-release his classic recordings on CD. A new generation of listeners was exposed to Lyttelton's work in 2001 when he guested on the Radiohead album Amnesiac. On March 11, 2008, he announced his retirement from The Best of Jazz. Weeks later, he died following heart surgery on April 25.
© Jason Ankeny /TiVo
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The Best of Humphrey Lyttelton (2003 Remaster)
Jazz - Paru chez Parlophone UK le 1 janv. 2002
16-Bit CD Quality 44.1 kHz - Stereo -
The Very Best of Dixieland
Chris Barber's Jazz Band, The Dutch Swing College Band, Firehouse Five Plus Two, Acker Bilk, Humphrey Lyttelton, Papa Bue's Viking Jazzband
Dixieland - Paru chez Profil le 14 août 2020
16-Bit CD Quality 44.1 kHz - Stereo -
The Best Of Humphrey Lyttelton
Jazz - Paru chez Parlophone UK le 1 janv. 2002
16-Bit CD Quality 44.1 kHz - Stereo -
The Very Best Of
Dixieland - Paru chez Master Classics Records le 1 oct. 2009
16-Bit CD Quality 44.1 kHz - Stereo -
Humphrey Lyttelton: Bad Penny Blues
Jazz - Paru chez Retrospective le 1 janv. 2008
16-Bit CD Quality 44.1 kHz - Stereo -
All That Jazz, Vol. 101: Humphrey Lyttelton Band – British Backroom Joys
Humphrey Lyttelton, Humphrey Lyttelton Band
Pop - Paru chez Jube Legends le 4 mai 2018
24-Bit 48.0 kHz - Stereo -
1957-58
Jazz contemporain - Paru chez Lake Records le 18 mai 2009
16-Bit CD Quality 44.1 kHz - Stereo -
The Best of Humphrey Lyttelton Vol. 3
Humphrey Lyttelton, Kathy Stobart
Jazz - Paru chez The Digital Gramophone le 1 juil. 2011
16-Bit CD Quality 44.1 kHz - Stereo -
Bad Penny Blues 1955-1956
Jazz contemporain - Paru chez Lake Records le 12 févr. 2007
16-Bit CD Quality 44.1 kHz - Stereo -
I Play as I Please
Jazz contemporain - Paru chez Lake Records le 1 janv. 1957
16-Bit CD Quality 44.1 kHz - Stereo -
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Presenting… Humphrey Lyttelton
Jazz - Paru chez Signature le 1 juil. 2011
16-Bit CD Quality 44.1 kHz - Stereo -
Remastered Hits (All Tracks Remastered)
Jazz - Paru chez jjjedizionimusicali le 14 nov. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Just About As Good As It Gets! - The Original Jazz Recordings 1948-1956
Dixieland - Paru chez Smith & Co. le 20 févr. 2008
16-Bit CD Quality 44.1 kHz - Stereo -
Jazz Session With Humph
Jazz - Paru chez Synergie OMP le 29 juil. 2012
16-Bit CD Quality 44.1 kHz - Stereo -
The Best of Humphrey Lyttelton
Jazz - Paru chez The Digital Gramophone le 20 juin 2011
16-Bit CD Quality 44.1 kHz - Stereo -
Take it From the Top
Jazz - Paru chez 1201 MUSIC le 31 déc. 1986
16-Bit CD Quality 44.1 kHz - Stereo -
The Other Parlophones 1951-1954
Jazz - Paru chez Sackville le 18 juil. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
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Humph Plays Standards (2014 Remastered Version)
Jazz - Paru chez Bethlehem Records le 14 mai 2012
16-Bit CD Quality 44.1 kHz - Stereo -
Claude Luter in England with Humphrey Lyttelton
Claude Luter, Humphrey Lyttelton, The Bad Penny Blues Rhythm Section
Jazz - Paru chez Upbeat Jazz le 20 août 2009
16-Bit CD Quality 44.1 kHz - Stereo