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Bang Tango|Psycho Cafe

Psycho Cafe

Bang Tango

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16-Bit/44.1 kHz Stereo

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Langue disponible : anglais

Whenever a trend is hot -- be it disco, gangsta rap, grunge, or reggaeton -- major labels will inevitably jump on the bandwagon and try to milk the trend for all it is worth. Hair metal was no different; when hair bands and pop-metal were huge in the late '80s, plenty of A&R folks at major labels signed as many faceless Bon Jovi and Poison clones as they could get their hands on. But not every hair band that signed with a major label in the late '80s lacked integrity, and Psycho Cafe underscores the fact that Bang Tango made some of the more substantial and worthwhile contributions to L.A. glam metal during that era. Bang Tango's approach on this 1989 release is best described as a combination of Aerosmith, Guns N' Roses, and Led Zeppelin with hints of the Red Hot Chili Peppers at times. Although not as alternative as albums that the Peppers, Living Colour, Faith No More, and 24-7 Spyz came out with in the late '80s and early '90s, Psycho Cafe definitely incorporates funk -- and infectious tracks like "Shotgun Man" and "Attack of Life" make it clear that Bang Tango was far from an exercise in style over substance. For those who know their history, it really shouldn't come as a big surprise that headbangers who were into Aerosmith and Guns N' Roses were also into R&B; Steven Tyler and Joe Perry certainly never made a secret of their love of soul and funk, and James Brown's "Mother Popcorn" was part of Aerosmith's repertoire back when they were still playing small clubs in the early '70s. Psycho Cafe wasn't the major hit it deserved to be, but even so, this excellent album demonstrates that not all bands that were part of L.A. glam metal in the late '80s/early '90s played mindless fluff.

© Alex Henderson /TiVo

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Psycho Cafe

Bang Tango

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1
Attack Of Life
00:04:25

Howard Benson, Producer, Recording Arranger, AssociatedPerformer - Mark Knight, Composer, Guitar, Recording Arranger, AssociatedPerformer - JOE LESTE, Vocals, Recording Arranger, AssociatedPerformer, ComposerLyricist - Kyle Stevens, Composer, Guitar, Recording Arranger, AssociatedPerformer - Bang Tango, MainArtist - Tigg Ketler, Composer, Drums, Recording Arranger, AssociatedPerformer - Kyle Kyle, Composer, Bass Guitar, Recording Arranger, AssociatedPerformer

℗ 1989 UMG Recordings, Inc.

2
Someone Like You
00:04:23

Howard Benson, Producer, Recording Arranger, AssociatedPerformer - Mark Knight, Guitar, Recording Arranger, AssociatedPerformer, ComposerLyricist - JOE LESTE, Vocals, Recording Arranger, AssociatedPerformer - Kyle Stevens, Guitar, Recording Arranger, AssociatedPerformer, ComposerLyricist - Bang Tango, MainArtist - Tigg Ketler, Drums, Recording Arranger, AssociatedPerformer - Kyle Kyle, Bass Guitar, Recording Arranger, AssociatedPerformer - Robert Ketler, ComposerLyricist - Kyle Keiderling, ComposerLyricist - Joe McElyea, ComposerLyricist

℗ 1989 UMG Recordings, Inc.

3
Wrap My Wings
00:04:52

Howard Benson, Producer, Recording Arranger, AssociatedPerformer - Mark Knight, Composer, Guitar, Recording Arranger, AssociatedPerformer - JOE LESTE, Composer, Author, Vocals, Recording Arranger, AssociatedPerformer - Kyle Stevens, Composer, Guitar, Recording Arranger, AssociatedPerformer - Bang Tango, MainArtist - Tigg Ketler, Composer, Drums, Recording Arranger, AssociatedPerformer - Kyle Kyle, Composer, Bass Guitar, Recording Arranger, AssociatedPerformer

℗ 1989 UMG Recordings, Inc.

4
Breaking Up A Heart Of Stone
00:04:58

Howard Benson, Producer, Recording Arranger, AssociatedPerformer - Mark Knight, Composer, Guitar, Recording Arranger, AssociatedPerformer - JOE LESTE, Composer, Author, Vocals, Recording Arranger, AssociatedPerformer - Kyle Stevens, Composer, Guitar, Recording Arranger, AssociatedPerformer - Bang Tango, MainArtist - Tigg Ketler, Composer, Drums, Recording Arranger, AssociatedPerformer - Kyle Kyle, Composer, Bass Guitar, Recording Arranger, AssociatedPerformer

℗ 1989 UMG Recordings, Inc.

5
Shotgun Man
00:03:25

Howard Benson, Producer, Recording Arranger, AssociatedPerformer - Mark Knight, Composer, Guitar, Recording Arranger, AssociatedPerformer - JOE LESTE, Composer, Author, Vocals, Recording Arranger, AssociatedPerformer - Kyle Stevens, Composer, Guitar, Recording Arranger, AssociatedPerformer - Bang Tango, MainArtist - Tigg Ketler, Composer, Drums, Recording Arranger, AssociatedPerformer - Kyle Kyle, Composer, Bass Guitar, Recording Arranger, AssociatedPerformer

℗ 1989 UMG Recordings, Inc.

6
Don't Stop Now
00:03:31

Howard Benson, Producer, Recording Arranger, AssociatedPerformer - Mark Knight, Composer, Guitar, Recording Arranger, AssociatedPerformer - JOE LESTE, Composer, Author, Vocals, Recording Arranger, AssociatedPerformer - Kyle Stevens, Composer, Guitar, Recording Arranger, AssociatedPerformer - Bang Tango, MainArtist - Tigg Ketler, Composer, Drums, Recording Arranger, AssociatedPerformer - Kyle Kyle, Composer, Bass Guitar, Recording Arranger, AssociatedPerformer

℗ 1989 UMG Recordings, Inc.

7
Love Injection
00:04:34

Howard Benson, Producer - Mark Knight, Composer, Guitar, AssociatedPerformer - JOE LESTE, Composer, Author, Vocals, AssociatedPerformer - Kyle Stevens, Composer, Guitar, AssociatedPerformer - Bang Tango, MainArtist - Tigg Ketler, Composer, Drums, AssociatedPerformer - Kyle Kyle, Composer, Bass Guitar, AssociatedPerformer

℗ 1989 UMG Recordings, Inc.

8
Just For You
00:04:13

Howard Benson, Producer - Mark Knight, Composer, Guitar, AssociatedPerformer - JOE LESTE, Composer, Author, Vocals, AssociatedPerformer - Kyle Stevens, Composer, Guitar, AssociatedPerformer - Bang Tango, MainArtist - Tigg Ketler, Composer, Drums, AssociatedPerformer - Kyle Kyle, Composer, Bass Guitar, AssociatedPerformer

℗ 1989 Geffen Records

9
Do What You're Told
00:03:25

Howard Benson, Producer - Mark Knight, Composer, Guitar, AssociatedPerformer - JOE LESTE, Composer, Author, Vocals, AssociatedPerformer - Kyle Stevens, Composer, Guitar, AssociatedPerformer - Bang Tango, MainArtist - Tigg Ketler, Composer, Drums, AssociatedPerformer - Kyle Kyle, Composer, Bass Guitar, AssociatedPerformer

℗ 1989 UMG Recordings, Inc.

10
Sweet Little Razor
00:04:33

Howard Benson, Producer - Mark Knight, Composer, Guitar, AssociatedPerformer - JOE LESTE, Composer, Author, Vocals, AssociatedPerformer - Kyle Stevens, Composer, Guitar, AssociatedPerformer - Bang Tango, MainArtist - Tigg Ketler, Composer, Drums, AssociatedPerformer - Kyle Kyle, Composer, Bass Guitar, AssociatedPerformer

℗ 1989 UMG Recordings, Inc.

Chronique

Whenever a trend is hot -- be it disco, gangsta rap, grunge, or reggaeton -- major labels will inevitably jump on the bandwagon and try to milk the trend for all it is worth. Hair metal was no different; when hair bands and pop-metal were huge in the late '80s, plenty of A&R folks at major labels signed as many faceless Bon Jovi and Poison clones as they could get their hands on. But not every hair band that signed with a major label in the late '80s lacked integrity, and Psycho Cafe underscores the fact that Bang Tango made some of the more substantial and worthwhile contributions to L.A. glam metal during that era. Bang Tango's approach on this 1989 release is best described as a combination of Aerosmith, Guns N' Roses, and Led Zeppelin with hints of the Red Hot Chili Peppers at times. Although not as alternative as albums that the Peppers, Living Colour, Faith No More, and 24-7 Spyz came out with in the late '80s and early '90s, Psycho Cafe definitely incorporates funk -- and infectious tracks like "Shotgun Man" and "Attack of Life" make it clear that Bang Tango was far from an exercise in style over substance. For those who know their history, it really shouldn't come as a big surprise that headbangers who were into Aerosmith and Guns N' Roses were also into R&B; Steven Tyler and Joe Perry certainly never made a secret of their love of soul and funk, and James Brown's "Mother Popcorn" was part of Aerosmith's repertoire back when they were still playing small clubs in the early '70s. Psycho Cafe wasn't the major hit it deserved to be, but even so, this excellent album demonstrates that not all bands that were part of L.A. glam metal in the late '80s/early '90s played mindless fluff.

© Alex Henderson /TiVo

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