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Stefan Vladar|Ravel: Piano Music

Ravel: Piano Music

Stefan Vladar

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Langue disponible : anglais

Better known for his recordings of Beethoven and much other German Romantic piano music, Stefan Vladar explores the keyboard works of Maurice Ravel on this 2015 release from Capriccio, making a change to French repertoire that couldn't be anticipated from his discography. Ravel's keyboard music is often described as lucid, atmospheric, and elegant, and Vladar's approach to playing it adequately reflects those descriptions, although a seriousness and intellectual rigor come from his absorption of the classics. In this sense, Vladar treats Ravel as a careful craftsman whose luminous harmonies and balanced textures owe something to the refined classicism of Mozart and Chopin. While the wildly virtuosic Gaspard de la nuit is in a class by itself, with its dark depictions of the haunted poems of Aloysius Bertrand, the sparkling Jeux d'eau and the translucent Sonatine have a clarity of form and expression that Vladar respects in his controlled articulation and phrasing. The popular Pavane pour une infante défunte is also played with restraint and calmness, while the two pastiches, À la manière de - Alexandre Borodine and À la manière de - Emmanuel Chabrier, exude the languid charm of the Viennese waltz, undoubtedly found in the air of the recording venue, Schloß Walpersdorf, Austria.
© TiVo

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Ravel: Piano Music

Stefan Vladar

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Gaspard de la Nuit, M. 55 (Maurice Ravel)

1
I. Ondine
00:06:28

Stefan Vladar, Artist, MainArtist - Maurice Ravel, Composer

(C) 2015 CapriccioNR (P) 2015 CapriccioNR

2
II. Le gibet
00:06:53

Stefan Vladar, Artist, MainArtist - Maurice Ravel, Composer

(C) 2015 CapriccioNR (P) 2015 CapriccioNR

3
III. Scarbo
00:09:14

Stefan Vladar, Artist, MainArtist - Maurice Ravel, Composer

(C) 2015 CapriccioNR (P) 2015 CapriccioNR

Jeux d'eau, M. 30 (Maurice Ravel)

4
Jeux d'eau
00:05:52

Stefan Vladar, Artist, MainArtist - Maurice Ravel, Composer

(C) 2015 CapriccioNR (P) 2015 CapriccioNR

Sonatine, M. 40 (Maurice Ravel)

5
I. Modere
00:04:11

Stefan Vladar, Artist, MainArtist - Maurice Ravel, Composer

(C) 2015 CapriccioNR (P) 2015 CapriccioNR

6
II. Mouvement de Menuet
00:02:55

Stefan Vladar, Artist, MainArtist - Maurice Ravel, Composer

(C) 2015 CapriccioNR (P) 2015 CapriccioNR

7
III. Anime
00:03:46

Stefan Vladar, Artist, MainArtist - Maurice Ravel, Composer

(C) 2015 CapriccioNR (P) 2015 CapriccioNR

Pavane pour une infante défunte, M. 19 (Maurice Ravel)

8
Pavane pour une infante defunte (version for piano)
00:05:56

Stefan Vladar, Artist, MainArtist - Maurice Ravel, Composer

(C) 2015 CapriccioNR (P) 2015 CapriccioNR

À la manière de Borodine, M. 63/1 (Maurice Ravel)

9
A la maniere de Borodine
00:01:41

Stefan Vladar, Artist, MainArtist - Maurice Ravel, Composer

(C) 2015 CapriccioNR (P) 2015 CapriccioNR

À la manière de Chabrier, M. 63/2 (Maurice Ravel)

10
A la maniere de Chabrier
00:02:22

Stefan Vladar, Artist, MainArtist - Maurice Ravel, Composer

(C) 2015 CapriccioNR (P) 2015 CapriccioNR

Chronique

Better known for his recordings of Beethoven and much other German Romantic piano music, Stefan Vladar explores the keyboard works of Maurice Ravel on this 2015 release from Capriccio, making a change to French repertoire that couldn't be anticipated from his discography. Ravel's keyboard music is often described as lucid, atmospheric, and elegant, and Vladar's approach to playing it adequately reflects those descriptions, although a seriousness and intellectual rigor come from his absorption of the classics. In this sense, Vladar treats Ravel as a careful craftsman whose luminous harmonies and balanced textures owe something to the refined classicism of Mozart and Chopin. While the wildly virtuosic Gaspard de la nuit is in a class by itself, with its dark depictions of the haunted poems of Aloysius Bertrand, the sparkling Jeux d'eau and the translucent Sonatine have a clarity of form and expression that Vladar respects in his controlled articulation and phrasing. The popular Pavane pour une infante défunte is also played with restraint and calmness, while the two pastiches, À la manière de - Alexandre Borodine and À la manière de - Emmanuel Chabrier, exude the languid charm of the Viennese waltz, undoubtedly found in the air of the recording venue, Schloß Walpersdorf, Austria.
© TiVo

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