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Kirill Gerstein|Tchaikovsky & Prokofiev: Piano Concertos

Tchaikovsky & Prokofiev: Piano Concertos

Deutsches Symphonie-Orchester Berlin, James Gaffigan, Kirill Gerstein

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The selling point of this hybrid SACD on Myrios Classics is the world-premiere recording of the scholarly edition of Pyotr Il'yich Tchaikovsky's Piano Concerto No. 1 in B flat minor, published by the Tchaikovsky Archive and Museum in Moscow, which restores the second version of 1879. Because the posthumous third edition of 1894 contains many unauthorized editorial changes, including different dynamic markings, transpositions of chords, and a cut in the Finale, the concerto hasn't been heard the way Tchaikovsky intended it since he conducted it in 1893, mere days before his death. Kirill Gerstein's lucid performance brings out many audible differences, and on the whole, the solo part is clearer and lighter, and the old canard that Tchaikovsky couldn't compose pianistically is decisively put to rest. The companion piece is Sergey Prokofiev's Piano Concerto No. 2 in G minor, which Gerstein delivers with textural clarity and percussive brilliance. The accompaniment by the Deutsches Symphonie-Orchester, under James Gaffigan, is on the understated side in both works, though the piano part is perfectly audible because of the orchestra's comparative restraint.

© TiVo

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Tchaikovsky & Prokofiev: Piano Concertos

Kirill Gerstein

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1
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55 (1879 Version): I. Allegro non troppo e molto maestoso - Allegro con spirito
Berlin Deutsches Symphony Orchestra
00:20:10

Pyotr Ilyich Tchaikovsky, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Kirill Gerstein, Piano, MainArtist, AssociatedPerformer - James Gaffigan, Conductor, MainArtist

℗ 2015 myrios classics

2
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55 (1879 Version): II. Andantino semplice - Prestissimo
Kirill Gerstein
00:06:24

Pyotr Ilyich Tchaikovsky, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Kirill Gerstein, Piano, MainArtist, AssociatedPerformer - James Gaffigan, Conductor, MainArtist

℗ 2015 myrios classics

3
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55 (1879 Version): III. Allegro con fuoco
Kirill Gerstein
00:07:28

Pyotr Ilyich Tchaikovsky, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Kirill Gerstein, Piano, MainArtist, AssociatedPerformer - James Gaffigan, Conductor, MainArtist

℗ 2015 myrios classics

4
Piano Concerto No. 2 in G Minor, Op. 16: I. Andantino - Allegretto
Kirill Gerstein
00:10:59

Sergei Prokofiev, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Kirill Gerstein, Piano, MainArtist, AssociatedPerformer - James Gaffigan, Conductor, MainArtist

℗ 2015 myrios classics

5
Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo. Vivace
Kirill Gerstein
00:02:36

Sergei Prokofiev, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Kirill Gerstein, Piano, MainArtist, AssociatedPerformer - James Gaffigan, Conductor, MainArtist

℗ 2015 myrios classics

6
Piano Concerto No. 2 in G Minor, Op. 16: III. Intermezzo. Allegro moderato
Kirill Gerstein
00:06:48

Sergei Prokofiev, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Kirill Gerstein, Piano, MainArtist, AssociatedPerformer - James Gaffigan, Conductor, MainArtist

℗ 2015 myrios classics

7
Piano Concerto No. 2 in G Minor, Op. 16: IV. Finale. Allegro tempestoso
James Gaffigan
00:10:53

Sergei Prokofiev, Composer - Deutsches Symphonie-Orchester Berlin, Orchestra, MainArtist - Kirill Gerstein, Piano, MainArtist, AssociatedPerformer - James Gaffigan, Conductor, MainArtist

℗ 2015 myrios classics

Chronique

The selling point of this hybrid SACD on Myrios Classics is the world-premiere recording of the scholarly edition of Pyotr Il'yich Tchaikovsky's Piano Concerto No. 1 in B flat minor, published by the Tchaikovsky Archive and Museum in Moscow, which restores the second version of 1879. Because the posthumous third edition of 1894 contains many unauthorized editorial changes, including different dynamic markings, transpositions of chords, and a cut in the Finale, the concerto hasn't been heard the way Tchaikovsky intended it since he conducted it in 1893, mere days before his death. Kirill Gerstein's lucid performance brings out many audible differences, and on the whole, the solo part is clearer and lighter, and the old canard that Tchaikovsky couldn't compose pianistically is decisively put to rest. The companion piece is Sergey Prokofiev's Piano Concerto No. 2 in G minor, which Gerstein delivers with textural clarity and percussive brilliance. The accompaniment by the Deutsches Symphonie-Orchester, under James Gaffigan, is on the understated side in both works, though the piano part is perfectly audible because of the orchestra's comparative restraint.

© TiVo

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