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James Brown|Pure Dynamite! (Live At The Royal Theatre/1964)

Pure Dynamite! (Live At The Royal Theatre/1964)

James Brown

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Langue disponible : anglais

It has only eight songs, it's less than half an hour long, and two of the songs are studio tracks with overdubbed audience noise. It's not nearly as well-known as his live '60s albums recorded at the Apollo, but Pure Dynamite!, recorded live at Baltimore's Royal Theater in 1963, is nearly as good. This is decidedly more raucous than his 1962 Live at the Apollo, with the balance leaning toward up-tempo ravers like "Shout and Shimmy," "Signed, Sealed, and Delivered," and the set-closing "Good Good Lovin'," all of which are positively kinetic. To break up the pace, there are some R&B torch ballads, including the song without which no James Brown show was complete, "Please, Please, Please." It's also fair to say that the recording quality is primitive, even more so than on his 1962 Apollo gig; the vocals are a bit hollow, and the audience occasionally overwhelms the music with its noisy enthusiasm. Somehow, it doesn't matter much. The performances are so energetic that you can't help getting caught up in the excitement.

© Richie Unterberger /TiVo

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Pure Dynamite! (Live At The Royal Theatre/1964)

James Brown

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1
Intro (Live At The Royal Theatre/1964)
00:00:33

JAMES BROWN, MainArtist - Not Applicable, ComposerLyricist

℗ 1964 Universal Records, a Division of UMG Recordings, Inc.

2
Shout And Shimmy (Live At The Royal Theatre/1964)
00:01:33

JAMES BROWN, MainArtist, ComposerLyricist

℗ 1964 Universal Records, a Division of UMG Recordings, Inc.

3
I'm Tired But I'm Clean (Live At The Royal Theatre/1964)
00:02:11

JAMES BROWN, MainArtist - Composer/writer Unknown, ComposerLyricist

℗ 1964 Universal Records, a Division of UMG Recordings, Inc.

4
These Foolish Things (Live At The Royal Theatre/1964)
00:02:49

JAMES BROWN, MainArtist - Jack Strachey, ComposerLyricist - Holt Marvell, ComposerLyricist

℗ 1964 Universal Records, a Division of UMG Recordings, Inc.

5
Signed Sealed And Delivered (Live At The Royal Theatre/1964)
00:02:58

Lee Garrett, ComposerLyricist - Lula Mae Hardaway, ComposerLyricist - Syreeta Wright, ComposerLyricist - Stevie Wonder, ComposerLyricist - James Brown & The Famous Flames, MainArtist

℗ 1964 Universal Records, a Division of UMG Recordings, Inc.

6
Like A Baby (Live At The Royal Theatre/1964)
00:02:49

JAMES BROWN, MainArtist - Jesse A. Stone, ComposerLyricist

℗ 1964 Universal Records, a Division of UMG Recordings, Inc.

7
I'll Never Let You Go (Live At The Royal Theatre/1964)
00:02:11

JAMES BROWN, MainArtist, ComposerLyricist

℗ 1964 Universal Records, a Division of UMG Recordings, Inc.

8
Please, Please, Please (Live At The Royal Theatre/1964)
00:03:57

JAMES BROWN, MainArtist, ComposerLyricist - Johnny Terry, ComposerLyricist

℗ 1964 Universal Records, a Division of UMG Recordings, Inc.

9
Oh Baby, Don't You Weep (Live At The Royal Theatre/1964)
00:06:57

JAMES BROWN, MainArtist, ComposerLyricist

℗ 1964 Universal Records, a Division of UMG Recordings, Inc.

10
Good, Good Lovin' (Live At The Royal Theatre/1964)
00:02:39

JAMES BROWN, MainArtist, ComposerLyricist - Albert Shubert, ComposerLyricist

℗ 1964 Universal Records, a Division of UMG Recordings, Inc.

Chronique

It has only eight songs, it's less than half an hour long, and two of the songs are studio tracks with overdubbed audience noise. It's not nearly as well-known as his live '60s albums recorded at the Apollo, but Pure Dynamite!, recorded live at Baltimore's Royal Theater in 1963, is nearly as good. This is decidedly more raucous than his 1962 Live at the Apollo, with the balance leaning toward up-tempo ravers like "Shout and Shimmy," "Signed, Sealed, and Delivered," and the set-closing "Good Good Lovin'," all of which are positively kinetic. To break up the pace, there are some R&B torch ballads, including the song without which no James Brown show was complete, "Please, Please, Please." It's also fair to say that the recording quality is primitive, even more so than on his 1962 Apollo gig; the vocals are a bit hollow, and the audience occasionally overwhelms the music with its noisy enthusiasm. Somehow, it doesn't matter much. The performances are so energetic that you can't help getting caught up in the excitement.

© Richie Unterberger /TiVo

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