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Dogs Of Desire|Michael Daugherty: This Land Sings (Inspired by the Life and Times of Woody Guthrie)

Michael Daugherty: This Land Sings (Inspired by the Life and Times of Woody Guthrie)

David Alan Miller, Dogs Of Desire

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Langue disponible : anglais

Folk songs, by Woody Guthrie and others, have been adapted to the world of concert music before, but in Guthrie's case, the partnership is an uneasy one; the simplicity and the absolute populism of Guthrie's music is at odds with the individualist ethos of classical composition. So how does composer Michael Daugherty manage his Woody Guthrie song cycle? His solution is bold and perhaps ingenious: for the most part, he doesn't set Guthrie's tunes at all, although This Land Is Your Land turns up in a couple of numbers. Instead, he writes words of his own and draws on texts from elsewhere in the progressive strain of thought, dating back to Mark Twain, that animated Guthrie's production. He matches these to two types of musical setting: elaborated traditional American songs and music in his own peppy, often satirical vein. Guthrie wouldn't have minded the humor a bit. Think of it as songs that Guthrie might have liked, were he alive today, and you'll get the idea. This Land Sings also marks a new departure for Daugherty, whose motoric, Stravinsky-meets-pop style doesn't completely disappear but is greatly toned down in the few numbers where it does appear. In the work's premiere, Daugherty introduced the songs himself, talking about their closer or more distant connections to Guthrie. Here, those explanations are relegated to the booklet/online notes. One might feel that "Silver Bullet" (No. 11), where the singer takes on the persona of the oppressor rather than the underdog, doesn't quite fit, and that it might have been eliminated and the spoken introductions restored, but it all adds up to something quite unlike anything anybody else has done before. Listeners are going to have their own reactions, but this is original stuff, ideally and flexibly performed.

© TiVo

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Michael Daugherty: This Land Sings (Inspired by the Life and Times of Woody Guthrie)

Dogs Of Desire

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This Land Sings (Inspired by the Life and Times of Woody Guthrie) (Michael Daugherty)

1
No. 1, Overture
Dogs Of Desire
00:01:02

Michael Daugherty, Composer - David Alan Miller, Conductor - Dogs Of Desire, Ensemble, MainArtist

(C) 2020 Naxos (P) 2020 Naxos

2
No. 2, The Ghost and Will of Joe Hill
Annika Socolofsky
00:05:19

Michael Daugherty, Composer - David Alan Miller, Conductor - John Daugherty, Artist - Dogs Of Desire, Ensemble - Annika Socolofsky, Artist, MainArtist

(C) 2020 Naxos (P) 2020 Naxos

3
No. 3, Perpetual Motion Man
Annika Socolofsky
00:02:58

Michael Daugherty, Composer - David Alan Miller, Conductor - John Daugherty, Artist - Dogs Of Desire, Ensemble - Annika Socolofsky, Artist, MainArtist

(C) 2020 Naxos (P) 2020 Naxos

4
No. 4, Marfa Lights
Dogs Of Desire
00:04:56

Michael Daugherty, Composer - David Alan Miller, Conductor - Dogs Of Desire, Ensemble, MainArtist

(C) 2020 Naxos (P) 2020 Naxos

5
No. 5, Hear the Dust Blow
Annika Socolofsky
00:04:03

Michael Daugherty, Composer - David Alan Miller, Conductor - Dogs Of Desire, Ensemble - Annika Socolofsky, Artist, MainArtist

(C) 2020 Naxos (P) 2020 Naxos

6
No. 6, Graceland
John Daugherty
00:03:06

Michael Daugherty, Composer - David Alan Miller, Conductor - John Daugherty, Artist, MainArtist - Dogs Of Desire, Ensemble

(C) 2020 Naxos (P) 2020 Naxos

7
No. 7, Forbidden Fruit
Annika Socolofsky
00:03:35

Michael Daugherty, Composer - David Alan Miller, Conductor - John Daugherty, Artist - Dogs Of Desire, Ensemble - Annika Socolofsky, Artist, MainArtist

(C) 2020 Naxos (P) 2020 Naxos

8
No. 8, Hot Air
John Daugherty
00:02:33

Michael Daugherty, Composer - David Alan Miller, Conductor - John Daugherty, Artist, MainArtist - Dogs Of Desire, Ensemble

(C) 2020 Naxos (P) 2020 Naxos

9
No. 9, Bread and Roses
Annika Socolofsky
00:04:17

Michael Daugherty, Composer - David Alan Miller, Conductor - Dogs Of Desire, Ensemble - Annika Socolofsky, Artist, MainArtist

(C) 2020 Naxos (P) 2020 Naxos

10
No. 10, This Land Sings
Dogs Of Desire
00:06:08

Michael Daugherty, Composer - David Alan Miller, Conductor - Dogs Of Desire, Ensemble, MainArtist

(C) 2020 Naxos (P) 2020 Naxos

11
No. 11, Silver Bullet
John Daugherty
00:03:10

Michael Daugherty, Composer - David Alan Miller, Conductor - John Daugherty, Artist, MainArtist - Dogs Of Desire, Ensemble

(C) 2020 Naxos (P) 2020 Naxos

12
No. 12, This Trombone Kills Fascists
Greg Spiridopoulos
00:01:44

Michael Daugherty, Composer - Matthew Gold, Artist - Greg Spiridopoulos, Artist, MainArtist

(C) 2020 Naxos (P) 2020 Naxos

13
No. 13, Don't Sing Me a Love Song
Annika Socolofsky
00:04:23

Michael Daugherty, Composer - David Alan Miller, Conductor - John Daugherty, Artist - Dogs Of Desire, Ensemble - Annika Socolofsky, Artist, MainArtist

(C) 2020 Naxos (P) 2020 Naxos

14
No. 14, My Heart Is Burning
Michael Daugherty
00:02:52

Michael Daugherty, Composer, Artist, MainArtist - Mike Fittipaldi, Artist

(C) 2020 Naxos (P) 2020 Naxos

15
No. 15, I'm Gonna Walk That Lonesome Valley
John Daugherty
00:03:19

Michael Daugherty, Composer - John Daugherty, Artist, MainArtist - Weixiong Wang, Artist

(C) 2020 Naxos (P) 2020 Naxos

16
No. 16, Mermaid Avenue
Dogs Of Desire
00:07:02

Michael Daugherty, Composer - David Alan Miller, Conductor - Dogs Of Desire, Ensemble, MainArtist

(C) 2020 Naxos (P) 2020 Naxos

17
No. 17, Wayfaring Stranger [900 Miles]
Annika Socolofsky
00:06:17

Michael Daugherty, Composer - David Alan Miller, Conductor - John Daugherty, Artist - Dogs Of Desire, Ensemble - Annika Socolofsky, Artist, MainArtist

(C) 2020 Naxos (P) 2020 Naxos

Chronique

Folk songs, by Woody Guthrie and others, have been adapted to the world of concert music before, but in Guthrie's case, the partnership is an uneasy one; the simplicity and the absolute populism of Guthrie's music is at odds with the individualist ethos of classical composition. So how does composer Michael Daugherty manage his Woody Guthrie song cycle? His solution is bold and perhaps ingenious: for the most part, he doesn't set Guthrie's tunes at all, although This Land Is Your Land turns up in a couple of numbers. Instead, he writes words of his own and draws on texts from elsewhere in the progressive strain of thought, dating back to Mark Twain, that animated Guthrie's production. He matches these to two types of musical setting: elaborated traditional American songs and music in his own peppy, often satirical vein. Guthrie wouldn't have minded the humor a bit. Think of it as songs that Guthrie might have liked, were he alive today, and you'll get the idea. This Land Sings also marks a new departure for Daugherty, whose motoric, Stravinsky-meets-pop style doesn't completely disappear but is greatly toned down in the few numbers where it does appear. In the work's premiere, Daugherty introduced the songs himself, talking about their closer or more distant connections to Guthrie. Here, those explanations are relegated to the booklet/online notes. One might feel that "Silver Bullet" (No. 11), where the singer takes on the persona of the oppressor rather than the underdog, doesn't quite fit, and that it might have been eliminated and the spoken introductions restored, but it all adds up to something quite unlike anything anybody else has done before. Listeners are going to have their own reactions, but this is original stuff, ideally and flexibly performed.

© TiVo

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