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The Gents|Sensucht

Sensucht

The Gents and Béni Csillag

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The Golden Age for Choral SingingThe nineteenth century was a golden age for choral singing. A European chorister looking for a corner in vocal heaven would have been well advised to buy a one-way ticket to Germany or Austria: more specifically, to Berlin, Leipzig, Frankfurt, Cologne, or Vienna. Beginning in 1810, singing clubs, and later on, choral societies, shot up all over this part of the world like mushrooms. You could join a Liedertafel, Liederkranz, or Männersangverein. Carl Friedrich Zelter, Mendelssohn’s teacher and the leader of the Berliner Singverein, was the first person to use the term “Liedertafel” in 1808. The term was used to indicate an informal meeting of poets, composers, and singers who came together to sing German part-songs. In a letter addressed to Goethe, Zelter explained that the 25 members of his Liedertafel were accustomed to sit down at a well-furnished table for a sumptuous dinner followed by an evening of singing. Zelter’s group preferred original works, so freshly composed that the ink was still wet. The best musical contribution was then duly rewarded with a medal, a congratulatory toast, or a laurel wreath. Behind this convivial atmosphere there was a loftier goal: the stimulation and promotion of German poetry and music. A Liedertafel, in other words, could be seen as occupying a place comparable to the Meistersingers’ guild of the middle ages, or the eighteenth-century musical meetings of the Freemasons.

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Sensucht

The Gents

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1
Sehnsucht, D. 656: "Nur wer die Sehnsucht kennt". Langsam
The Gents
00:04:03

Franz Schubert, Composer - JOHANN WOLFGANG VON GOETHE, Lyricist - Copyright Control, MusicPublisher - The Gents, Ensemble, MainArtist - Béni Csillag, Conductor, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

2
4 Gesänge für vier Männerstimmen, D. 983: No. 4. Die Nacht, "Wie schön bist du, freundliche Stille". Langsam
The Gents
00:02:49

Franz Schubert, Composer - Copyright Control, MusicPublisher - The Gents, Ensemble, MainArtist - Friedrich Wilhelm Krummacher, Lyricist - Béni Csillag, Conductor, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

3
Ständchen, D. 920: "Zögernd leise in des Dunkels nächt'ger Hülle". Andante
The Gents
00:05:44

Franz Schubert, Composer - Copyright Control, MusicPublisher - Franz Grillparzer, Lyricist - Lenneke Ruiten, Soloist, MainArtist - The Gents, Ensemble, MainArtist - Béni Csillag, Conductor, MainArtist - Thom Janssen, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

4
Grab und Mond, D. 893: "Silbergrauer Mondenschein". Langsam
The Gents
00:02:48

Franz Schubert, Composer - Copyright Control, MusicPublisher - Johann Gabriel Seidl, Lyricist - The Gents, Ensemble, MainArtist - Béni Csillag, Conductor, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

5
Der Entferten, D. 331: "Wohl denk’ ich allenthalben". Langsam
The Gents
00:04:00

Franz Schubert, Composer - Copyright Control, MusicPublisher - Johann Gaudenz von Salis-Seewis, Lyricist - The Gents, Ensemble, MainArtist - Béni Csillag, Conductor, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

6
Nachtviolen, D. 752: "Nachtviolen, Nachtviolen! Dunkle Augen, seelenvolle". Langsam
Lenneke Ruiten
00:03:05

Franz Schubert, Composer - Copyright Control, MusicPublisher - Johann Mayrhofer, Lyricist - Lenneke Ruiten, Soloist, MainArtist - Thom Janssen, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

7
6 Lieder für vierstimmigen Männergesang, Op. 33: No. 3. Die Lotosblume, "Die Lotosblume ängstigt sich vor der Sonne Pracht". Langsam, aber nicht schleppend
The Gents
00:01:59

Robert Schumann, Composer - Heinrich Heine, Lyricist - Copyright Control, MusicPublisher - The Gents, Ensemble, MainArtist - Béni Csillag, Conductor, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

8
Ritornelle in canonischen Weisen, Op. 65: No. 1. Die Rose stand im Thau. Langsam und zart
The Gents
00:02:32

Robert Schumann, Composer - Friedrich Rückert, Lyricist - Copyright Control, MusicPublisher - The Gents, Ensemble, MainArtist - Béni Csillag, Conductor, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

9
6 Lieder für vierstimmigen Männergesang, Op. 33: No. 1. Der träumende See, "Der See ruht tief im blauen Traum". Zart, langsam
The Gents
00:01:26

Robert Schumann, Composer - Copyright Control, MusicPublisher - The Gents, Ensemble, MainArtist - Julius Mosen, Lyricist - Béni Csillag, Conductor, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

10
Nachtstück, D. 672 "Nocturne": "Wenn über Berge sich der Nebel breitet". Sehr langsam
Lenneke Ruiten
00:05:30

Franz Schubert, Composer - Copyright Control, MusicPublisher - Johann Mayrhofer, Lyricist - Lenneke Ruiten, Soloist, MainArtist - Thom Janssen, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

6 Geistliche Lieder nach Gedichten von Eichendorff (Hugo Wolf)

11
No. 1, Aufblick, "Vergeht mir der Himmel". Gemessen
The Gents
00:01:02

Hugo Wolf, Composer - Joseph Von Eichendorff, Lyricist - Copyright Control, MusicPublisher - The Gents, Ensemble, MainArtist - Béni Csillag, Conductor, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

12
No. 2, Einklang, "Weil jetzo alles stille ist". Ziemlich langsam
The Gents
00:02:10

Hugo Wolf, Composer - Joseph Von Eichendorff, Lyricist - Copyright Control, MusicPublisher - The Gents, Ensemble, MainArtist - Béni Csillag, Conductor, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

13
No. 3, Resignation, "Komm, Trost der Welt, du stille Nacht!". Langsam, innig
The Gents
00:03:33

Hugo Wolf, Composer - Joseph Von Eichendorff, Lyricist - Copyright Control, MusicPublisher - The Gents, Ensemble, MainArtist - Béni Csillag, Conductor, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

14
No. 4, Letzte Bitte, "Wie ein todeswunder Streiter der den Weg verloren hat". Mässig langsam
The Gents
00:01:50

Hugo Wolf, Composer - Joseph Von Eichendorff, Lyricist - Copyright Control, MusicPublisher - The Gents, Ensemble, MainArtist - Béni Csillag, Conductor, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

15
No. 5, Ergebung, "Dein Wille, Herr geschehe!". Ziemlich gehalten
The Gents
00:02:18

Hugo Wolf, Composer - Joseph Von Eichendorff, Lyricist - Copyright Control, MusicPublisher - The Gents, Ensemble, MainArtist - Béni Csillag, Conductor, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

16
No. 6, Erhebung, "So laß herein nun brechen". Breicht, gewichtig
The Gents
00:01:30

Hugo Wolf, Composer - Joseph Von Eichendorff, Lyricist - Copyright Control, MusicPublisher - The Gents, Ensemble, MainArtist - Béni Csillag, Conductor, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

17
Abendstern, D. 806: "Was weilst du einsam an dem Himmel". Ziemlich langsam
Lenneke Ruiten
00:02:26

Franz Schubert, Composer - Copyright Control, MusicPublisher - Johann Mayrhofer, Lyricist - Lenneke Ruiten, Soloist, MainArtist - Thom Janssen, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

18
2 Männerchöre, Op. 54: No. 1. Hoffnung, "Letzte Lust und letzte Blüten"
The Gents
00:02:20

Copyright Control, MusicPublisher - Anna Ritter, Lyricist - The Gents, Ensemble, MainArtist - Julius Röntgen, Composer - Béni Csillag, Conductor, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

19
Fiesole, Op. 55
The Gents
00:02:20

Copyright Control, MusicPublisher - Anna Ritter, Lyricist - The Gents, Ensemble, MainArtist - Julius Röntgen, Composer - Béni Csillag, Conductor, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

20
3 Männerchöre, TrV 270: No. 1, Vor den Türen, "Ich habe geklopft an des Reichtums Haus". Andante
The Gents
00:04:28

Friedrich Rückert, Lyricist - Richard Strauss, Composer - Copyright Control, MusicPublisher - The Gents, Ensemble, MainArtist - Béni Csillag, Conductor, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

21
3 Männerchöre, TrV 270: No. 2, Traumlicht, "Ein Licht im Traum hat mich besucht". Sehr ruhig
The Gents
00:04:42

Friedrich Rückert, Lyricist - Richard Strauss, Composer - Copyright Control, MusicPublisher - The Gents, Ensemble, MainArtist - Béni Csillag, Conductor, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

22
An Sylvia, D. 891: "Was ist Sylvia, saget an". Mässig
The Gents
00:03:00

Franz Schubert, Composer - William Shakespeare , Lyricist - Copyright Control, MusicPublisher - Lenneke Ruiten, Soloist, MainArtist - The Gents, Ensemble, MainArtist - Eduard von Bauernfeld, Lyricist - Béni Csillag, Conductor, MainArtist - Thom Janssen, MainArtist

2009 Channel Classics Records 2009 Channel Classics Records

Chronique

The Golden Age for Choral SingingThe nineteenth century was a golden age for choral singing. A European chorister looking for a corner in vocal heaven would have been well advised to buy a one-way ticket to Germany or Austria: more specifically, to Berlin, Leipzig, Frankfurt, Cologne, or Vienna. Beginning in 1810, singing clubs, and later on, choral societies, shot up all over this part of the world like mushrooms. You could join a Liedertafel, Liederkranz, or Männersangverein. Carl Friedrich Zelter, Mendelssohn’s teacher and the leader of the Berliner Singverein, was the first person to use the term “Liedertafel” in 1808. The term was used to indicate an informal meeting of poets, composers, and singers who came together to sing German part-songs. In a letter addressed to Goethe, Zelter explained that the 25 members of his Liedertafel were accustomed to sit down at a well-furnished table for a sumptuous dinner followed by an evening of singing. Zelter’s group preferred original works, so freshly composed that the ink was still wet. The best musical contribution was then duly rewarded with a medal, a congratulatory toast, or a laurel wreath. Behind this convivial atmosphere there was a loftier goal: the stimulation and promotion of German poetry and music. A Liedertafel, in other words, could be seen as occupying a place comparable to the Meistersingers’ guild of the middle ages, or the eighteenth-century musical meetings of the Freemasons.

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