Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Chris Hughes' 1994 Shift: From the Music of Steve Reich was a pioneering disc in many ways; it was an homage from a popular musician to a figure best known as a classical musician that was as serious-minded as its subject, for one thing. Steve Reich has long been a preoccupation for Englishman Hughes, who witnessed the European premiere of Reich's drumming in London in 1972. Between that time and the date of recording, Hughes managed to get involved in other pursuits -- he was one of the drummers in Adam & the Ants and was one of the minds behind the most popular albums produced by the group Tears for Fears. Along the way, Hughes did production work for Howard Jones, Paul McCartney, Enya, and Robert Plant, among others, mainly as a drummer, drum programmer, or both. Shift: From the Music of Steve Reich was a labor of love that Hughes did on his own, and it remains his only solo album.
Released on Fontana in Europe, Shift: From the Music of Steve Reich wasn't a huge seller but got decent critical notices at least. In America, it was released on Point Music through PolyGram, which didn't seem to know what to do with it. Marketed as a new age album at a time when new age was considered "dead," the pop fans who might've liked it missed it, and the classical music fans who would have liked it never heard of it. Shift: From the Music of Steve Reich swiftly disappeared from the shelves in America but has still been available in the U.K. Briefly described, Shift: From the Music of Steve Reich is executed with Synclavier utilizing digital drum programs but not always drum sounds. Part of the music is drawn from works of Reich and part of it is not, and the part deriving from Reich does not represent a literal performance of his music as scored so much as an impression gained for his examples. One remarkable piece on the disc is Slow Motion Blackbird, which realizes the Reich concept piece Slow Motion Sound, which wasn't technically possible in 1967 when it was written, but Hughes does so nearly 25 years afterward using a sample of a blackbird's song. Played quietly as suggested, it can be relaxing, and while it may not cause you to shake your booty like Tears for Fears or Adam & the Ants to more advanced tastes, such as those interested in avant-garde music, IDM, or electronica, Chris Hughes' oddball, one-off experiment should prove well worth your time.
© TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Chris Merrick Hughes, Producer, MainArtist
1994 Mercury Records Ltd under licence to Helium Records Ltd 1994 Mercury Records Ltd under licence to Helium Records Ltd
Chris Merrick Hughes, Producer, MainArtist
1994 Mercury Records Ltd under licence to Helium Records Ltd 1994 Mercury Records Ltd under licence to Helium Records Ltd
Chris Merrick Hughes, Producer, MainArtist
1994 Mercury Records Ltd under licence to Helium Records Ltd 1994 Mercury Records Ltd under licence to Helium Records Ltd
Chris Merrick Hughes, Producer, MainArtist
1994 Mercury Records Ltd under licence to Helium Records Ltd 1994 Mercury Records Ltd under licence to Helium Records Ltd
Chris Merrick Hughes, Producer, MainArtist
1994 Mercury Records Ltd under licence to Helium Records Ltd 1994 Mercury Records Ltd under licence to Helium Records Ltd
Chris Merrick Hughes, Producer, MainArtist
1994 Mercury Records Ltd under licence to Helium Records Ltd 1994 Mercury Records Ltd under licence to Helium Records Ltd
Chris Merrick Hughes, Producer, MainArtist
1994 Mercury Records Ltd under licence to Helium Records Ltd 1994 Mercury Records Ltd under licence to Helium Records Ltd
Chronique
Chris Hughes' 1994 Shift: From the Music of Steve Reich was a pioneering disc in many ways; it was an homage from a popular musician to a figure best known as a classical musician that was as serious-minded as its subject, for one thing. Steve Reich has long been a preoccupation for Englishman Hughes, who witnessed the European premiere of Reich's drumming in London in 1972. Between that time and the date of recording, Hughes managed to get involved in other pursuits -- he was one of the drummers in Adam & the Ants and was one of the minds behind the most popular albums produced by the group Tears for Fears. Along the way, Hughes did production work for Howard Jones, Paul McCartney, Enya, and Robert Plant, among others, mainly as a drummer, drum programmer, or both. Shift: From the Music of Steve Reich was a labor of love that Hughes did on his own, and it remains his only solo album.
Released on Fontana in Europe, Shift: From the Music of Steve Reich wasn't a huge seller but got decent critical notices at least. In America, it was released on Point Music through PolyGram, which didn't seem to know what to do with it. Marketed as a new age album at a time when new age was considered "dead," the pop fans who might've liked it missed it, and the classical music fans who would have liked it never heard of it. Shift: From the Music of Steve Reich swiftly disappeared from the shelves in America but has still been available in the U.K. Briefly described, Shift: From the Music of Steve Reich is executed with Synclavier utilizing digital drum programs but not always drum sounds. Part of the music is drawn from works of Reich and part of it is not, and the part deriving from Reich does not represent a literal performance of his music as scored so much as an impression gained for his examples. One remarkable piece on the disc is Slow Motion Blackbird, which realizes the Reich concept piece Slow Motion Sound, which wasn't technically possible in 1967 when it was written, but Hughes does so nearly 25 years afterward using a sample of a blackbird's song. Played quietly as suggested, it can be relaxing, and while it may not cause you to shake your booty like Tears for Fears or Adam & the Ants to more advanced tastes, such as those interested in avant-garde music, IDM, or electronica, Chris Hughes' oddball, one-off experiment should prove well worth your time.
© TiVo
À propos
- 1 disque(s) - 7 piste(s)
- Durée totale : 00:59:52
- Artistes principaux : Chris Merrick Hughes
- Label : Helium Records
- Genre : Classique Électronique ou concrète Musique électronique
1994 Mercury Records Ltd under licence to Helium Records Ltd 1994 Mercury Records Ltd under licence to Helium Records Ltd
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.