Claude King
Singer/songwriter and actor Claude King is best remembered for his one big hit, "Wolverton Mountain," the tale of one Clifton Clowers who is "mighty handy with a gun and a knife" and keeps his daughter sequestered in their mountain home away from potential suitors. Focusing exclusively on that song results in an incomplete picture of King's career, however; he emerged from the milieu that also produced Johnny Horton, and after "Wolverton Mountain" he scored another 27 chart singles. The Shreveport, LA, native was a natural athlete as a child. When he was 12, he learned how to play guitar. After attending college on a baseball scholarship, he spent the late '40s and early '50s working as a construction engineer and performing music in local clubs and on TV and radio. Early on, he met up with Tillman Franks, who became Horton's manager and also a top talent official with the Louisiana Hayride program on Shreveport radio station KWKH. King recorded his first single for the President label in 1947. He followed up with the hilarious honky tonker "51 Beers" (Gotham, 1949) and with other singles, including four recorded for Specialty in 1952, but despite some Hayride appearances lined up by Franks, he remained just under the national radar.
In 1961, King signed to Columbia and released his first single, "Big River, Big Man." The song became a Top Ten country hit as well as a minor pop hit. The follow-up, "The Comancheros," also made it to the Top Ten. Around this time King teamed up with Merle Kilgore to write "Wolverton Mountain," a song that neatly blended a classic fairy-tale quality with Horton's storytelling style -- and capped off the whole with lush Nashville sound background vocals that accented the song's theme of youthful ardor. "Wolverton Mountain" spent nine weeks at the top of the country charts and peaked at number six on the pop charts. Two more hits -- the Top Ten "The Burning of Atlanta" and the number 11 "I've Got the World by the Tail" -- followed, and King and his band, the Nashville Knights, became hot tickets. Through 1964, he continued his string of successes with singles like "Hey Lucille!," "Sam Hill," and "Building a Bridge," but his hits became more sporadic in the latter half of the '60s. King left Columbia in 1971 and began recording with little success on independent labels. "Cotton Dan," which barely nicked the bottom of the charts, became his last hit in 1977. During his career, King also appeared in two feature films, Swamp Girl and Year of the Wahoo. He also appeared in the 1982 television miniseries The Blue and the Gray.
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The Comancheros
Jazz - Paru chez Black Sheep Music le 15 mai 2013
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Nightingale
Country - Paru chez oldies and hits for future le 20 mai 2019
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Sound and Vision
Country - Paru chez the sound girly le 12 déc. 2014
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The Comancheros
Jazz - Paru chez Stars and Stripes le 15 mai 2013
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Big River, Big Man (Billboard Hot 100 - No 82)
Country - Paru chez Music Manager le 23 oct. 2020
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Love Caught
Country - Paru chez classics & more le 20 juil. 2016
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Talkative Friend
Country - Paru chez classics & more le 9 mai 2016
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Big River, Big Man
Jazz - Paru chez Black Sheep Music le 22 oct. 2014
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Wolverton Mountain
Folk - Paru chez Blue Pie Records USA le 1 janv. 1962
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St. Nicholas - For Young Folks
Country - Paru chez St. Nicholas Day le 5 déc. 2021
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Wolverton Mountain (Billboard Hot 100 - No. 06)
Musique vocale (profane et sacrée) - Paru chez Music Manager le 19 déc. 2018
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Big River, Big Man
Jazz - Paru chez Stars and Stripes le 22 oct. 2014
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Just at the Turn of the Tide
Country - Paru chez turn of the tide le 28 avr. 2023
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Flapping Wings
Country - Paru chez Wings in Hell le 1 janv. 2021
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Pistol Packin' Papa
Country - Paru chez CTS Digital le 7 juil. 2020
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