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Joseph Kelemen|Suddeutsche Orgelmeister, Vol. 4

Suddeutsche Orgelmeister, Vol. 4

Joseph Kelemen, orgue

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Langue disponible : anglais

The Buxheimer Organ Book, compiled around 1470, was the largest collection of keyboard music of the Renaissance era, containing more than 250 pieces. Hungarian-born organist Joseph Kelemen here delves into such questions as fingering in the booklet, but for general listeners the main attractions are the pair of historically appropriate small pipe organs on which the music is performed. One of them, an anonymous instrument at the St. Andreaskirche (St. Andrew's Church) in Soest-Ostönnen, Germany, was built in 1425 and is among the oldest playable organs in the world. The Buxheimer Organ Book is often sampled, but recordings with a substantial representative group of selections from the book are not common; still less common are recordings with really strong engineering. The music is essentially medieval in style, and it was written for liturgical use; hearing a lot of it in sequence requires a listener inclined toward medieval music. But the album could serve as a kind of cornerstone of a library of organ music. The Buxheimer Organ Book contains three types of pieces, all of which are represented here, and all of which continued to dominate organ music for several centuries: there were chorale settings, adaptations of sacred and secular polyphony (Se la phase pale, track 19, is a version of Dufay's Se la face ay pale), and free preludes in which the right hand seems to improvise over a single pedal note. Sample one of the pieces from the Andreaskirche organ, heard on the first half of the album; the small instrument gives a better account of the lightness and transparency of this music than do gigantic modern instruments. Recommended for fans of Renaissance keyboard music.

© TiVo

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Suddeutsche Orgelmeister, Vol. 4

Joseph Kelemen

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Glockenlauten (Buxheimer Orgelbuch, ca. 1460) (Various Composers)

1
Glockenlauten (Buxheimer Orgelbuch, ca. 1460)
00:00:43

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Redeuntes in idem (No. 231, Buxheimer Orgelbuch, ca. 1460) (Various Composers)

2
Redeuntes in idem (No. 231, Buxheimer Orgelbuch, ca. 1460)
00:03:34

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Wolhin lass voglein sorgen (No. 14, Buxheimer Orgelbuch, ca. 1460) (Various Composers)

3
Wolhin lass voglein sorgen (No. 14, Buxheimer Orgelbuch, ca. 1460)
00:01:40

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Portigaler (No. 43, Buxheimer Orgelbuch, ca. 1460) (Various Composers)

4
Portigaler (No. 43, Buxheimer Orgelbuch, ca. 1460)
00:03:42

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Vil lieber Zit uff diser Erde (No. 51, Buxheimer Orgelbuch, ca. 1460) (Various Composers)

5
Vil lieber Zit uff diser Erde [No. 51, Buxheimer Orgelbuch, ca. 1460]
00:02:20

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Kyriel(eyson) Angelicum - Christeleyson - Ultimum Kyriel[eyson] [No. 153-155, Buxheimer Orgelbuch, ca. 1460] (Various Composers)

6
Kyriel(eyson) Angelicum - Christeleyson - Ultimum Kyriel[eyson] [No. 153-155, Buxheimer Orgelbuch, ca. 1460]
00:01:43

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Praembulum Super C (No. 232a, Buxheimer Orgelbuch, ca. 1460) (Various Composers)

7
Praembulum Super C (No. 232a, Buxheimer Orgelbuch, ca. 1460)
00:01:52

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Praembulum Super Mi (No. 233a, Buxheimer Orgelbuch, ca. 1460) (Various Composers)

8
Praembulum Super Mi (No. 233a, Buxheimer Orgelbuch, ca. 1460)
00:01:37

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Redeuntes in mi (No. 232d, Buxheimer Orgelbuch, ca. 1460) (Various Composers)

9
Redeuntes in mi (No. 232d, Buxheimer Orgelbuch, ca. 1460)
00:02:09

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Allegalea (No. 185, Buxheimer Orgelbuch, ca. 1460) (Various Composers)

10
Allegalea (No. 185, Buxheimer Orgelbuch, ca. 1460)
00:02:06

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Praembulum Super D (No. 232c, Buxheimer Orgelbuch, ca. 1460) (Various Composers)

11
Praembulum Super D (No. 232c, Buxheimer Orgelbuch, ca. 1460)
00:02:17

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Gaudeamus (omnes in Domino) [No. 35, Buxheimer Orgelbuch, ca. 1460] (Various Composers)

12
Gaudeamus (omnes in Domino) [No. 35, Buxheimer Orgelbuch, ca. 1460]
00:04:41

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Ellend du hast umbfangen mich (No. 48, Buxheimer Orgelbuch, ca. 1460) (Various Composers)

13
Ellend du hast umbfangen mich (No. 48, Buxheimer Orgelbuch, ca. 1460)
00:03:42

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Sequitur adhuc semel Ellend und Jamer (No. 49, Buxheimer Orgelbuch, ca. 1460) (Various Composers)

14
Sequitur adhuc semel Ellend und Jamer (No. 49, Buxheimer Orgelbuch, ca. 1460)
00:03:28

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Redeuntes in idem (No. 231, Buxheimer Orgelbuch, ca. 1460) (Various Composers)

15
Redeuntes in idem (No. 231, Buxheimer Orgelbuch, ca. 1460)
00:03:23

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Ein frouwlin edel von natueren (No. 19, Buxheimer Orgelbuch, ca. 1460) (Various Composers)

16
Ein frouwlin edel von natueren (No. 19, Buxheimer Orgelbuch, ca. 1460)
00:03:09

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Veni virgo (No. 76, Buxheimer Orgelbuch, ca. 1460) (Various Composers)

17
Veni virgo (No. 76, Buxheimer Orgelbuch, ca. 1460)
00:01:53

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Salve Radix Josophanie (No. 250, Buxheimer Orgelbuch, ca. 1460) (Various Composers)

18
Salve Radix Josophanie (No. 250, Buxheimer Orgelbuch, ca. 1460)
00:01:18

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Se la phase pale (No. 255, Buxheimer Orgelbuch, ca. 1460) (Various Composers)

19
Se la phase pale (No. 255, Buxheimer Orgelbuch, ca. 1460)
00:02:06

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Redeuntes in d (No. 232b, Buxheimer Orgelbuch, ca. 1460) (Various Composers)

20
Redeuntes in d (No. 232b, Buxheimer Orgelbuch, ca. 1460)
00:02:01

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Descendi in ortum meum (No. 161, Buxheimer Orgelbuch, ca. 1460) (Various Composers)

21
Descendi in ortum meum (No. 161, Buxheimer Orgelbuch, ca. 1460)
00:03:32

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Rorate celi desuper et nubes pl(uant iustum) [No. 36, Buxheimer Orgelbuch, ca. 1460] (Various Composers)

22
Rorate celi desuper et nubes pl(uant iustum) [No. 36, Buxheimer Orgelbuch, ca. 1460]
00:03:45

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Jeloy mors (No. 18, Buxheimer Orgelbuch, ca. 1460) (Various Composers)

23
Jeloy mors (No. 18, Buxheimer Orgelbuch, ca. 1460)
00:04:17

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Redeuntes in La (No. 234, Buxheimer Orgelbuch, ca. 1460) (Various Composers)

24
Redeuntes in La (No. 234, Buxheimer Orgelbuch, ca. 1460)
00:01:08

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Anna vasanna (No. 92, Buxheimer Orgelbuch, ca. 1460) (Various Composers)

25
Anna vasanna (No. 92, Buxheimer Orgelbuch, ca. 1460)
00:02:34

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Kyrieleyson de S(ancta) Maria V[irginie] - Christeleyson - Kyrieleyson [No. 150, Buxheimer Orgelbuch, ca. 1460] (Various Composers)

26
Kyrieleyson de S(ancta) Maria V[irginie] - Christeleyson - Kyrieleyson [No. 150, Buxheimer Orgelbuch, ca. 1460]
00:02:22

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Ave Regina (No. 258, Buxheimer Orgelbuch, ca. 1460) (Various Composers)

27
Ave Regina (No. 258, Buxheimer Orgelbuch, ca. 1460)
00:02:56

Anonymous, Composer - Joseph Kelemen, Artist, MainArtist

(C) 2011 Oehms Classics (P) 2011 Oehms Classics

Chronique

The Buxheimer Organ Book, compiled around 1470, was the largest collection of keyboard music of the Renaissance era, containing more than 250 pieces. Hungarian-born organist Joseph Kelemen here delves into such questions as fingering in the booklet, but for general listeners the main attractions are the pair of historically appropriate small pipe organs on which the music is performed. One of them, an anonymous instrument at the St. Andreaskirche (St. Andrew's Church) in Soest-Ostönnen, Germany, was built in 1425 and is among the oldest playable organs in the world. The Buxheimer Organ Book is often sampled, but recordings with a substantial representative group of selections from the book are not common; still less common are recordings with really strong engineering. The music is essentially medieval in style, and it was written for liturgical use; hearing a lot of it in sequence requires a listener inclined toward medieval music. But the album could serve as a kind of cornerstone of a library of organ music. The Buxheimer Organ Book contains three types of pieces, all of which are represented here, and all of which continued to dominate organ music for several centuries: there were chorale settings, adaptations of sacred and secular polyphony (Se la phase pale, track 19, is a version of Dufay's Se la face ay pale), and free preludes in which the right hand seems to improvise over a single pedal note. Sample one of the pieces from the Andreaskirche organ, heard on the first half of the album; the small instrument gives a better account of the lightness and transparency of this music than do gigantic modern instruments. Recommended for fans of Renaissance keyboard music.

© TiVo

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