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Russell Haswell|Wild Tracks

Wild Tracks

Russell Haswell

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16-Bit/44.1 kHz Stereo

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Langue disponible : anglais

In filmmaking lingo, a "wild track" is a soundtrack recorded without picture, during production. On Wild Tracks, sound artist Russell Haswell has culled 73 minutes' worth of excerpts from much longer recordings made in the field, but those are not "field recordings" -- i.e. they were recorded as possible soundtracks for film and other art projects, not as actual field recordings. What's the difference? Some of them are more staged and others sound harsher than what you would expect from a field recording CD. And yet, the album fits that category pretty well nonetheless. The recordings cover a wide range of situations, sound levels, and textures, making for an eclectic album built on contrasts. There's a near-silent recording of scatter-birds (propane-fueled noise-makers to scare birds out of sown fields) and a noisy helicopter ride. There are recordings of small insects (wasps, flies, even ants) and recordings of waterfalls -- the scale varies wildly. The recordings are presented as is, unedited, uncompressed, uncured of the technical mishaps and intrusions from wind or passing aircrafts. The diversity of the material and sudden shifts in dB levels between tracks make Wild Tracks an uncomfortable listen -- and a different beast compared to Haswell's previous releases -- but a number of pieces are very successful at taking the listener elsewhere and putting a magnifying ear in unexpected places. Worth noting are: a recording of wasps entering and exiting their nest, recorded up close and from below with great stereo separation, giving you the impression (when listening with headphones) of being surrounded ("Wasp-War"); a hydrophone recording of ants rebuilding their colony after insertion of said hydrophone ("Ant Colony"); a magnetic field fluctuation detector recording flies being zapped by a hand-held device ("Electroswat"); and a snow fall recorded with hydrophones ("Falling Snow #4"). Also worth noting is the fact that the CD is packaged with a full-size poster/booklet in a Kidzbox®, which looks like a DVD case with a handle.
© François Couture /TiVo

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Wild Tracks

Russell Haswell

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1
Exceptionally Loud Propane Gas Cannon Bird Scarer
00:06:00

Russell Haswell, MainArtist - Mute Song, MusicPublisher - R. Haswell, Composer

2009 Editions Mego 2009 Editions Mego

2
Jamaican Blowhole
00:05:03

Russell Haswell, MainArtist - Mute Song, MusicPublisher - R. Haswell, Composer

2009 Editions Mego 2009 Editions Mego

3
Ant Colony (feat. Eurofighter Typhoon F2 Flyby)
00:10:00

Russell Haswell, MainArtist - Mute Song, MusicPublisher - R. Haswell, Composer - Eurofighter Typhoon F2 Flyby, FeaturedArtist

2009 Editions Mego 2009 Editions Mego

4
Wasp-War (feat. Apache Ah Mk1 Duet)
00:10:42

Russell Haswell, MainArtist - Mute Song, MusicPublisher - R. Haswell, Composer - Apache Ah Mk1 Duet, FeaturedArtist

2009 Editions Mego 2009 Editions Mego

5
Helicopter Trip
00:12:05

Russell Haswell, MainArtist - Mute Song, MusicPublisher - R. Haswell, Composer

2009 Editions Mego 2009 Editions Mego

6
A Horde Of Flies Feast On A Rotting Pheasant Carcass (Extract)
00:06:30

Russell Haswell, MainArtist - Mute Song, MusicPublisher - R. Haswell, Composer

2009 Editions Mego 2009 Editions Mego

7
Electroswat (Playlist Re Edit)
00:03:14

Russell Haswell, MainArtist - Mute Song, MusicPublisher - R. Haswell, Composer

2009 Editions Mego 2009 Editions Mego

8
Local Gamekeepers Shooting A Few Fields Away
00:02:00

Russell Haswell, MainArtist - R. Haswell, Composer - Mute Ssong, MusicPublisher

2009 Editions Mego 2009 Editions Mego

9
Missing/Hitting Beer Can Target
00:01:00

Russell Haswell, MainArtist - Mute Song, MusicPublisher - R. Haswell, Composer

2009 Editions Mego 2009 Editions Mego

10
Rocket Launch
00:00:09

Russell Haswell, MainArtist - Mute Song, MusicPublisher - R. Haswell, Composer

2009 Editions Mego 2009 Editions Mego

11
High Force From Above
00:02:42

Russell Haswell, MainArtist - Mute Song, MusicPublisher - R. Haswell, Composer

2009 Editions Mego 2009 Editions Mego

12
Summerhill Force From Inside Gibson's Cave
00:03:02

Russell Haswell, MainArtist - Mute Song, MusicPublisher - R. Haswell, Composer

2009 Editions Mego 2009 Editions Mego

13
Trappers Bait Digital Caller
00:03:00

Russell Haswell, MainArtist - Mute Song, MusicPublisher - R. Haswell, Composer

2009 Editions Mego 2009 Editions Mego

14
Falling Snow #4, +20dB (Extract)
00:04:50

Russell Haswell, MainArtist - Mute Song, MusicPublisher - R. Haswell, Composer

2009 Editions Mego 2009 Editions Mego

15
Dramatic Whining Wind
00:03:39

Russell Haswell, MainArtist - Mute Song, MusicPublisher - R. Haswell, Composer

2009 Editions Mego 2009 Editions Mego

Chronique

In filmmaking lingo, a "wild track" is a soundtrack recorded without picture, during production. On Wild Tracks, sound artist Russell Haswell has culled 73 minutes' worth of excerpts from much longer recordings made in the field, but those are not "field recordings" -- i.e. they were recorded as possible soundtracks for film and other art projects, not as actual field recordings. What's the difference? Some of them are more staged and others sound harsher than what you would expect from a field recording CD. And yet, the album fits that category pretty well nonetheless. The recordings cover a wide range of situations, sound levels, and textures, making for an eclectic album built on contrasts. There's a near-silent recording of scatter-birds (propane-fueled noise-makers to scare birds out of sown fields) and a noisy helicopter ride. There are recordings of small insects (wasps, flies, even ants) and recordings of waterfalls -- the scale varies wildly. The recordings are presented as is, unedited, uncompressed, uncured of the technical mishaps and intrusions from wind or passing aircrafts. The diversity of the material and sudden shifts in dB levels between tracks make Wild Tracks an uncomfortable listen -- and a different beast compared to Haswell's previous releases -- but a number of pieces are very successful at taking the listener elsewhere and putting a magnifying ear in unexpected places. Worth noting are: a recording of wasps entering and exiting their nest, recorded up close and from below with great stereo separation, giving you the impression (when listening with headphones) of being surrounded ("Wasp-War"); a hydrophone recording of ants rebuilding their colony after insertion of said hydrophone ("Ant Colony"); a magnetic field fluctuation detector recording flies being zapped by a hand-held device ("Electroswat"); and a snow fall recorded with hydrophones ("Falling Snow #4"). Also worth noting is the fact that the CD is packaged with a full-size poster/booklet in a Kidzbox®, which looks like a DVD case with a handle.
© François Couture /TiVo

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