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Nearly 1,000 kilometres separate Holešov, Moravia, from Strasbourg, if one takes a detour through Mannheim. Franz Xaver Richter’s professional journey started in Count Rottal’s court orchestra in Holešov and ended in the prestigious post of Kapellmeister at the Cathédrale Notre-Dame in Strasbourg. He is primarily known as one of the major representatives of the renowned Mannheim School, with his “trumpet” Sinfonia No. 52 in D being a typical example of the late Mannheim form. The grandiose Te Deum is Richter’s second setting of the hymn and was first performed in 1781 in Strasbourg, during the celebrations marking the centenary of the city’s coming under French administration. Along with the motet Exsultate Deo, the piece falls within the composer’s vocalinstrumental oeuvre, which has yet to be explored (and, just as in the case of Jan Dismas Zelenka’s music, contains many unexpected twists and turns). The virtuoso, engrossing and masterfully balanced Oboe Concerto with the original cadenzas represents Richter’s concertante style. © Supraphon
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Symphony No. 52 in D Major (Franz Xaver Richter)
Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer
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Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer
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Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer
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Te Deum 1781 (Franz Xaver Richter)
Czech Ensemble Baroque Choir - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer - Anonymous, Author
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Markéta Böhmová, Soprano - Jaroslav Brezina, Tenor - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer - Anonymous, Author
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Czech Ensemble Baroque Choir - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer - Anonymous, Author
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Piotr Olech, Alto - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer - Anonymous, Author
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Czech Ensemble Baroque Choir - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer - Anonymous, Author
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Jaroslav Brezina, Tenor - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer - Anonymous, Author
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Pavla Radostová, Soprano - Piotr Olech, Alto - Jiří Miroslav Procházka, Bass - Czech Ensemble Baroque Choir - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer - Anonymous, Author
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Jiří Miroslav Procházka, Bass - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer - Anonymous, Author
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Czech Ensemble Baroque Choir - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer - Anonymous, Author
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Oboe Concerto in F major (Franz Xaver Richter)
Luise Haugk, Oboe - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer
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Luise Haugk, Oboe - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer
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Luise Haugk, Oboe - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer
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Exsultate Deo (Franz Xaver Richter)
Jiří Miroslav Procházka, Bass - Pavla Radostová, Soprano - Piotr Olech, Alto - Jakub Kubín, Tenor - Czech Ensemble Baroque Choir - Czech Ensemble Baroque Orchestra - Roman Válek, Conductor - Franz Xaver Richter, Composer - Anonymous, Author
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Chronique
Nearly 1,000 kilometres separate Holešov, Moravia, from Strasbourg, if one takes a detour through Mannheim. Franz Xaver Richter’s professional journey started in Count Rottal’s court orchestra in Holešov and ended in the prestigious post of Kapellmeister at the Cathédrale Notre-Dame in Strasbourg. He is primarily known as one of the major representatives of the renowned Mannheim School, with his “trumpet” Sinfonia No. 52 in D being a typical example of the late Mannheim form. The grandiose Te Deum is Richter’s second setting of the hymn and was first performed in 1781 in Strasbourg, during the celebrations marking the centenary of the city’s coming under French administration. Along with the motet Exsultate Deo, the piece falls within the composer’s vocalinstrumental oeuvre, which has yet to be explored (and, just as in the case of Jan Dismas Zelenka’s music, contains many unexpected twists and turns). The virtuoso, engrossing and masterfully balanced Oboe Concerto with the original cadenzas represents Richter’s concertante style. © Supraphon
À propos
- 1 disque(s) - 16 piste(s)
- Durée totale : 00:49:41
- Artistes principaux : Luise Haugk, Roman Válek, Czech Ensemble Baroque Orchestra
- Compositeur : Franz Xaver Richter
- Label : SUPRAPHON a.s.
- Origine : République Tchèque
- Genre : Classique Musique vocale sacrée
- Période : Musique Baroque
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