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Lou Rawls|The Best Of Lou Rawls - The Capitol Jazz & Blues Sessions

The Best Of Lou Rawls - The Capitol Jazz & Blues Sessions

Lou Rawls

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Many people may remember Lou Rawls as a fundraiser, a pitchman for Budweiser or a silky-smooth '70s soul crooner, but when he signed to Capitol in the early '60s, Rawls was strictly a jazz and blues singer. Sure he tried for hits, and even struck occasionally, with "Love Is a Hurtin' Thing" and "Your Good Thing (Is About to End)," but he was at his best when tackling the material that is collected on The Best of Lou Rawls: The Capitol Jazz & Blues Sessions. A nice mix of jazz standards, blues, pop-gospel and big band swing, the disc showcases Rawls' flexibility, light touch, and his one-of-a-kind voice as he struts and swaggers through the up-tempo tracks like "Nobody but Me," "Street of Dreams," or "Goin' to Chicago Blues," and as he gets down to something real and gritty on the ballads like "Blues for the Weepers," "How Long, How Long Blues," "So Hard to Laugh, So Easy to Cry," and the centerpiece of the album, his medley of "Southside Blues" and "Tobacco Road," which features one of Rawls' patented monologues. With help from producers like Nick Venet and David Axelrod, as well as arrangers like Benny Carter, Benny Golson, and the great H.B. Barnum, Rawls' records have always sounded near-perfect, hearing them in a setting like this only spotlights what a good working environment Rawls could create. The collection isn't perfect; as one could argue about the omission of his 1962 take on "(They Call It) Stormy Monday," or his mellow "Gee Baby, Ain't I Good to You." However, it is one hell of a fine listen that anyone who loves Rawls should add to their collection, especially if you only know him for his post-1970 work [A boon for collectors are the three bonus tracks from a recently unearthed session Rawls cut with the Curtis Amy Sextet that is as close as he came to being a hard bop singer. It is a fascinating find and as the liner notes state, it is truly a shame that there were no more songs recorded by the group.]

© Tim Sendra /TiVo

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The Best Of Lou Rawls - The Capitol Jazz & Blues Sessions

Lou Rawls

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1
Motherless Child (2006 Remaster)
00:03:16

J.W. Alexander, ComposerLyricist - Lowell Jordan, ComposerLyricist - Traditional, ComposerLyricist - Nick Venet, Producer - Michael Cuscuna, Producer - Lou Rawls, MainArtist - Onzy Matthews, Conductor, Organ, AssociatedPerformer

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

2
God Bless The Child (2006 Remaster)
00:04:29

Arthur Herzog, Composer - Nick Venet, Producer - Billie Holiday, Composer - Michael Cuscuna, Producer - Lou Rawls, MainArtist - Onzy Matthews, Conductor, Organ, AssociatedPerformer

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

3
Nobody But Me (2006 Remaster)
00:02:48

Billy Myles, ComposerLyricist - Nick Venet, Producer - Lou Rawls, MainArtist - Onzy Matthews, Conductor

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

4
Blues For The Weepers (2006 Remaster)
00:03:49

Nick Venet, Producer - Lou Rawls, MainArtist - Onzy Matthews, Conductor, Organ, AssociatedPerformer - Lee Magid, ComposerLyricist - Max Rich, ComposerLyricist

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

5
Goin' To Chicago Blues (2006 Remaster)
00:02:53

James Rushing, ComposerLyricist - Nick Venet, Producer - Count Basie, ComposerLyricist - Lou Rawls, MainArtist - Onzy Matthews, Conductor

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

6
How Long, How Long Blues (2006 Remaster)
00:04:22

Nick Venet, Producer - Lou Rawls, MainArtist - Leroy Carr, Composer - Onzy Matthews, Conductor

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

7
Southside Blues/Tobacco Road Medley (2005 Digital Remaster)
00:07:58

John D. Loudermilk, ComposerLyricist - Lou Rawls, MainArtist, ComposerLyricist

(C) 2006 Blue Note Records ℗ 2005 Blue Note Records

8
Something Stirring In My Soul (2006 Remaster)
00:03:07

Robert Scott, ComposerLyricist - Nick Venet, Producer - Michael Cuscuna, Producer - Lou Rawls, MainArtist - Onzy Matthews, Conductor, Organ, AssociatedPerformer - J. Radcliffe, ComposerLyricist

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

9
Georgia On My Mind (Remastered 2006)
00:03:19

Nick Venet, Producer - HOAGY CARMICHAEL, ComposerLyricist - Stuart Gorrell, ComposerLyricist - Lou Rawls, MainArtist - Onzy Matthews, Conductor, Organ, AssociatedPerformer

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

10
So Hard To Laugh, So Easy To Cry (2006 Remaster)
00:03:18

Nick Venet, Producer - Michael Cuscuna, Producer - Lou Rawls, MainArtist - Onzy Matthews, Conductor, Organ, AssociatedPerformer - Cecil Carter, ComposerLyricist - Richard Askun, ComposerLyricist

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

11
Old Folks (2006 Remaster)
00:02:19

Nick Venet, Producer - Michael Cuscuna, Producer - Lou Rawls, MainArtist - Onzy Matthews, Conductor, Organ, AssociatedPerformer - WILLARD ROBISON, ComposerLyricist - Dedette Lee Hill, Author

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

12
Somebody Have Mercy (2006 Remaster)
00:06:50

Nick Venet, Producer - Sam Cooke, ComposerLyricist - Michael Cuscuna, Producer - Lou Rawls, MainArtist - Onzy Matthews, Conductor, Organ, AssociatedPerformer

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

13
Why (Do I Love You So) (2006 Remaster)
00:02:46

J.W. Alexander, ComposerLyricist - Nick Venet, Producer - Michael Cuscuna, Producer - Lou Rawls, MainArtist - Onzy Matthews, Conductor, Organ, AssociatedPerformer

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

14
Street Of Dreams (2006 Remaster)
00:02:57

Sam M. Lewis, ComposerLyricist - Nick Venet, Producer - Michael Cuscuna, Producer - Victor P. Young, ComposerLyricist - Lou Rawls, MainArtist - Onzy Matthews, Conductor, Organ, AssociatedPerformer

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

15
I Wonder (2006 Remaster)
00:02:40

Nick Venet, Producer - Michael Cuscuna, Producer - Lou Rawls, MainArtist - Cecil Gant, ComposerLyricist - Onzy Matthews, Conductor, Organ, AssociatedPerformer - Raymond Leveen, ComposerLyricist

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

16
Let's Burn Down The Cornfield (2006 Remaster)
00:03:03

Randy Newman, ComposerLyricist - Nick Venet, Producer - Michael Cuscuna, Producer - Lou Rawls, MainArtist - Onzy Matthews, Conductor, Organ, AssociatedPerformer

(C) 2006 Blue Note Records ℗ 2006 Capitol Records, LLC

17
One For My Baby, One More For The Road (Remastered)
00:04:26

Nick Venet, Producer - Johnny Mercer, Author - Harold Arlen, Composer - Michael Cuscuna, Producer - Lou Rawls, MainArtist - Onzy Matthews, Conductor, Organ, AssociatedPerformer

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

18
Mean Old World
00:02:24

Nick Venet, Producer - Michael Cuscuna, Producer - Lou Rawls, MainArtist - Onzy Matthews, Conductor, Organ, AssociatedPerformer - WILLIE BROONZY, ComposerLyricist

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

19
Long Gone Blues
00:02:30

Nick Venet, Producer - Billie Holiday, ComposerLyricist - Michael Cuscuna, Producer - Lou Rawls, MainArtist - Onzy Matthews, Conductor, Organ, AssociatedPerformer

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

20
Fine And Mellow
00:03:38

Nick Venet, Producer - Billie Holiday, ComposerLyricist - Michael Cuscuna, Producer - Lou Rawls, MainArtist - Onzy Matthews, Conductor, Organ, AssociatedPerformer

(C) 2006 Blue Note Records ℗ 2006 Blue Note Records

Chronique

Many people may remember Lou Rawls as a fundraiser, a pitchman for Budweiser or a silky-smooth '70s soul crooner, but when he signed to Capitol in the early '60s, Rawls was strictly a jazz and blues singer. Sure he tried for hits, and even struck occasionally, with "Love Is a Hurtin' Thing" and "Your Good Thing (Is About to End)," but he was at his best when tackling the material that is collected on The Best of Lou Rawls: The Capitol Jazz & Blues Sessions. A nice mix of jazz standards, blues, pop-gospel and big band swing, the disc showcases Rawls' flexibility, light touch, and his one-of-a-kind voice as he struts and swaggers through the up-tempo tracks like "Nobody but Me," "Street of Dreams," or "Goin' to Chicago Blues," and as he gets down to something real and gritty on the ballads like "Blues for the Weepers," "How Long, How Long Blues," "So Hard to Laugh, So Easy to Cry," and the centerpiece of the album, his medley of "Southside Blues" and "Tobacco Road," which features one of Rawls' patented monologues. With help from producers like Nick Venet and David Axelrod, as well as arrangers like Benny Carter, Benny Golson, and the great H.B. Barnum, Rawls' records have always sounded near-perfect, hearing them in a setting like this only spotlights what a good working environment Rawls could create. The collection isn't perfect; as one could argue about the omission of his 1962 take on "(They Call It) Stormy Monday," or his mellow "Gee Baby, Ain't I Good to You." However, it is one hell of a fine listen that anyone who loves Rawls should add to their collection, especially if you only know him for his post-1970 work [A boon for collectors are the three bonus tracks from a recently unearthed session Rawls cut with the Curtis Amy Sextet that is as close as he came to being a hard bop singer. It is a fascinating find and as the liner notes state, it is truly a shame that there were no more songs recorded by the group.]

© Tim Sendra /TiVo

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